100 Hits Paint It Black

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1Paint It, Black
Produzent(in):
Andrew Loog Oldham
Sitar:
Brian Jones (Rolling Stones member)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 174) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 213)
recording of:
Paint It Black
Verfasser(in):
Mick Jagger (Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Essex Music International, Onward Music Ltd., Promopub. B.V. und Westminster Music Ltd.
The Rolling Stones3.753:44
2Bus Stop
The Hollies2:54
3Sunny Afternoon
recording of:
Sunny Afternoon
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Carlin (in 1984) und Davray (publisher) (in 1984)
The Kinks3:36
4Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.352:50
5All You Need Is Love
Techniker(in):
Eddie Kramer (engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
accordion:
Jack Emblow (accordionist) (am 1967-06-25)
Banjo und Hintergrundgesang und Sologesang:
John Lennon (The Beatles) (am 1967-06-19)
Bassgitarre [1964 Rickenbacker 4001 S]:
Paul McCartney (The Beatles) (am 1967-06-25)
Cembalo:
John Lennon (The Beatles) (am 1967-06-14)
Gast-Piccolotrompete:
David Mason (trumpeter) (am 1967-06-25)
Geige / Violine:
George Harrison (The Beatles) (am 1967-06-14), Eric Bowie (violinist) (am 1967-06-25), Pat Halling (am 1967-06-25) und Sidney Sax (violinist and concertmaster) (am 1967-06-25)
Gitarre [1961 Sonic Blue Fender Stratocaster]:
George Harrison (The Beatles) (am 1967-06-25)
Klavier:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1967-06-19)
Kontrabass:
Paul McCartney (The Beatles) (am 1967-06-14)
Posaune:
Harold Spain (am 1967-06-25) und Evan Watkins (am 1967-06-25)
Schlagzeug:
Ringo Starr (The Beatles) (am 1967-06-26)
Schlagzeug [1964 Ludwig Super Classic Black Oyster Pearl]:
Ringo Starr (The Beatles) (am 1967-06-14)
Tamburin und Sologesang:
John Lennon (The Beatles) (am 1967-06-25)
Tenorsaxophon:
Don Honeywill (am 1967-06-25) und Rex Morris (am 1967-06-25)
Trompete:
Stanley Woods (trumpet player) (am 1967-06-25)
Gast Hintergrundgesang:
Jane Asher (voice actor) (am 1967-06-25), Pattie Boyd (am 1967-06-25), Eric Clapton (am 1967-06-25), Marianne Faithfull (am 1967-06-25), Mick Jagger (Rolling Stones) (am 1967-06-25), Mike McGear (Paul McCartney’s brother) (am 1967-06-25), Keith Moon (drummer) (am 1967-06-25), Graham Nash (am 1967-06-25), Keith Richards (Rolling Stones guitarist) (am 1967-06-25) und Gary Walker (US drummer, in The Walker Brothers) (am 1967-06-25)
Hintergrundgesang:
George Harrison (The Beatles) (von 1967-06-19 bis 1967-06-25), John Lennon (The Beatles) (von 1967-06-19 bis 1967-06-25) und Paul McCartney (The Beatles) (von 1967-06-19 bis 1967-06-25)
conductor:
Mike Vickers (British musician, member of Manfred Mann)
Orchestrator(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1987) und The Gramophone Co., Ltd. (UK record company) (in 1967)
aufgenommen bei:
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, Vereinigtes Königreich (am 1967-06-14), Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-06-19), Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-06-23, am 1967-06-25) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-06-26)
Musikvideos:
All You Need Is Love (music video) von The Beatles (UK rock band, “The Fab Four”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 363)
recording of:
All You Need Is Love (von 1967-06-14 bis 1967-06-26)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. und Sony/ATV Tunes LLC (ASCAP)
quotes lyrics from:
She Loves You
quotes lyrics from:
Yesterday (original by The Beatles)
quotes music from:
Greensleeves (generic entry for traditional and unknown arrangements)
quotes music from:
In the Mood
quotes music from:
Inventio Nr. 8 F-Dur, BWV 779
quotes music from:
La Marseillaise (national anthem of France)
The Beatles3.953:48
6The First Cut Is the Deepest
Produzent(in):
Mike Hurst (musician and record producer from London, England)
Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-10-05)
Gitarre:
Mike Hurst (musician and record producer from London, England) (am 1967-10-05) und Big Jim Sullivan (am 1967-10-05)
vocals:
Mike Hurst (musician and record producer from London, England) (am 1967-10-05) und Cat Stevens (now known as Yusuf Islam) (am 1967-10-05)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1967-10-05)
recording of:
The First Cut Is the Deepest (am 1967-10-05)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. und Salafa Ltd.
Cat Stevens43:02
7Sunshine Superman
Produzent(in):
Mickie Most (English record producer)
recording of:
Sunshine Superman
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. und Peer International Corporation (BMI)
Donovan44:32
8Boom Boom
cover recording of:
Boom Boom
Texter und Komponist(in):
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. und Tristan Music Ltd.
The Animals43:15
9The Last Time
Techniker(in):
David Hassinger
Produzent(in):
Andrew Loog Oldham
E-Bass:
Bill Wyman (von 1965-01-17 bis 1965-01-18)
Gitarre:
Brian Jones (Rolling Stones member) (von 1965-01-17 bis 1965-01-18) und Keith Richards (Rolling Stones guitarist) (von 1965-01-17 bis 1965-01-18)
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones) (von 1965-01-17 bis 1965-01-18)
Tamburin:
Jack Nitzsche (American musician and score composer) (von 1965-01-17 bis 1965-01-18)
Hintergrundgesang:
Keith Richards (Rolling Stones guitarist) (am 1965-02-17)
Sologesang:
Mick Jagger (Rolling Stones) (am 1965-02-17)
arranger:
The Rolling Stones
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1965)
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1965-01-17 bis 1965-01-18, am 1965-02-17)
recording of:
The Last Time (von 1965-01-17 bis 1965-02-17)
Verfasser(in):
Mick Jagger (Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music of Australia Pty. Ltd. und Westminster Music Ltd.
The Rolling Stones3.93:41
10Heatwave
Produzent(in):
Kit Lambert
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1966-08)
cover recording of:
(Love Is Like a) Heat Wave (in 1966-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
The Who41:57
11People Are Strange
Audio-Engineering und Mix:
Bruce Botnick
Produzent(in):
Bruce Botnick und Paul A. Rothchild
Gitarre:
Robby Krieger (American guitarist, member of The Doors)
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
vocals:
Jim Morrison (lead vocalist of the Doors)
arranger:
The Doors
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
engineered at:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
People Are Strange von The Doors
recording of:
People Are Strange
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
The Doors4.452:12
12For Your Love
Produzent(in):
Giorgio Gomelsky
Bass:
Paul Samwell-Smith (am 1965-02-01)
Bass [bowed bass]:
Ron Prentice (am 1965-02-01)
Bongos:
Denny Piercey (am 1965-02-01)
Cembalo:
Brian Auger (am 1965-02-01)
Gitarre:
Eric Clapton (am 1965-02-01) und Chris Dreja (am 1965-02-01)
Schlagzeug:
Jim McCarty (UK drummer, Yardbirds member) (am 1965-02-01)
vocals:
Keith Relf (am 1965-02-01)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1965)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1965-02-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 22)
recording of:
For Your Love (am 1965-02-01)
Texter und Komponist(in):
Graham Gouldman
publisher:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Screen Gems–EMI Music Ltd.
The Yardbirds4.552:29
13So You Want to Be a Rock ’n’ Roll Star
recording of:
So You Want to Be a Rock ’n’ Roll Star
Verfasser(in):
Chris Hillman und Roger McGuinn
publisher:
Tickson Music Co.
The Byrds2:04
14See See Rider
Eric Burdon & the Animals44:04
15Summer in the City
zusätzlich Hybrid-Piano:
Artie Schroeck
Sologesang:
John Sebastian
conductor:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
Buddah Records (revived/renamed in 1998 as Buddha Records) (in 1966), Kama Sutra (in 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1966) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 393)
recording of:
Summer in the City
Verfasser(in):
Steve Boone, John Sebastian und Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) und Trio Music Co., Inc.
The Lovin’ Spoonful4.82:39
16Gimme Some Lovin’
recording of:
Gimme Some Lovin’
Verfasser(in):
Spencer Davis, Muff Winwood (bass player, songwriter, producer) und Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) und Island Music Ltd. (vom 1966 bis ????)
The Spencer Davis Group2:57
17Not Fade Away
Techniker(in):
Bill Farley
Produzent(in):
Andrew Loog Oldham
E-Bass:
Bill Wyman (von 1964-01-28 bis 1964-01-29)
E-Gitarre:
Keith Richards (Rolling Stones guitarist) (von 1964-01-28 bis 1964-01-29)
Maracas / Rumba-Rasseln und Sologesang:
Mick Jagger (Rolling Stones) (von 1964-01-28 bis 1964-01-29)
Mundharmonika und Tamburin:
Brian Jones (Rolling Stones member) (von 1964-01-28 bis 1964-01-29)
Schlagzeug:
Charlie Watts (drummer in The Rolling Stones) (von 1964-01-28 bis 1964-01-29)
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1964)
produced for:
Impact Sound
aufgenommen bei:
Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1964-01-28 bis 1964-01-29)
cover recording of:
Not Fade Away (von 1964-01-28 bis 1964-01-29)
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
The Rolling Stones3.81:46
18A Walk in the Sun
recording of:
A Walk in the Sun
Verfasser(in):
Howard Kaylan
The Turtles52:10
19In the Year 2525 (Exordium and Terminus)
Produzent(in):
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
Texter und Komponist(in):
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music und Zerlad Music Enterprises Ltd.
Zager & Evans43:13
20Pinball Wizard
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Damon Lyon-Shaw
leitende(r) Produzent(in):
Chris Stamp
Produzent(in):
Kit Lambert
Gitarre:
Pete Townshend (of The Who) (am 1969-02-07)
Sologesang:
Roger Daltrey (am 1969-02-07) und Pete Townshend (of The Who) (am 1969-02-07)
Interpret(in):
The Who
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1969) und Track Records Production (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich und Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (am 1969-02-07)
recording of:
Pinball Wizard (am 1969-02-07)
Texter:
Pete Townshend (of The Who)
Komponist(in):
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Towser Tunes, Inc.
The Who4.353:02
21Idea
Techniker(in):
John Pantry
Produzent(in):
Bee Gees und Robert Stigwood
Sologesang:
Barry Gibb (in 1968-06), Maurice Gibb (in 1968-06) und Robin Gibb (in 1968-06)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1968-06)
recording of:
Idea (in 1968-06)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
Bee Gees32:53
22Mad Donna
recording of:
Mad Donna
Texter und Komponist(in):
Marc Bolan
T. Rex52:16
23After the Fox
Bass:
Jack Bruce (in 1966-05)
vocals:
The Hollies und Peter Sellers (English actor and comedian)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-10)
recording of:
After the Fox (in 1966-05)
Texter und Komponist(in):
Burt Bacharach
The Hollies52:17
24A Well Respected Man
recording of:
A Well Respected Man
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd.
The Kinks52:39
25Lazy Sunday
Produzent(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
phonographisches Urheberrecht (℗) von:
Sanctuary Copyrights Ltd. (in 1968)
recording of:
Lazy Sunday
Verfasser(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
publisher:
United Partnership Music Ltd. (beendet) und EMI United Partnership Ltd.
Small Faces3.353:04
26Flowers in the Rain
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
recording of:
Flowers in the Rain
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move2:23
27With a Girl Like You
recording of:
With a Girl Like You
Verfasser(in):
Reg Presley
The Troggs4.42:09
28Dimples
cover recording of:
Dimples
Texter:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
Komponist(in):
James Bracken
publisher:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company und Tristan Music Ltd.
The Animals43:14
29Maggie’s Farm
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
Maggie’s Farm (am 1965-01-15)
Texter und Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Special Rider Music und Warner Bros. Music (publisher; do NOT use as release label)
Bob Dylan4.153:53
30I’m Waiting for the Man
recording engineer:
Omi Haden
Produzent(in):
Andy Warhol (American artist)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 159)
recording of:
I’m Waiting for the Man
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music, Screen Gems und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground3.654:47
31Little Games
recording of:
Little Games
Verfasser(in):
Harold Spiro und Phil Wainman
The Yardbirds2:25
32Paper Sun
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1967)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1967-04 bis 1967-11)
recording of:
Paper Sun
Verfasser(in):
Jim Capaldi und Steve Winwood
publisher:
Polygram Music und Warner Chappell Music (publisher as Warner/Chappell Music)
Traffic4:13
33Museum
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
Bass:
Spike Heatley (in 1966) und Danny Thompson (English double bass player) (in 1966)
E-Gitarre:
Jimmy Page (in 1966)
flute:
Harold McNair (in 1966)
Keyboard:
John Cameron (British composer, arranger and conductor) (in 1966)
Perkussion:
Tony Carr (in 1966)
Schlagzeug:
Bobby Orr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Cameron (British composer, arranger and conductor)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
recording of:
Museum (in 1966)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan2:50
34The Earnest of Being George
Produzent(in):
Bee Gees und Robert Stigwood
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1967-09-07)
recording of:
The Earnest of Being George (am 1967-09-07)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Gibb Brothers Music
Bee Gees2:43
35Run Run Run
recording of:
Run Run Run
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
The Who2:43
36Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:36
37I’m a Man
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Fontana (in 1967)
recording of:
I’m a Man
Verfasser(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc) und Steve Winwood
Komponist(in):
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group42:57
38Somebody to Love
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1966-06)
Produzent(in):
Peter Abrams (producer)
Bass:
Peter van Gelder (in 1966-06)
Gitarre:
David Miner (electric and double bassist) (in 1966-06) und Darby Slick (in 1966-06)
Schlagzeug:
Jerry Slick (in 1966-06)
Hintergrundgesang:
David Miner (electric and double bassist) (in 1966-06)
Sologesang:
Grace Slick (in 1966-06)
recording of:
Somebody to Love (Jefferson Airplane song) (in 1966-06)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
live recording of:
Somebody to Love (Jefferson Airplane song)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
cover recording of:
Somebody to Love (Jefferson Airplane song)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
The Great Society34:25
39Play With Fire
Techniker(in):
David Hassinger
Produzent(in):
Andrew Loog Oldham
Cembalo und Perkussion:
Jack Nitzsche (American musician and score composer) (von 1965-01-17 bis 1965-01-18)
E-Bass:
Phil Spector (von 1965-01-17 bis 1965-01-18)
Gitarre:
Keith Richards (Rolling Stones guitarist) (von 1965-01-17 bis 1965-01-18)
Tamburin und Sologesang:
Mick Jagger (Rolling Stones) (von 1965-01-17 bis 1965-01-18)
arranger:
The Rolling Stones
phonographisches Urheberrecht (℗) von:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1965)
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1965-01-17 bis 1965-01-18)
recording of:
Play With Fire (von 1965-01-17 bis 1965-01-18)
Texter und Komponist(in):
Nanker Phelge
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle)
The Rolling Stones3.52:14
40Love Minus Zero
Sun Dragon3:23
41Positively 4th Street
recorded in:
New York, New York, Vereinigte Staaten (in 1965-07)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 203)
recording of:
Positively 4th Street (am 1965-07-29)
Texter und Komponist(in):
Bob Dylan (von 1965-06 bis 1965-07)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Bob Dylan4.53:55
42I Shall Be Released
Produzent(in):
Derek Lawrence (British producer)
E-Gitarre:
Ritchie Blackmore
arranger:
Jon Lord
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company)
cover recording of:
I Shall Be Released (original lyrics)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Dwarf Music (vom 1967 bis heute)
Boz2:48
43Season of the Witch
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre und E-Gitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966-05)
Bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1966-05)
Schlagzeug:
"Fast" Eddy Hoh (in 1966-05)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966-05)
aufgenommen bei:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1966-05)
recording of:
Season of the Witch (in 1966-05)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan4:55
44You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre:
Harry Fryer (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
zusätzlich Klavier:
Perry Ford (English pop singer) (in 1964-07)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 36), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 162) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.252:13
45Get Off of My Cloud
recording of:
Get Off of My Cloud
Verfasser(in):
Mick Jagger (Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones2:54
46Sha‐La‐La‐La‐Lee
Produzent(in):
Kenny Lynch (English singer, songwriter, entertainer & actor)
cover recording of:
Sha-La-La-La-Lee
Verfasser(in):
Kenny Lynch (English singer, songwriter, entertainer & actor) und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Small Faces42:56
47Let the Cold Winds Blow
recording of:
Let the Cold Winds Blow
Verfasser(in):
Howard Kaylan
The Turtles42:16
48Femme Fatale
recording engineer:
Omi Haden
Produzent(in):
Andy Warhol (American artist)
Sologesang:
Nico (Christa Päffgen, German singer, fashion model, actress)
recording of:
Femme Fatale
Texter und Komponist(in):
Lou Reed
Verfasser(in):
Nico (Christa Päffgen, German singer, fashion model, actress)
publisher:
Sunbury Music Ltd.
The Velvet Underground3.552:38
49Strawberry Fields Forever
Techniker(in):
Geoff Emerick (British recording engineer) und Dave Harries (engineer)
Produzent(in):
Dave Harries (engineer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bassgitarre [1964 Rickenbacker 4001 S]:
Paul McCartney (The Beatles) (am 1966-11-29)
Bongos und Maracas / Rumba-Rasseln:
George Harrison (The Beatles) (am 1966-12-08)
Cello:
John Hall (double bass) (am 1966-12-15), Norman Jones (Cello) (am 1966-12-15) und Derek Simpson (cellist) (am 1966-12-15)
E-Gitarre:
George Harrison (The Beatles) (am 1966-11-29) und John Lennon (The Beatles) (am 1966-11-29)
Gitarre [1964 Fender Esquire]:
Paul McCartney (The Beatles) (am 1966-12-09)
Indische Zither:
George Harrison (The Beatles) (am 1966-12-09, am 1966-12-15)
Klavier [Hamburg Steinway Baby Grand]:
Paul McCartney (The Beatles) (am 1966-12-21)
mellotron [Mark II]:
John Lennon (The Beatles) (am 1966-11-29) und Paul McCartney (The Beatles) (am 1966-11-29)
Pauke:
Paul McCartney (The Beatles) (am 1966-12-08)
Perkussion und sonstiger Gesang [harmony vocals]:
John Lennon (The Beatles) (am 1966-12-08)
Schlagzeug:
Ringo Starr (The Beatles) (am 1966-12-08)
Schlagzeug [1964 Ludwig Super Classic Black Oyster Pearl]:
Ringo Starr (The Beatles) (am 1966-11-29)
Tamburin:
Mal Evans (am 1966-12-08)
Trompete:
Greg Bowen (trumpet) (am 1966-12-15), Tony Fisher (trumpeter) (am 1966-12-15), Stan Roderick (trumpet player) (am 1966-12-15) und Derek Watkins (trumpeter) (am 1966-12-15)
Sologesang:
John Lennon (The Beatles) (am 1966-11-29, am 1966-12-21)
conductor:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-11-29, am 1966-12-08, am 1966-12-09, am 1966-12-15)
edited at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-12-22)
Remix von:
Strawberry Fields Forever (original stereo studio mix) von The Beatles (UK rock band, “The Fab Four”)
Musikvideos:
Strawberry Fields Forever von The Beatles (UK rock band, “The Fab Four”)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 13)
recording of:
Strawberry Fields Forever (von 1966-11-29 bis 1966-12-21)
geschrieben in:
Almería, Almería (Provinz Almería), Andalucía (Andalusien), Spanien (in 1966)
Texter und Komponist(in):
Paul McCartney (The Beatles) und John Lennon (The Beatles) (in 1966)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles4.24:10
50In‐A‐Gadda‐Da‐Vida
phonographisches Urheberrecht (℗) von:
ATCO Records (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly42:52
51Sunshine of Your Love
recording engineer:
Tom Dowd (von 1967-04 bis 1967-05)
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-04 bis 1967-05)
Gitarre:
Eric Clapton (von 1967-04 bis 1967-05)
Schlagzeug:
Ginger Baker (von 1967-04 bis 1967-05)
vocals:
Jack Bruce (von 1967-04 bis 1967-05) und Eric Clapton (von 1967-04 bis 1967-05)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-04 bis 1967-05)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 65) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (von 1967-04 bis 1967-05)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce und Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
Cream4.14:10
52Love Like a Man
recording of:
Love Like a Man
Texter und Komponist(in):
Alvin Lee
Ten Years After7:38
53Foxy Lady
Techniker(in):
Mike Ross‐Trevor (engineer)
Produzent(in):
Chas Chandler
E-Bass:
Noel Redding (am 1966-12-13)
E-Gitarre und Sologesang:
Jimi Hendrix (am 1966-12-13)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (am 1966-12-13)
Hintergrundgesang:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) und Noel Redding
phonographisches Urheberrecht (℗) von:
Experience Hendrix, L.L.C. (in 2010)
aufgenommen bei:
CBS Studios (London, 1964 - 1967) in London (Greater London), England, Vereinigtes Königreich (am 1966-12-13)
produced at:
CBS Studios (London, 1964 - 1967) in London (Greater London), England, Vereinigtes Königreich (am 1966-12-13)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 152)
recording of:
Foxy Lady (am 1966-12-13)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, Experience Hendrix, L.L.C., Intersong Music Ltd., Sea-Lark Enterprises, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Yameta Co. Ltd.
The Jimi Hendrix Experience4.053:18
54Hush
Techniker(in):
Barry Ainsworth (engineer)
Produzent(in) und Mix:
Derek Lawrence (British producer)
E-Bass:
Nick Simper (am 1968-05-11)
E-Gitarre:
Ritchie Blackmore (am 1968-05-11)
Hammond-Orgel und Hintergrundgesang:
Jon Lord (am 1968-05-11)
Schlagzeug:
Ian Paice (am 1968-05-11)
Sologesang:
Rod Evans (am 1968-05-11)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1968)
aufgenommen bei:
Pye Studios in London (Greater London), England, Vereinigtes Königreich (am 1968-05-11)
cover recording of:
Hush (South, Royal, Deep Purple) (am 1968-05-11)
Texter und Komponist(in):
Joe South (bis 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music und Sony/ATV Music Publishing Australia Pty Ltd.
Deep Purple4.14:25
55Race With the Devil
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968, in 1969) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1968)
recording of:
Race With the Devil
Verfasser(in):
Adrian Gurvitz
publisher:
Campbell Connelly & Co. Ltd., Radio Music Britain und Universal/MCA Music Ltd. (not for release label use!)
The Gun4.253:37
56Ride With Me
recording of:
Ride With Me, Baby
Texter und Komponist(in):
Mars Bonfire
publisher:
Universal Music Publishing Canada, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf3.53:22
57Radar Love
Produzent(in):
Golden Earring
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.255:05
58Commotion
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook (von 1969-03 bis 1969-06)
Gitarre:
John Fogerty (von 1969-03 bis 1969-06) und Tom Fogerty (von 1969-03 bis 1969-06)
Schlagzeug:
Doug Clifford (von 1969-03 bis 1969-06)
vocals:
John Fogerty (von 1969-03 bis 1969-06)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Commotion (in 1969-06)
Texter und Komponist(in):
John Fogerty
publisher:
Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival32:41
59Closer to Home / I’m Your Captain
Produzent(in):
Terry Knight
recording of:
I’m Your Captain (Closer to Home)
Texter und Komponist(in):
Mark Farner
publisher:
Cram Renraff Co., Fujipacific Music, Inc., Storybook Music und Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division)
Grand Funk Railroad59:53
60In the Eye of the Sun
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jack Conrad (producer and songwriter)
Gitarre:
Robby Krieger (American guitarist, member of The Doors)
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
In the Eye of the Sun
Texter und Komponist(in):
Ray Manzarek
The Doors2.54:45
61What Is and What Should Never Be
Techniker(in):
George Chkiantz
leitende(r) Produzent(in):
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
Produzent(in):
Jimmy Page
Mix:
Eddie Kramer (engineer)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1969-04)
zusätzlich aufgenommen bei:
Groove Sound Studios in New York, New York, Vereinigte Staaten (in 1969-06) und Mayfair Recording Studios (New York City) in Theater District, New York, New York, Vereinigte Staaten (in 1969-06)
mixed at:
A&R Recording Studio, room A-1 (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1969-08-29 bis 1969-08-30)
recording of:
What Is and What Should Never Be (von 1969-04 bis 1969-08)
Verfasser(in):
Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
WB Music Corp. (1929–2019)
Led Zeppelin3.754:45
62Purple Haze
Techniker(in):
Dave Siddle (De Lane Lea) (engineer) (am 1967-01-11) und Eddie Kramer (Olympic) (engineer) (am 1967-02-03)
Produzent(in):
Chas Chandler
E-Bass und Hintergrundgesang:
Noel Redding (von 1967-01-11 bis 1967-02-03)
E-Gitarre und Sologesang:
Jimi Hendrix (von 1967-01-11 bis 1967-02-03)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (von 1967-01-11 bis 1967-02-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 2010)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-02-03, von 1967-02-03 bis 1967-02-08)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 17) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 250)
recording of:
Purple Haze (von 1967-01-11 bis 1967-02-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. und Yameta Co. Ltd.
quotes music from:
The Ballad of Jimi Hendrix
The Jimi Hendrix Experience4.22:51
63Mercedes Benz
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-01)
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul A. Rothchild
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-10-01)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-10-01)
Gast-Tamburin:
Sandra Crouch (am 1970-10-01)
Gitarre:
John Till (rock guitarist) (am 1970-10-01)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-10-01)
Orgel:
Ken Pearson (am 1970-10-01)
Schlagzeug:
Clark Pierson (am 1970-10-01)
Hintergrundgesang:
Phil Badella (am 1970-10-01), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-10-01), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-10-01), John Cooke (am 1970-10-01), Janis Joplin (am 1970-10-01), Vince Mitchell (am 1970-10-01), Ken Pearson (am 1970-10-01), Clark Pierson (am 1970-10-01) und John Till (rock guitarist) (am 1970-10-01)
Sologesang:
Janis Joplin (am 1970-10-01)
Interpret(in):
Full Tilt Boogie (am 1970-10-01)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-01)
recording of:
Mercedes Benz (am 1970-10-01)
Verfasser(in):
Janis Joplin, Michael McClure und Bob Neuwirth
Janis Joplin3.551:47
64Crossroads
recording engineer:
Tom Dowd und Bill Halverson
Techniker(in):
Adrian Barber (producer/engineer)
Produzent(in):
Felix Pappalardi
E-Bass:
Jack Bruce (am 1968-03-10)
E-Gitarre:
Eric Clapton (am 1968-03-10)
Schlagzeug:
Ginger Baker (am 1968-03-10)
vocals:
Eric Clapton (am 1968-03-10)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1968) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Winterland Ballroom in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1968-03-10)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 26) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 409)
live cover recording of:
Cross Road Blues (a/k/a “Crossroads”) (am 1968-03-10)
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Cream44:05
65Magic Carpet Ride
Produzent(in):
Gabriel Mekler
recording of:
Magic Carpet Ride
Verfasser(in):
John Kay (lead singer of Steppenwolf) und Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. und Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:23
66Sweet Hitchhiker
recording engineer:
Russ Gary
Produzent(in):
Doug Clifford, Stu Cook und John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Sologesang:
John Fogerty
vocals:
John Fogerty
arranger:
Doug Clifford, Stu Cook und John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy, Inc. (not for release label use!) (in 1972) und Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Sweet Hitch-Hiker
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music, Primeval Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Wenaha Music und Wenaha Music Company
Creedence Clearwater Revival3.652:57
67Back in the U.S.S.R.
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bassgitarre:
George Harrison (The Beatles) (am 1968-08-23) und Paul McCartney (The Beatles) (am 1968-08-23)
E-Gitarre:
George Harrison (The Beatles) (von 1968-08-22 bis 1968-08-23), John Lennon (The Beatles) (von 1968-08-22 bis 1968-08-23) und Paul McCartney (The Beatles) (von 1968-08-22 bis 1968-08-23)
Händeklatschen:
Paul McCartney (The Beatles) (von 1968-08-22 bis 1968-08-23)
Klavier und Sologesang:
Paul McCartney (The Beatles) (am 1968-08-23)
kleine Trommel / Snare:
John Lennon (The Beatles) (am 1968-08-23)
Schlagzeug:
Paul McCartney (The Beatles) (am 1968-08-22) und George Harrison (The Beatles) (am 1968-08-23)
Hintergrundgesang:
George Harrison (The Beatles) (am 1968-08-23) und John Lennon (The Beatles) (am 1968-08-23)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968, in 1987) und The Gramophone Co., Ltd. (UK record company) (in 1968)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1968-08-22 bis 1968-08-23)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1968-08-23)
recording of:
Back in the U.S.S.R. (von 1968-08-22 bis 1968-08-23)
geschrieben in:
Rishikesh, Uttarakhand, Indien (in 1968)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
recording of:
Back in the U.S.S.R.
geschrieben in:
Rishikesh, Uttarakhand, Indien (in 1968)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles3.82:44
68Layla
leitende(r) Produzent(in):
Tom Dowd
Produzent(in):
Derek and the Dominos
Bassgitarre:
Carl Radle (am 1970-09-09)
elektronische Orgel und Klavier:
Bobby Whitlock (am 1970-09-09)
Gitarre:
Duane Allman (am 1970-09-09) und Eric Clapton (am 1970-09-09)
Schlagzeug und Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1970-09-09)
Sologesang:
Eric Clapton (am 1970-09-09)
vocals:
Bobby Whitlock (am 1970-09-09)
arranger:
Derek and the Dominos
phonographisches Urheberrecht (℗) von:
RSO Records Ltd., London (in 1970) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-09-09)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 23), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 27) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 224)
recording of:
Layla (am 1970-09-09)
Verfasser(in):
Eric Clapton und Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.457:05
69Locomotive Breath
Techniker(in):
John Burns (engineer/producer for Genesis)
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute und Sologesang:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (am 1971-02-12)
E-Gitarre und soprano recorder:
Martin Barre (am 1971-02-12)
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer und mellotron, Orgel und Klavier:
John Evan (am 1971-02-12)
Schlagzeug und Perkussion:
Clive Bunker (am 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (am 1971-02-12)
remixer:
Robin Black (engineer)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Locomotive Breath (am 1971-02-12)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:30
70Under My Wheels
Assistent recording engineer:
Joe Lopes (engineer)
recording engineer und Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist) und Rick Derringer
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
Horn arranger und Saiteninstrumente [string] arranger:
Bob Ezrin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1987)
produced for:
Alive Enterprises und Nimbus 9 Productions, Ltd.
aufgenommen bei:
RCA Studios (Chicago, 1969-1972) in Chicago, Illinois, Vereinigte Staaten
recording of:
Under My Wheels
Verfasser(in):
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Bob Ezrin
publisher:
All by Myself Publishing Company, Almo Music Corp. (USA, affiliated with ASCAP), Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Boosey & Hawkes (publisher; do NOT use as release label), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Alice Cooper42:47
71Just Got Back From Baby’s
Techniker(in):
Robin Brian
Produzent(in):
Bill Ham (manager of ZZ Top)
Bass und Hintergrundgesang:
Dusty Hill (in 1970)
Gitarre [lead guitar] und Sologesang:
Billy Gibbons (in 1970)
Schlagzeug:
Rube Beard (ZZ Top drummer) (in 1970)
aufgenommen bei:
Robin Hood Studios in Tyler, Texas, Vereinigte Staaten (in 1970)
recording of:
Just Got Back from Baby’s (in 1970)
Verfasser(in):
Billy Gibbons und Bill Ham (manager of ZZ Top)
publisher:
Billy G’s Hollywood Productions Inc. (publisher; do NOT use as release label), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Burlington Music Co., Ltd., Fujipacific Music, Inc., Music of Stage Three, Songs of Mosaic und Stage Three Songs
ZZ Top4.354:14
72Free Wheeler
Nazareth5:29
73Maybe I’m a Leo
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
assistierende(r) Techniker(in):
Jeremy Gee
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
recording of:
Maybe I’m a Leo (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing, Inc. und Glenwood Music Corp.
Deep Purple3.554:52
74Heartbroken Bopper
recording of:
Heartbroken Bopper
Verfasser(in):
Burton Cummings und Kurt Winter
The Guess Who4:15
75Gimme Shelter
cover recording of:
Gimme Shelter
geschrieben in:
Mayfair, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1968)
Verfasser(in):
Mick Jagger (Rolling Stones) und Keith Richards (Rolling Stones guitarist) (in 1968)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Westminster Music Ltd.
Grand Funk Railroad56:29
76I’d Love to Change the World
Produzent(in):
Chris Wright (co-founder of Chrysalis Records)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1998)
recording of:
I’d Love to Change the World
Texter und Komponist(in):
Alvin Lee
Ten Years After4.553:43
77Guinnevere
recording engineer:
Bill Halverson
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
Mix:
David Crosby, Bill Halverson, Graham Nash und Stephen Stills
Gitarre:
David Crosby (am 1969-02-22)
vocals:
David Crosby (am 1969-02-22) und Graham Nash (am 1969-02-22)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
aufgenommen bei:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-02-22)
mixed at:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Guinnevere (am 1969-02-22)
Texter und Komponist(in):
David Crosby
publisher:
Guerrilla Music (David Crosby publisher) und Stay Straight Music
Crosby, Stills & Nash54:37
78No Quarter
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Jimmy Page
Bass-Synthesizer, Flügel und Synthesizer [synthesizer piano]:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
Gitarre:
Jimmy Page
Schlagzeug:
John Bonham
vocals:
Robert Plant (of Led Zeppelin)
recording of:
No Quarter
Verfasser(in):
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
FLAMES OF ALBION MUSIC INC (A) 302 /373, Superhype Music, Inc., Superhype Publishing, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Led Zeppelin3.67:00
79Sweet Leaf
Produzent(in):
Rodger Bain
Bassgitarre:
Geezer Butler
Gitarre:
Tony Iommi
Perkussion und Schlagzeug:
Bill Ward
Sologesang:
Ozzy Osbourne
Interpret(in):
Black Sabbath (English heavy metal band)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Castle Copyrights Ltd. (in 1971), Interworld Communications (Record) Ltd. (in 1971), Sanctuary Copyrights Ltd. (in 1971), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
recording of:
Sweet Leaf
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Music International, Inc., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und Westminster Music Ltd. (in 1971)
Black Sabbath4.15:05
80Guts
recording of:
Guts
Budgie44:19
81Demon’s Eye
Techniker(in):
Louis Austin (engineering), Martin Birch und Alan O’Duffy
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1970-09 bis 1971-06)
E-Gitarre:
Ritchie Blackmore (von 1970-09 bis 1971-06)
Hammond-Orgel:
Jon Lord (von 1970-09 bis 1971-06)
Schlagzeug:
Ian Paice (von 1970-09 bis 1971-06)
Sologesang:
Ian Gillan (von 1970-09 bis 1971-06)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1971)
recording of:
Demon’s Eye (von 1970-09 bis 1971-06)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
Deep Purple45:18
82Razamanaz
Produzent(in):
Roger Glover
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Razamanaz
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation und Mountain Music Ltd.
Nazareth3.53:50
83Down Brownie
recording of:
Down Brownie
Verfasser(in):
Billy Gibbons und Dusty Hill
publisher:
Billy G’s Hollywood Productions Inc. (publisher; do NOT use as release label), BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Burlington, Fujipacific Music, Inc., Hamstein Music Company (publisher), Music of Stage Three und Stage Three Songs
ZZ Top42:26
84Angelina
recording of:
Angelina
Slade2:51
85Mississippi Queen
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Mississippi Queen
Verfasser(in):
Corky Laing, Felix Pappalardi, David Rea und Leslie West
publisher:
Universal Music Publishing MGB Ltd. und Upfall Music Corp.
Mountain4.12:29
86Spider Woman
recording engineer:
Peter Gallen (von 1972-09 bis 1972-10)
assistierende(r) Techniker(in):
Ashley Howe
Produzent(in):
Gerry Bron
E-Bass:
Gary Thain (von 1972-09 bis 1972-10)
Gitarre:
Mick Box (von 1972-09 bis 1972-10)
Orgel:
Ken Hensley (von 1972-09 bis 1972-10)
Schlagzeug:
Lee Kerslake (von 1972-09 bis 1972-10)
vocals:
David Byron (von 1972-09 bis 1972-10)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1972) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
recording of:
Spider Woman (von 1972-09 bis 1972-10)
Verfasser(in):
Mick Box, David Byron, Lee Kerslake und Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und S. Bron Music Co. Ltd.
Uriah Heep2:23
87California Coastline
Audio-Engineering:
Dave Hadfield (engineer) und John Pantry
Produzent(in):
David McKay
Bass:
Colin Pattenden (British bass player)
Gitarre, Hintergrundgesang und Sologesang:
Mick Rogers (of Manfred Mann’s Earth Band)
membranophone:
Chris Slade
Orgel und Synthesizer:
Manfred Mann (the person)
cover recording of:
California Coastline
Verfasser(in):
Timothy Martin und Walt Meskell
Manfred Mann’s Earth Band2:48
88The Street & Babe Shadow
recording of:
The Street and Babe Shadow
Texter und Komponist(in):
Marc Bolan
T. Rex52:17
89Beggin’
cover recording of:
Beggin’ (in 1974)
Verfasser(in):
Peggy Farina und Bob Gaudio
publisher:
EMI Longitude Music, Saturday Music, Inc. und Seasons Four Music Corp.
Shocking Blue44:13
90Ramble Tamble
Produzent(in):
John Fogerty
E-Gitarre:
John Fogerty und Tom Fogerty
arranger:
John Fogerty
recording of:
Ramble Tamble (in 1969)
Komponist(in):
John Fogerty
publisher:
Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.657:11
91I Don’ Mind
Produzent(in):
Bryan “Chas” Chandler
recording of:
I Don’ Mind
Verfasser(in):
Noddy Holder und Jim Lea
Slade3.53:07
92Save the Land
Grand Funk Railroad54:13
93Bar‐B‐Q
Techniker(in):
Robin Brian
Produzent(in):
Bill Ham (manager of ZZ Top)
Bass und Hintergrundgesang:
Dusty Hill
Gitarre [lead guitar], Slide-Gitarre und Sologesang:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
Interpret(in):
Robin Brian
aufgenommen bei:
Robin Hood Studios in Tyler, Texas, Vereinigte Staaten (von 1971 bis 1972)
engineered at:
Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
recording of:
Bar-B-Q
Verfasser(in):
Billy Gibbons und Bill Ham (manager of ZZ Top)
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Fujipacific Music, Inc., Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic und Stage Three Songs
ZZ Top3.53:22
94War Pigs
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-07-08)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-07-08)
Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-07-08)
Sologesang:
Ozzy Osbourne (von 1970-06-16 bis 1970-07-08)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Castle Copyrights Ltd. (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-07-08) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-07-08)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 5) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 31)
recording of:
War Pigs (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Music International, Inc., Tro-Andover Music, Inc., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und Westminster Music Ltd. (in 1970)
Version von:
Walpurgis
Black Sabbath4.67:55
95Not Faking It
recording of:
Not Faking It
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
Nazareth4:01
96Coz I Luv You
Produzent(in):
Bryan “Chas” Chandler
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 72)
recording of:
Coz I Luv You
Verfasser(in):
Noddy Holder und Jim Lea
publisher:
Barn Publishing (Slade) Ltd. und Warner Chappell
Slade4.53:25
97Lady in Black
recording engineer:
Peter Gallen (von 1969 bis 1970-11)
assistierende(r) Techniker(in):
Les Cunningham (studio engineer) und Ashley Howe
Produzent(in):
Gerry Bron
Mix:
Peter Gallen
Bassgitarre:
Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
E-Bass:
Paul Newton (UK bassist for Uriah Heep) (von 1969 bis 1970)
E-Gitarre:
Mick Box (von 1970-10 bis 1970-11)
Gitarre:
Mick Box (von 1969 bis 1970)
Orgel:
Ken Hensley (von 1969 bis 1970, von 1970-10 bis 1970-11)
Schlagzeug:
Keith Baker (drummer) (von 1969 bis 1970, von 1970-10 bis 1970-11)
Hintergrundgesang:
Mick Box (von 1970-10 bis 1970-11), Ken Hensley (von 1970-10 bis 1970-11) und Paul Newton (UK bassist for Uriah Heep) (von 1970-10 bis 1970-11)
Sologesang:
David Byron (von 1970-10 bis 1970-11)
vocals:
David Byron (von 1969 bis 1970)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) und Castle Communications PLC (not for label use, copyright holder) (in 1996)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1969 bis 1970, von 1970-10 bis 1970-11)
recording of:
Lady in Black (von 1969 bis 1970-11)
Texter und Komponist(in):
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. und Sidney Bron Music (also spelled “Sydney”)
Uriah Heep4.354:41
98Ballrooms of Mars
Produzent(in):
Tony Visconti
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Wizard Artists Ltd. (Marc Bolan's company, for copyrights and publisher use) (in 1972)
recording of:
Ballrooms of Mars
Komponist(in):
Marc Bolan
T. Rex3.54:07
99Come Together
Techniker(in):
Geoff Emerick (British recording engineer) und Phil McDonald (engineer and producer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass [1964 Rickenbacker 4001 S]:
Paul McCartney (The Beatles) (am 1969-07-21)
E-Gitarre:
John Lennon (The Beatles) (von 1969-07-21 bis 1969-07-30)
E-Gitarre [1957 Gibson Les Paul Standard]:
George Harrison (The Beatles) (am 1969-07-21, am 1969-07-22)
Händeklatschen und Hybrid-Piano [1968 Fender Rhodes Seventy-Three Sparkle Top]:
John Lennon (The Beatles) (am 1969-07-22)
Maracas / Rumba-Rasseln:
Ringo Starr (The Beatles) (am 1969-07-22)
Schlagzeug [1968 Ludwig Hollywood Maple]:
Ringo Starr (The Beatles) (am 1969-07-21)
Tamburin:
John Lennon (The Beatles) (am 1969-07-21)
Hintergrundgesang:
Paul McCartney (The Beatles) (am 1969-07-23, am 1969-07-25)
Hintergrundgesang und Sologesang:
John Lennon (The Beatles) (am 1969-07-23)
Sologesang:
John Lennon (The Beatles) (von 1969-07-22 bis 1969-07-23, am 1969-07-25)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1987, in 2009) und The Gramophone Co., Ltd. (UK record company) (in 1969)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-07-21, am 1969-07-22, am 1969-07-23, am 1969-07-29, am 1969-07-30) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-07-25)
Musikvideos:
Come Together von The Beatles (UK rock band, “The Fab Four”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 202)
recording of:
Come Together (von 1969-07-21 bis 1969-07-30)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
You Can’t Catch Me
The Beatles4.14:16
100With a Little Help From My Friends
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Bass:
T.M. Stevens (US bass player Thomas Michael Stevens) (am 1989-10-05)
Gitarre:
Phil Grande (am 1989-10-05) und Keith Mack (Guitarist) (am 1989-10-05)
Horn:
Gary Gazaway (American trumpeter) (am 1989-10-05), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1989-10-05) und Andrew Love (am 1989-10-05)
Keyboard:
Jeff Levine (am 1989-10-05) und Chris Stainton (keyboard player, session musician and songwriter) (am 1989-10-05)
Keyboard, Perkussion und Saxophon:
Deric Dyer (am 1989-10-05)
membranophone:
Steve Holley (am 1989-10-05)
Hintergrundgesang:
Doreen Chanter (am 1989-10-05), Maxine Sharp (am 1989-10-05) und Crystal Taliefero (American multi‐instrumentalist and vocalist) (am 1989-10-05)
Sologesang:
Joe Cocker (am 1989-10-05)
aufgenommen bei:
Memorial Auditorium in Lowell, Massachusetts, Vereinigte Staaten (am 1989-10-05)
live cover recording of:
With a Little Help From My Friends (am 1989-10-05)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Joe Cocker59:23
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Teil von:100 Hits (Russian series of mp3 CDs) (Reihenfolge: 19)