Tracklist

1CD
#TitleArtistRatingLength
1Iphigenie auf Tauris: O unverhofftes Glück / Das höre ich von dir
baritone vocals [Orestes]:
Hermann Prey (baritone)
tenor vocals [Pylades]:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
partial recording of:
Iphigenie auf Tauris
translated version of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald Gluck4:06
2Così fan tutte: Non siate ritrosi
assistant engineer:
Volker Martin (engineer) and Gernot Westhäuser (Engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Hermann Prey (baritone) (from 1974-07 until 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-07 until 1974-08)
conductor:
Karl Böhm (Austrian conductor) (from 1974-07 until 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-07 until 1974-08)
recorded at:
Salzburg Festival 1974 (1974-07-26 – 1974-08-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Kleines Festspielhaus in Salzburg, Salzburg, Austria (from 1974-07 until 1974-08)
live recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Gioachino Rossini1:34
3Così fan tutte: Il core vi dono
assistant engineer:
Volker Martin (engineer) and Gernot Westhäuser (Engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Hermann Prey (baritone) (from 1974-07 until 1974-08)
mezzo-soprano vocals [Dorabella, sorelle ferraresi, abitanti in Napoli]:
Brigitte Fassbaender (mezzo-soprano) (from 1974-07 until 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-07 until 1974-08)
conductor:
Karl Böhm (Austrian conductor) (from 1974-07 until 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-07 until 1974-08)
recorded at:
Salzburg Festival 1974 (1974-07-26 – 1974-08-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Kleines Festspielhaus in Salzburg, Salzburg, Austria (from 1974-07 until 1974-08)
live recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Gioachino Rossini4:57
4Così fan tutte: Donne mie, la fate tanti
assistant engineer:
Volker Martin (engineer) and Gernot Westhäuser (Engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Guglielmo, ufficiale, amante di Fiordiligi]:
Hermann Prey (baritone) (from 1974-07 until 1974-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-07 until 1974-08)
conductor:
Karl Böhm (Austrian conductor) (from 1974-07 until 1974-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-07 until 1974-08)
recorded at:
Salzburg Festival 1974 (1974-07-26 – 1974-08-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Kleines Festspielhaus in Salzburg, Salzburg, Austria (from 1974-07 until 1974-08)
live recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (in 1974-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Gioachino Rossini2:43
5Le nozze di Figaro: Bravo, signor padrone! / Se voul ballare
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Gioachino Rossini3:29
6Le nozze di Figaro: Non più andrai
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Figaro] and bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Gioachino Rossini3:45
7Le nozze di Figaro: Tutto è disposto / Aprite un po’ quegli occhi
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Gioachino Rossini4:15
8Il barbiere di Siviglia: Largo al factotum
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
vocals:
Hermann Prey (baritone) (in 1972)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09, in 1972)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:36
9Il barbiere di Siviglia: All’ idea di quel metallo
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:45
10Il barbiere di Siviglia: Dunque io son
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:55
11Oberon: An dem Strande der Garonne
baritone vocals [Scherasmin]:
Hermann Prey (baritone)
mezzo-soprano vocals [Fatime]:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
partial recording of:
Oberon, J. 306: Act III
composer:
Carl Maria von Weber (composer) (from 1825 until 1826)
librettist:
James Robinson Planché
part of:
Oberon, J. 306
Carl Maria von Weber5:10
12La Bohème: Infame Feder! Welch scheußlicher Pinsel! – Ach, Geliebte, nie kehrst du mir wieder!
baritone vocals [Marcello]:
Hermann Prey (baritone) (in 1961-12)
tenor vocals [Rodolfo]:
Fritz Wunderlich (operatic tenor) (in 1961-12)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1961-12)
conductor:
Kurt Eichhorn (conductor) (in 1961-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recording of:
La Bohème: Akt IV. "Infame Feder" / "Welch scheußlicher Pinsel" / "Ach, Geliebte! Nie kehrst du mir wieder!" (in 1961-12)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Akt IV (German translation)
Giacomo Puccini3:32
13Don Carlos: Er ist’s Carlos! Mein Prinz! / Gott, der entflammte der Liebe heiße Glut
baritone vocals [Posa]:
Hermann Prey (baritone) (in 1963-01)
tenor vocals [Don Carlos]:
Fritz Wunderlich (operatic tenor) (in 1963-01)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1963-01)
conductor:
Horst Stein (conductor) (in 1963-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recording of:
Don Carlos: Aufzug II. "Sie ist verloren" / "Er ist's! Carlos!" (in 1963-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlos: Akt I (German translation)
Giuseppe Verdi5:55

Credits

Release

part of:Favorit (Deutsche Grammophon) (order: 60)
ASIN:DE: B0000268P9 [info]
other databases:https://d-nb.info/356103951 [info]