Exclusively for My Friends

~ Release by Oscar Peterson (see all versions of this release, 5 available)

Annotation

Countries excluded (Deezer + Spotify)

(As of 2022-04-22).

  • Caribbean: 🇨🇼 Curaçao (cw)
Annotation last modified on 2022-04-22 07:20 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleRatingLength
1Love Is Here to Stay
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live instrumental recording of:
Love Is Here to Stay (in 1967-11)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
4:47
2Sandy’s Blues
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live recording of:
Sandy's Blues (in 1967-11)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Sandy's Blues
composer:
Oscar Peterson (Canadian jazz pianist and composer)
9:28
3Alice in Wonderland
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live instrumental recording of:
Alice in Wonderland (main theme of Alice in Wonderland, 1951 film) (in 1967-11)
lyricist:
Bob Hilliard
composer:
Sammy Fain
part of:
Alice in Wonderland (1951 Disney animated film)
4:42
4Noreen’s Nocturne
recorded in:
Villingen-Schwenningen, Baden-Württemberg, Germany (in 1967-11)
double bass [bass]:
Sam Jones (US jazz bassist) (in 1967-11)
drums (drum set):
Bobby Durham (in 1967-11)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1967-11)
live recording of:
Noreen’s Nocturne (in 1967-11)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Noreen’s Nocturne
composer:
Oscar Peterson (Canadian jazz pianist and composer)
5:17
5Someone to Watch Over Me
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
4:13
6Perdido
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
6:12
7Body and Soul
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:32
8Who Can I Turn To
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
4:56
9Bye Bye Blackbird
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
live recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
4:52
10I Should Care
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
4:45
11Lulu’s Back in Town
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
live recording of:
Lulu’s Back in Town
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
recording of:
Lulu’s Back in Town
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
2:05
12Little Girl Blue
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
6:04
13Take the “A” Train
recording engineer:
Hans Georg Brunner‐Schwer
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
recorded at:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Germany (in 1968-04)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
2:38
3▶Digital Media