I Get a Kick Out of You: Cole Porter Songbook, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Get a Kick Out of You
Techniker(in):
Val Valentin (in 1957)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
Kontrabass:
Ray Brown (jazz bassist) (in 1957)
Schlagzeug:
Louie Bellson (in 1957)
Trompete:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
I Get a Kick Out of You (in 1957)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Louis Armstrong4:21
2My Heart Belongs to Daddy
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
Produzent(in):
Norman Granz
Bass:
Buddy Clark (US jazz bassist)
Klavier:
Jimmy Rowles
Posaune:
Frank Rosolino
Rohrblattinstrumente:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
Schlagzeug:
Lawrence Marable
Trompete:
Lee Katzman und Jack Sheldon
Tuba:
Al Pollan
vocals:
Anita O’Day (vom 1959-04-07 bis heute, in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
My Heart Belongs to Daddy (in 1959-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Anita O’Day2:54
3I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Ella Fitzgerald3:15
4After You, Who?
cover recording of:
After You, Who? (Cole Porter; from “The Gay Divorcee”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
Teil von:
Gay Divorce
Helen Merrill3:06
5So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Dinah Washington4:27
6Too Darn Hot
recording of:
Too Darn Hot (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
Mel Tormé2:47
7Just One of Those Things
cover recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Sarah Vaughan2:32
8Get Out of Town
recording of:
Get Out of Town
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
Shirley Horn2:54
9Love for Sale
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Billie Holiday42:59
10From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
Anita O’Day3:12
11Night and Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire4:59
12Give Him the Ooh‐La‐La
leitende(r) Produzent(in):
Richard Seidel
Produzent(in):
Norman Granz
Gitarre:
Herb Ellis (jazz guitarist) (von 1957-09-12 bis 1957-09-13)
Klavier:
Blossom Dearie (von 1957-09-12 bis 1957-09-13)
Kontrabass:
Ray Brown (jazz bassist) (von 1957-09-12 bis 1957-09-13)
Schlagzeug:
Jo Jones (US jazz drummer) (von 1957-09-12 bis 1957-09-13)
vocals:
Blossom Dearie (von 1957-09-12 bis 1957-09-13)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (von 1957-09-12 bis 1957-09-13)
recording of:
Give Him the Oo-la-la (von 1957-09-12 bis 1957-09-13)
Texter und Komponist(in):
Cole Porter (composer)
Blossom Dearie2:41
13Ev’rything I Love
recording of:
Everything I Love (Let’s Face It! musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Morgana King3:18
14Miss Otis Regrets
cover recording of:
Miss Otis Regrets
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Ella Fitzgerald3:56
15All of You
cover recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Helen Merrill3:32
16You’re the Top
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-15)
Trompete:
Louis Armstrong
vocals:
Louis Armstrong (, am 1957-08-15)
Orchester:
Russ Garcia & His Orchestra (am 1957-08-15)
conductor:
Russell Garcia (am 1957-08-15)
arranger:
Russell Garcia
recording of:
You’re the Top (am 1957-08-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Louis Armstrong2:31
17Most Gentlemen Don’t Like Love
recording of:
Most Gentlemen Don't Like Love
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
Betty Carter3:04

Nennungen

Veröffentlichungsgruppe

Teil von:Great American Songwriters (Reihenfolge: 1)
The Complete Cole Porter Songbooks (Nummer: 2) (Reihenfolge: 2)
The Verve Songbook Series (Nummer: 1991) (Reihenfolge: 2)