Essential Original Albums

~ Veröffentlichung von Sidney Bechet (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1I Only Have Eyes for You
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-03-12)
Kontrabass:
Pierre Michelot (am 1957-03-12)
Schlagzeug:
Kenny Clarke (am 1957-03-12)
Sopransaxophon:
Sidney Bechet (am 1957-03-12)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-03-12)
instrumental recording of:
I Only Have Eyes for You (am 1957-03-12)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
3:03
2The Man I Love
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-03-12)
Kontrabass:
Pierre Michelot (am 1957-03-12)
Schlagzeug:
Kenny Clarke (am 1957-03-12)
Sopransaxophon:
Sidney Bechet (am 1957-03-12)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-03-12)
instrumental recording of:
The Man I Love (am 1957-03-12)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
2:47
3Exactly Like You
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-03-12)
Kontrabass:
Pierre Michelot (am 1957-03-12)
Schlagzeug:
Kenny Clarke (am 1957-03-12)
Sopransaxophon:
Sidney Bechet (am 1957-03-12)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-03-12)
instrumental recording of:
Exactly Like You (am 1957-03-12)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
2:59
4These Foolish Things
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-03-12)
Kontrabass:
Pierre Michelot (am 1957-03-12)
Schlagzeug:
Kenny Clarke (am 1957-03-12)
Sopransaxophon:
Sidney Bechet (am 1957-03-12)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-03-12)
instrumental recording of:
These Foolish Things (Remind Me of You) (am 1957-03-12)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
3:51
5Once in a While
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-03-12)
Kontrabass:
Pierre Michelot (am 1957-03-12)
Schlagzeug:
Kenny Clarke (am 1957-03-12)
Sopransaxophon:
Sidney Bechet (am 1957-03-12)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-03-12)
instrumental recording of:
Once in a While (am 1957-03-12)
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
2:45
6Jeepers Creepers
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-03-12)
Kontrabass:
Pierre Michelot (am 1957-03-12)
Schlagzeug:
Kenny Clarke (am 1957-03-12)
Sopransaxophon:
Sidney Bechet (am 1957-03-12)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-03-12)
instrumental recording of:
Jeepers Creepers (am 1957-03-12)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
3:09
7I Never Knew
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal
Kontrabass:
Lloyd Thompson (bass)
Schlagzeug:
Al Levitt
Sopransaxophon:
Sidney Bechet
instrumental recording of:
I Never Knew
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
3:02
8Pennies From Heaven
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-06-17)
Kontrabass:
Lloyd Thompson (bass) (am 1957-06-17)
Schlagzeug:
Al Levitt (am 1957-06-17)
Sopransaxophon:
Sidney Bechet (am 1957-06-17)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-06-17)
instrumental recording of:
Pennies From Heaven (am 1957-06-17)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
3:46
9All the Things You Are
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-06-17)
Kontrabass:
Lloyd Thompson (bass) (am 1957-06-17)
Schlagzeug:
Al Levitt (am 1957-06-17)
Sopransaxophon:
Sidney Bechet (am 1957-06-17)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-06-17)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (am 1957-06-17)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
2:49
10All of Me
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-06-17)
Kontrabass:
Lloyd Thompson (bass) (am 1957-06-17)
Schlagzeug:
Al Levitt (am 1957-06-17)
Sopransaxophon:
Sidney Bechet (am 1957-06-17)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-06-17)
instrumental recording of:
All of Me (am 1957-06-17)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
3:12
11Embraceable You
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-06-17)
Kontrabass:
Lloyd Thompson (bass) (am 1957-06-17)
Schlagzeug:
Al Levitt (am 1957-06-17)
Sopransaxophon:
Sidney Bechet (am 1957-06-17)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-06-17)
instrumental recording of:
Embraceable You (am 1957-06-17)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:01
12Wrap Your Troubles in Dreams
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-06-17)
Kontrabass:
Lloyd Thompson (bass) (am 1957-06-17)
Schlagzeug:
Al Levitt (am 1957-06-17)
Sopransaxophon:
Sidney Bechet (am 1957-06-17)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-06-17)
instrumental recording of:
Wrap Your Troubles in Dreams (am 1957-06-17)
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
3:14
13Rose Room
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-06-17)
Kontrabass:
Lloyd Thompson (bass) (am 1957-06-17)
Schlagzeug:
Al Levitt (am 1957-06-17)
Sopransaxophon:
Sidney Bechet (am 1957-06-17)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-06-17)
instrumental recording of:
Rose Room (am 1957-06-17)
Texter:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
Komponist(in):
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group und Warner/Chappell Music, Inc.
3:26
14It Don't Mean a Thing
Techniker(in):
Jean-Louis Nuzzolese
Klavier:
Martial Solal (am 1957-06-17)
Kontrabass:
Lloyd Thompson (bass) (am 1957-06-17)
Schlagzeug:
Al Levitt (am 1957-06-17)
Sopransaxophon:
Sidney Bechet (am 1957-06-17)
aufgenommen bei:
studio fagon in Paris, Île-de-France, Frankreich (am 1957-06-17)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1957-06-17)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:02
15Milenberg Joys
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
recording of:
Milenberg Joys (am 1952-10-07)
Verfasser(in):
Walter Melrose
Komponist(in):
Ferdinand Morton, Paul Mares und Leon Roppolo
2:53
16Limehouse Blues
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
recording of:
Limehouse Blues (am 1952-10-07)
Texter:
Douglas Furber
Komponist(in):
Philip Braham
publisher:
Harms, Inc. und Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
3:24
17The Blue Room
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
3:16
18Ol' Rockin' Chair
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
2:46
19Big Butter and Egg Man
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
recording of:
Big Butter and Egg Man (am 1952-10-07)
Verfasser(in):
Louis Armstrong und Percy Venable (in 1926)
3:01
20My Melancholy Baby
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
recording of:
My Melancholy Baby (am 1952-10-07)
Texter:
George A. Norton (in 1912)
Komponist(in):
Ernie Burnett (songwriter, composer, and pianist) (in 1911)
publisher:
Francis, Day & Hunter Ltd. und Shapiro, Bernstein & Co., Inc.
Version von:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
3:40
21I Gotta Right to Sing the Blues
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
recording of:
I Gotta Right to Sing the Blues (am 1952-10-07)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
2:58
22Black Bottom
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
3:29
23Baby's Prayer
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
2:43
24Lazy River
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
recording of:
Lazy River (am 1952-10-07)
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
1:47
25Stars Fell on Alabama/Lazy River
Klavier:
Lil Hardin Armstrong (am 1952-10-07)
Schlagzeug:
Zutty Singleton (am 1952-10-07)
Sopransaxophon:
Sidney Bechet (am 1952-10-07)
vocals:
Lil Hardin Armstrong (am 1952-10-07)
medley including a recording of:
Lazy River (am 1952-10-07)
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
medley including a recording of:
Stars Fell on Alabama (am 1952-10-07)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music
2:44
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