The Complete Louis Armstrong Decca Sessions (1935–1946) (replaced CD 1 version)

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Disc 1 is a replacement, issued by Mosaic to correct an error in its original release. It was accompanied with the following note:

Enclosed please find a replacement copy of Disc I for "The Complete Louis Armstrong Decca Sessions". The original Disc I was missing the master take of "Old Man Mose" (track 6) and in its place an alternate take that is correctly placed on track 19.

See also: original disc 1.

Anmerkung zuletzt geändert am 2011-08-10 02:25 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I’m in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
43:11
2You Are My Lucky Star
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
You Are My Lucky Star (from 1935’s “Broadway Melody of 1936” and 1952’s “Singin’ in the Rain”) (am 1934-10-03)
Texter:
Arthur Freed (bis 1935-08-25)
Komponist(in):
Nacio Herb Brown (US songwriter) (bis 1935-08-25)
publisher:
Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
2:59
3La Cucaracha
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
La cucaracha (am 1934-10-03)
Texter und Komponist(in):
[traditional] (special purpose artist)
2:41
4Got a Bran’ New Suit
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
Got a Bran’ New Suit (am 1935-10-03)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
2:48
5I’ve Got My Fingers Crossed
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-21)
Gitarre:
Lee Blair (am 1935-11-21)
Klavier:
Luis Russell (am 1935-11-21)
Kontrabass:
George "Pops" Foster (am 1935-11-21)
Posaune:
Jimmy Archey (am 1935-11-21) und Harry White (jazz trombonist) (am 1935-11-21)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-21), Henry “Moon” Jones (swing era reeds) (am 1935-11-21) und Bingie Madison (am 1935-11-21)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-21)
Tenorsaxophon:
Greely Walton (am 1935-11-21)
Trompete:
Gus Aiken (am 1935-11-21), Louis Armstrong (am 1935-11-21), Louis Bacon (am 1935-11-21) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-21)
vocals:
Louis Armstrong (am 1935-11-21)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-21)
recording of:
I’ve Got My Fingers Crossed (am 1935-11-21)
Texter:
Ted Koehler
Komponist(in):
Jimmy McHugh (songwriter)
2:32
6Old Man Mose
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-21)
Gitarre:
Lee Blair (am 1935-11-21)
Klavier:
Luis Russell (am 1935-11-21)
Kontrabass:
George "Pops" Foster (am 1935-11-21)
Posaune:
Jimmy Archey (am 1935-11-21) und Harry White (jazz trombonist) (am 1935-11-21)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-21), Henry “Moon” Jones (swing era reeds) (am 1935-11-21) und Bingie Madison (am 1935-11-21)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-21)
Tenorsaxophon:
Greely Walton (am 1935-11-21)
Trompete:
Gus Aiken (am 1935-11-21), Louis Armstrong (am 1935-11-21), Louis Bacon (am 1935-11-21) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-21)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-21)
recording of:
Ol’ Man Mose (am 1935-11-21)
Verfasser(in):
Louis Armstrong und Zilner Randolph
2:32
7I’m Shooting High
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22), Henry “Moon” Jones (swing era reeds) (am 1935-11-22) und Bingie Madison (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
I’m Shooting High (am 1935-11-22)
Verfasser(in):
Ted Koehler und Jimmy McHugh (songwriter)
42:56
8Was I to Blame for Falling in Love With You
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22) und Henry “Moon” Jones (swing era reeds) (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klarinette:
Bingie Madison (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (am 1935-11-22)
Verfasser(in):
Chester Conn, Gus Kahn und Victor Young (American composer, arranger, violinist & conductor)
3:07
9Red Sails in the Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
Red Sails in the Sunset (am 1935-12-13)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:04
10On Treasure Island
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
On Treasure Island (am 1935-12-13)
Texter:
Edgar Leslie
Komponist(in):
Joe Burke (American composer)
3:07
11Thanks a Million
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
Thanks a Million (am 1935-12-19)
Texter:
Gus Kahn
Komponist(in):
Arthur Johnston (American composer and songwriter)
2:38
12Shoe Shine Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
Shoe Shine Boy (am 1934-12-19)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
3:19
13Solitude
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Bass:
George "Pops" Foster (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
(In My) Solitude
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
3:05
14I Hope Gabriel Likes My Music
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (am 1935-12-19)
Komponist(in):
Dave Franklin (Tin Pan Alley songwriter)
3:20
15The Music Goes ’Round and Around
recorded in:
New York, New York, Vereinigte Staaten (am 1936-01-18)
Gitarre:
Lee Blair (am 1936-01-18)
Klavier:
Luis Russell (am 1936-01-18)
Kontrabass:
George "Pops" Foster (am 1936-01-18)
Posaune:
Jimmy Archey (am 1936-01-18) und Harry White (jazz trombonist) (am 1936-01-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-01-18), Henry “Moon” Jones (swing era reeds) (am 1936-01-18) und Bingie Madison (am 1936-01-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-01-18)
Tenorsaxophon:
Greely Walton (am 1936-01-18)
Trompete:
Gus Aiken (am 1936-01-18), Louis Armstrong (am 1936-01-18), Louis Bacon (am 1936-01-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-01-18)
vocals:
Louis Armstrong (am 1936-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-01-18)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (am 1936-01-18)
Texter:
Red Hodgson (in 1935)
Komponist(in):
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) und Mike Riley (US jazz trombonist & songwriter) (in 1935)
3:18
16Rhythm Saved the World
recorded in:
New York, New York, Vereinigte Staaten (am 1936-01-18)
Gitarre:
Lee Blair (am 1936-01-18)
Klavier:
Luis Russell (am 1936-01-18)
Kontrabass:
George "Pops" Foster (am 1936-01-18)
Posaune:
Jimmy Archey (am 1936-01-18) und Harry White (jazz trombonist) (am 1936-01-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-01-18), Henry “Moon” Jones (swing era reeds) (am 1936-01-18) und Bingie Madison (am 1936-01-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-01-18)
Tenorsaxophon:
Greely Walton (am 1936-01-18)
Trompete:
Gus Aiken (am 1936-01-18), Louis Armstrong (am 1936-01-18), Louis Bacon (am 1936-01-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-01-18)
vocals:
Louis Armstrong (am 1936-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-01-18)
recording of:
Rhythm Saved the World (am 1936-01-18)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
32:54
17Got a Bran’ New Suit (alternate take A)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Henry Moon (am 1935-10-03), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
Got a Bran’ New Suit (am 1935-10-03)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
2:45
18I’ve Got My Fingers Crossed (alternate take A)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-21)
Bass:
George "Pops" Foster (am 1935-11-21)
Gitarre:
Lee Blair (am 1935-11-21)
Klavier:
Luis Russell (am 1935-11-21)
Posaune:
Jimmy Archey (am 1935-11-21) und Harry White (jazz trombonist) (am 1935-11-21)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-21), Henry “Moon” Jones (swing era reeds) (am 1935-11-21) und Bingie Madison (am 1935-11-21)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-21)
Tenorsaxophon:
Greely Walton (am 1935-11-21)
Trompete:
Gus Aiken (am 1935-11-21), Louis Armstrong (am 1935-11-21), Louis Bacon (am 1935-11-21) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-21)
vocals:
Louis Armstrong (am 1935-11-21)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-21)
recording of:
I’ve Got My Fingers Crossed
Texter:
Ted Koehler
Komponist(in):
Jimmy McHugh (songwriter)
2:50
19Old Man Mose (alternate take A)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-21)
Bass:
George "Pops" Foster (am 1935-11-21)
Gitarre:
Lee Blair (am 1935-11-21)
Klavier:
Luis Russell (am 1935-11-21)
Posaune:
Jimmy Archey (am 1935-11-21) und Harry White (jazz trombonist) (am 1935-11-21)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-21), Henry “Moon” Jones (swing era reeds) (am 1935-11-21) und Bingie Madison (am 1935-11-21)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-21)
Tenorsaxophon:
Greely Walton (am 1935-11-21)
Trompete:
Gus Aiken (am 1935-11-21), Louis Armstrong (am 1935-11-21), Louis Bacon (am 1935-11-21) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-21)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-21)
recording of:
Ol’ Man Mose (am 1935-11-21)
Verfasser(in):
Louis Armstrong und Zilner Randolph
2:57
20Old Man Mose (alternate take D)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
Bass:
George "Pops" Foster (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22), Henry “Moon” Jones (swing era reeds) (am 1935-11-22) und Bingie Madison (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
Ol’ Man Mose (am 1935-11-22)
Verfasser(in):
Louis Armstrong und Zilner Randolph
42:36
21Thanks a Million (alternate take B)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Bass:
George "Pops" Foster (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
Thanks a Million (am 1935-12-19)
Texter:
Gus Kahn
Komponist(in):
Arthur Johnston (American composer and songwriter)
2:38
22Solitude (alternate take C)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Bass:
George "Pops" Foster (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
(In My) Solitude
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
3:08
23Solitude (alternate take B)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
(In My) Solitude (am 1935-12-19)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
3:01
24I Hope Gabriel Likes My Music (alternate take C)
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Bass:
George "Pops" Foster (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (am 1935-12-19)
Komponist(in):
Dave Franklin (Tin Pan Alley songwriter)
3:16
25Rhythm Saved the World (alternate take B)
recorded in:
New York, New York, Vereinigte Staaten (am 1936-01-18)
Bass:
George "Pops" Foster (am 1936-01-18)
Gitarre:
Lee Blair (am 1936-01-18)
Klavier:
Luis Russell (am 1936-01-18)
Posaune:
Jimmy Archey (am 1936-01-18) und Harry White (jazz trombonist) (am 1936-01-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-01-18), Henry “Moon” Jones (swing era reeds) (am 1936-01-18) und Bingie Madison (am 1936-01-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-01-18)
Tenorsaxophon:
Greely Walton (am 1936-01-18)
Trompete:
Gus Aiken (am 1936-01-18), Louis Armstrong (am 1936-01-18), Louis Bacon (am 1936-01-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-01-18)
vocals:
Louis Armstrong (am 1936-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-01-18)
recording of:
Rhythm Saved the World (am 1936-01-18)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
3:06
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