Baroque Sampler

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Missa Papae Marcelli: Gloria
engineer:
Neville Boyling (engineer)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Choir of King’s College, Cambridge (from 1970-07-27 until 1970-07-29)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1970-07-27 until 1970-07-29)
recording of:
Missa Papae Marcelli: II. Gloria (from 1970-07-27 until 1970-07-29)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina5:57
2Vespro Della Beata Vigine: Psalm "Laudate Pueri"
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Early Music Consort of London
conductor:
Philip Ledger
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:52
3Abdelazar: Rondeau
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
Henry Purcell1:19
4Dido and Aeneas: Thy hand Belinda... When I am Laid in Earth... With Drooping Wings
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Victoria de los Ángeles (Spanish soprano)
orchestra:
English Chamber Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell7:49
5Adagio For Organ & Strings
organ:
Xavier Darasse (French organist and composer)
orchestra:
Orchestre de chambre de Toulouse
conductor:
Louis Auriacombe (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:42
6The Four Seasons: Winter: Allegro non Molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
violin:
Guido Mozzato (in 1959-03)
orchestra:
Virtuosi di Roma (in 1959-03)
conductor:
Renato Fasano (conductor) (in 1959-03)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (in 1959-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1959-03)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1959-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:50
7Suite in A Minor for Flute and String Orchestra: Menuet 1 & 2
solo flute:
Elaine Shaffer (flutist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Yehudi Menuhin (violinist)
recording of:
Ouverture-Suite, TWV 55:a2: IV. Menuet I and II
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite, TWV 55:a2
Georg Philipp Telemann4:05
8Suite in A Minor for Flute and String Orchestra: Réjouissance
flute and solo flute:
Elaine Shaffer (flutist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Yehudi Menuhin (violinist)
recording of:
Ouverture-Suite, TWV 55:a2: V. Réjouissance (for recorder or flute and strings)
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite, TWV 55:a2
Georg Philipp Telemann2:49
9Toccata & Fugue In D Minor
producer:
Eric Macleod (producer)
organ:
Lionel Rogg (organist) (from 1975-11 until 1975-12)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Cathédrale Saint-Pierre de Genève in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1975-11 until 1975-12)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (from 1975-11 until 1975-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach8:19
10Chorale: "Jesu, Joy of Man's Desiring"
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:36
11Concerto For Two Violins: Largo ma Non Tanto
violin:
Christian Ferras (violinist) and Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:45
12Suite No. 2 in B Minor: Badinerie
flute:
Elaine Shaffer (flutist)
violin:
Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:32
13Zadok The Priest (Coronation Anthems For George II)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Menuhin Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
arranger:
Basil Lam (English producer, harpsichordist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Georg Friedrich Händel5:45
14Harp Concerto In D Flat Op. 4 No. 6: Andante / Allegro
solo harp:
Lily Laskine (harpist)
orchestra:
Orchestre de chambre de Toulouse
conductor:
Louis Auriacombe (conductor)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
Georg Friedrich Händel4:38
15Messiah: Chorus: Hallelujah
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) and Robert Tear (tenor)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:01

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ASIN:CA: B00002654C [info]