Rapture

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Intermezzo from Cavalleria Rusticana
orchestra:
West Australian Symphony Orchestra
conductor:
David Measham (conductor)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:03
2Ave verum corpus
choir vocals:
Sydney Philharmonia Motet Choir (Sydney Philharmonia Chamber Singers, renamed Sydney Philharmonia Chamber Singers)
orchestra:
Sydney Philharmonia
conductor:
Antony Walker (Australian conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:24
3Nimrod from Enigma Variations
orchestra:
Sydney Symphony Orchestra
conductor:
Myer Fredman (British-Australian conductor)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:17
4Largo from Serse
trumpet:
Yoram Levy (trumpeter)
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel2:52
5The Swan from The Carnival of the Animals
piano [pianos]:
Max Olding & Pamela Page (piano duo)
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Bernard Heinze (Sir Bernard Heinze, conductor)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:30
6Aquarium from The Carnival of the Animals
orchestra:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Bernard Heinze (Sir Bernard Heinze, conductor)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:18
7Liebestraum no. 3 in A-flat, op. 62
piano:
Isador Goodman (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt3:57
8Jesu, Joy of Man's Desiring
choir vocals:
Sydney Philharmonia Symphonic Chorus
orchestra:
Sydney Philharmonia
conductor:
Antony Walker (Australian conductor)
live recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:49
9Bolero (excerpt)
orchestra:
Sydney Symphony Orchestra
conductor:
Stuart Challender (conductor)
partial recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:14
10Two Pieces for Flute-Clock: Menuett
organ:
Michael Dudman (Australian organist)
Joseph Haydn0:59
11Two Pieces for Flute-Clock: Presto
organ:
Michael Dudman (Australian organist)
Joseph Haydn0:59
12Love Theme from Romeo and Juliet
orchestra:
Tasmanian Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky3:29
13Habanera from Carmen
orchestra:
West Australian Symphony Orchestra
conductor:
Geoffrey Arnold (conductor)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet3:46
14Carmen Suite: Prelude
orchestra:
Sydney Symphony Orchestra
conductor:
Matthias Bamert (composer and conductor)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
Georges Bizet1:12
15Carmen Suite: Aragonaise
orchestra:
Sydney Symphony Orchestra
conductor:
Matthias Bamert (composer and conductor)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:12
16Carmen Suite: Seguedille
orchestra:
Sydney Symphony Orchestra
conductor:
Matthias Bamert (composer and conductor)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:49
17Carmen Suite: Les Toreadors
orchestra:
Sydney Symphony Orchestra
conductor:
Matthias Bamert (composer and conductor)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:34
18Schon Rosmarin
violin:
Leonard Dommett (conductor and violinist)
orchestra:
Melbourne Symphony Orchestra
conductor:
Leonard Dommett (conductor and violinist)
arranger:
Henry Maria Krips (Austrian-Australian conductor and composer)
recording of:
Schön Rosmarin (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
recording of:
Schön Rosmarin (catch-all for arrangements)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
Schön Rosmarin (for violin and piano)
Fritz Kreisler2:12
19O nata lux de lumine
choir vocals:
Choir of Trinity College, University of Melbourne
chorus master:
Michael Leighton-Jones (Australian conductor)
recording of:
O nata lux (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis1:46
20Pastoral Symphony from Messiah
orchestra:
Sinfonia Australis
conductor:
Guy Noble (conductor)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:19
21Concerto no. 6 in D: Adagio
orchestra:
Tasmanian Symphony Chamber Players
conductor:
Geoffrey Lancaster (pianist / conductor)
Charles Avison1:55
22Concerto no. 6 in D major: Adagio
orchestra:
Tasmanian Symphony Chamber Players
conductor:
Geoffrey Lancaster (pianist / conductor)
Francesco Geminiani1:04
23Chanson de Matin, op. 15 no. 2
orchestra:
West Australian Symphony Orchestra
conductor:
David Measham (conductor)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Sir Edward Elgar3:51
24Eight Russian folk Songs, op. 58: I. Hymn Song
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: I. Religious Chant (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov2:05
25Eight Russian folk Songs, op. 58: II. Christmas Song
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: II. Christmas Carol "Kolyada" (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov1:27
26Eight Russian folk Songs, op. 58: III. Lament
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: III. Plaintive Song (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov2:54
27Eight Russian folk Songs, op. 58: IV. Comic Song
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: IV. Humorous Song "I Danced with the Gnat" (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov0:54
28Eight Russian folk Songs, op. 58: V. Legend of the Birds
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: V. Legend of the Birds (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov1:24
29Eight Russian folk Songs, op. 58: VI. Cradle Song
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: VI. Cradle Song (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov2:19
30Eight Russian folk Songs, op. 58: VII. Round Dance
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: VII. Round Dance (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov0:43
31Eight Russian folk Songs, op. 58: VIII. Village Dance
orchestra:
Tasmanian Symphony Orchestra (from 1987-06 until 1988-07)
conductor:
Shalom Ronly-Riklis (from 1987-06 until 1988-07)
recorded at:
ABC Odeon Theatre in Hobart, Tasmania, Australia (from 1987-06 until 1988-07)
recording of:
Eight Russian Folksongs, op. 58: VIII. Village Dance Song (from 1987-06 until 1988-07)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Eight Russian Folksongs, op. 58
Anatoly Lyadov1:37
32Che fara senza Euridice from Orfeo ed Euridice
mezzo-soprano vocals:
Lauris Margaret Elms
orchestra:
West Australian Symphony Orchestra
conductor:
Geoffrey Arnold (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck3:56
33Prelude no. 7 in A, op. 28
piano:
John Champ (pianist)
recording of:
Prélude no. 7 in A major, op. 28: Andantino
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 100) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 172)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:59