The Caruso Edition, Volume IV: 1916–1921

~ Release by Enrico Caruso (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Sancta Maria
cello:
Rosario Bourdon (French Canadian cellist, violinist, conductor, arranger and composer) (on 1916-03-20)
tenor vocals:
Enrico Caruso (tenor) (on 1916-03-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-03-20)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-03-20)
recording of:
Sancta mater (on 1916-03-20)
composer:
Gabriel Fauré (French composer)
Gabriel Fauré3:39
2Tiempo antico
tenor vocals:
Enrico Caruso (tenor) (on 1916-03-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-03-20)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-03-20)
recording of:
Tiempo antico (on 1916-03-20)
writer:
Enrico Caruso (tenor)
Enrico Caruso3:55
3Santa Lucia
mandolin:
Bianculli (on 1916-03-20)
tenor vocals:
Enrico Caruso (tenor) (on 1916-03-20)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-03-20)
conductor:
Walter B. Rogers (American cornet player and conductor) (on 1916-03-20)
recording of:
Santa Lucia (original traditional Neapolitan song) (on 1916-03-20)
lyricist and composer:
[traditional] (special purpose artist)
translator:
Teodoro Cottrau (composer)
[traditional]4:05
4Pourquoi ?
tenor vocals:
Enrico Caruso (tenor) (on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
6 Romances, op. 6, no. 5: Why? (Отчего?) (6 Romances, op. 6 no. 5: Why?) (on 1916-11-03)
lyricist:
Heinrich Heine (German poet) (in 1822)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869-11)
dedicated to:
Иван Александрович Клименко
translator:
Лев Мей (Lev Mei, XIX c. poet, prose writer, playwright, translator) (in 1858)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 215)
part of:
6 Romances, op. 6
Pyotr Tchaikovsky3:05
5Eugene Onegin: Act II. “Pour moi ce jour est tout mystère”
tenor vocals:
Enrico Caruso (tenor) (on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Интродукция и сцена "Ну, что же" (Introduction and Scene "Nu, chto zhe") (on 1916-11-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)
Pyotr Tchaikovsky4:15
6Chanson de juin
tenor vocals:
Enrico Caruso (tenor) (on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
Chansons des mois, op. 102, no. 6: Chanson de juin (on 1916-11-03)
lyricist:
Victor Barrucand
composer:
Benjamin Godard (French violinist and composer, 1849-1895)
part of:
Chansons des mois, op. 102
Benjamin Godard4:24
7Andrea Chénier: Act IV. “Come un bel dì di maggio”
tenor vocals:
Enrico Caruso (tenor) (, on 1916-11-03)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-11-03)
conductor:
Josef Pasternack (conductor) (on 1916-11-03)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier) (on 1916-11-03)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:02
8Samson et Dalila : Act III. “Vois ma misère, hélas”
choir vocals:
Metropolitan Opera Chorus (on 1916-12-07)
tenor vocals:
Enrico Caruso (tenor) (on 1916-12-07)
orchestra:
Metropolitan Opera Orchestra (on 1916-12-07)
chorus master:
Giulio Seni (on 1916-12-07)
recording of:
Samson et Dalila : Acte III, scène 1. « Vois ma misère, hélas » (Samson) (on 1916-12-07)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte III
Camille Saint‐Saëns4:33
9Les Pêcheurs de perles : Act 1. “Je crois entendre encore”
tenor vocals:
Enrico Caruso (tenor) (on 1916-12-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-12-07)
conductor:
Josef Pasternack (conductor) (on 1916-12-07)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (on 1916-12-07)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet4:34
10Les Pêcheurs de perles : Act 2. “De mon amie, fleur endormie”
harp:
Francis J. Lapitino (harpist) (on 1916-12-07)
oboe:
William Adams (oboist, 1910–20s) (on 1916-12-07)
tenor vocals:
Enrico Caruso (tenor) (on 1916-12-07)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1916-12-07)
conductor:
Josef Pasternack (conductor) (on 1916-12-07)
recording of:
Les Pêcheurs de perles : Acte II. No. 8 Chanson « De mon amie » (Nadir, Leïla) (on 1916-12-07)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte II
Georges Bizet2:14
11Rigoletto: Act IV. Quartet: “Bella figlia dell’amore”
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
mezzo-soprano vocals:
Flora Perini (mezzo-soprano) (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1917-01-25)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi4:02
12Rigoletto: Act IV. Quartet: “Bella figlia dell’amore” (alternate take up to mezzo entrance only)
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
mezzo-soprano vocals:
Flora Perini (mezzo-soprano) (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (on 1917-01-25)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi1:28
13Lucia di Lammermoor: Act II. Sextet: “Chi mi frena in tal momento” (unpublished take)
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
bass vocals:
Marcel Journet (French operatic bass) (on 1917-01-25)
mezzo-soprano vocals:
Minnie Egener (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Angelo Badà (tenor) (on 1917-01-25) and Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1917-01-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:59
14Lucia di Lammermoor: Act II. Sextet: “Chi mi frena in tal momento”
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (on 1917-01-25)
bass vocals:
Marcel Journet (French operatic bass) (on 1917-01-25)
mezzo-soprano vocals:
Minnie Egener (on 1917-01-25)
soprano vocals:
Amelita Galli-Curci (soprano) (on 1917-01-25)
tenor vocals:
Angelo Badà (tenor) (on 1917-01-25) and Enrico Caruso (tenor) (on 1917-01-25)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-01-25)
conductor:
Josef Pasternack (conductor) (on 1917-01-25)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1917-01-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:07
15Martha: Act 3. “M’apparì tutt’amor”
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (on 1917-04-15)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow3:47
16Musica proibita
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Musica proibita (on 1917-04-15)
lyricist:
Flick‐Flock (in 1881)
composer:
Stanislao Gastaldon (in 1881)
Stanislao Gastaldon3:47
17Uocchie celeste
harp:
Francis J. Lapitino (harpist) (on 1917-04-15)
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Uocchie celeste (on 1917-04-15)
writer:
Vincenzo De Crescenzo (Neapolitan songwriter, 1875–1964) and Armando Gill
Vincenzo De Crescenzo4:34
18L’Alba separa dalla luce l’ombra (unpublished take)
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Quattro canzoni d’Amaranta: No. 2. L'alba separa dalla luce l'ombra (on 1917-04-15)
lyricist:
Gabriele D'Annunzio
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
part of:
Quattro canzoni d'Amaranta
Francesco Paolo Tosti2:29
19L’Alba separa dalla luce l’ombra
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Quattro canzoni d’Amaranta: No. 2. L'alba separa dalla luce l'ombra (on 1917-04-15)
lyricist:
Gabriele D'Annunzio
composer:
Francesco Paolo Tosti (Paolo Tosti, composer)
part of:
Quattro canzoni d'Amaranta
Francesco Paolo Tosti2:31
20Néron : Act 2. “Oh ! lumière du jour” (unpublished take)
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Néron : Acte II. « Ah ! lumière du jour » (on 1917-04-15)
part of:
Néron
Anton Rubinstein4:03
21Néron : Act 2. “Oh ! lumière du jour”
tenor vocals:
Enrico Caruso (tenor) (on 1917-04-15)
orchestra:
Victor Orchestra (original US orchestra, 1900s to 1930s) (on 1917-04-15)
conductor:
Josef Pasternack (conductor) (on 1917-04-15)
recording of:
Néron : Acte II. « Ah ! lumière du jour » (on 1917-04-15)
part of:
Néron
Anton Rubinstein4:14
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Credits

Release

ASIN:US: B000000WLU [info]

Release group

part of:The Caruso Edition (Pearl) (number: 4) (order: 3)