| # | Titel | Waardering | Duur |
|---|
| 1 | “Bei labbri, che Amore”, WoO 99 no. 1/Hess 211 | | 1:20 |
| 2 | “Sei mio ben”, Hess 231 | | 0:39 |
| 3 | “Scrivo in te”, WoO 99 no. 11/Hess 215 | | 0:53 |
| 4 | “Fra tutte le pene”, WoO 99 no. 3a | | 1:19 |
| 5 | “Salvo tu vuoi lo sposo?”, Hess 228 | | 0:35 |
| 6 | “Ma tu tremi”, WoO 99 no. 6/Hess 212 | | 1:45 |
| 7 | “Giura il nocchier”, WoO 99 no. 5b/Hess 227 | | 0:38 |
| 8 | “Per te d’amico aprile”, WoO 99 no. 9/Hess 216 | | 0:47 |
| 9 | “Fra tutte le pene”, WoO 99 no. 3b/Hess 225 | | 1:05 |
| 10 | “Quella cetra ah pur tu sei”, WoO 99 no. 10b/Hess 218 | | 0:59 |
| 11 | “Chi mai di questo core”, WoO 99 no. 2/Hess 214 | | 1:02 |
| 12 | “Già la notte s’avvicina”, WoO 99 no. 4b/Hess 223 | | 0:38 |
| 13 | “Nei campi e nelle selve” (1st version), WoO 99 no. 7a/Hess 217 | | 1:15 |
| 14 | “Nei campi e nelle selve” (2nd version), WoO 99 no. 7b/Hess 220 | | 1:47 |
| 15 | “Fra tutte le pene” (1st version), WoO 99 no. 3c/Hess 224 | | 1:06 |
| 16 | “Fra tutte le pene” (2nd version), Hess 210 | | 1:17 |
| 17 | “Quella cetra ah pur tu sei” (1st version), WoO 99 no. 10a/Hess 213 | | 0:59 |
| 18 | “Quella cetra ah pur tu sei” (2nd version), WoO 99 no. 10c/Hess 219 | | 0:39 |
| 19 | “Giura il nocchier” (1st version), Hess 230 | | 0:43 |
| 20 | “Giura il nocchier” (2nd version), WoO 99 no. 5a/Hess 221 | | 0:43 |
| 21 | “Già la notte s’avvicina”, WoO 99 no. 4a/Hess 222 | | 0:43 |
| 22 | Song of Farewell for Tenor and 2 Basses, WoO 102 | | 4:03 |
| 23 | Rural Cantata for 4 Voices accompanied by Piano, WoO 103 | | 4:54 |
| 24 | “The Monk’s Song” for 3 a cappella Male Voices from Schiller’s play “William Tell”, WoO 104 | | 1:08 |
| 25 | Wedding Song for Voice accompanied by Mixed Choir and Piano, WoO 105 | | 1:27 |
| 26 | Lobkowitz Cantata for Solo Voice accompanied by Choir and Piano, WoO 106 | | 2:04 |
| 27 | Chorus for the Allied Princes, WoO 95 | | 1:48 |
| 28 | “Lob auf den Dicken”, WoO 100 | | 0:30 |
| 29 | “Graf, liebster Graf”, WoO 101 | | 0:40 |
| 30 | “Im Arm der Liebe ruht sich’s wohl”, WoO 159 | | 1:29 |
| 31 | “Ewig dein”, WoO 161 | | 1:12 |
| 32 | “Kurz ist der Schmerz”, WoO 163 | | 1:23 |
| 33 | “Freundschaft ist die Quelle wahrer Glückseligkeit”, WoO 164 | | 0:55 |
| 34 | “Glück zum neuen Jahr!”, WoO 165 | | 0:32 |
| 35 | “Kurz ist der Schmerz”, WoO 166 | | 2:12 |
| 36 | “Brauchle, Linke”, WoO 167 | | 0:21 |
| 37 | “Das Schweigen”, WoO 168 no. 1 | | 1:07 |
| 38 | “Das Reden”, WoO 168 no. 2 | | 1:14 |
| 39 | “Ich küsse Sie”, WoO 169 | | 0:15 |
| 40 | “Ars longa, vita brevis”, WoO 170 | | 1:00 |
| 41 | “Ich bitt’ dich, schreib mir die Es‐Skala auf”, WoO 172 | | 0:28 |
| 42 | “Hol’ euch der Teufel! B’hüt’ euch Gott!”, WoO 173 | | 0:15 |
| 43 | “Glaube und hoffe!”, WoO 174 | | 0:29 |
| 44 | “Sankt Petrus war ein Fels!”, WoO 175 | | 0:43 |
| 45 | “Glück zum neuen Jahr!”, WoO 176 | | 0:51 |
| 46 | “Bester Magistrat, lhr friert!”, WoO 177 | | 0:39 |
| 47 | “Signor Abate!”, WoO 178 | | 0:45 |
| 48 | “Alles Gute”, WoO 179 | | 1:40 |
| 49 | “Hoffmann, sei ja kein Hofmann”, WoO 180 | | 0:40 |
| 50 | “O Tobias!”, WoO 182 | | 0:36 |
| 51 | “Bester Herr Graf, Sie sind ein Schaf!”, WoO 183 | | 0:31 |
| 52 | “Falstafferel, laß dich sehen!”, WoO 184 | | 1:02 |
| 53 | “Edel sei der Mensch”, WoO 185 | | 2:36 |
| 54 | “Te solo adoro”, WoO 186 | | 0:41 |
| 55 | “Schwenke dich ohne Schwänke!”, WoO 187 | | 0:38 |
| 56 | “Gott ist eine feste Burg”, WoO 188 | | 0:18 |
| 57 | “Doktor sperrt das Tor dem Tod”, WoO 189 | | 1:03 |
| 58 | “Ich war hier, Doktor, ich war hier”, WoO 190 | | 0:19 |
| 59 | “Kühl, nicht lau”, WoO 191 | | 0:54 |
| 60 | “Ars longa, vita brevis”, WoO 192 | | 0:24 |
| 61 | “Ars longa, vita brevis”, WoO 193 | | 0:27 |
| 62 | “Si non per portas, per muros”, WoO 194 | | 0:36 |
| 63 | “Freu dich des Lebens!”, WoO 195 | | 0:24 |
| 64 | “Es muß sein!”, WoO 196 | | 0:31 |
| 65 | “Da ist das Werk”, WoO 197 | | 0:41 |
| 66 | “Wir irren allesamt”, WoO 198 | | 0:30 |
| 67 | “Das Schöne zum Guten!”, WoO 202 | | 0:16 |
| 68 | “Das Schöne zu dem Guten!”, WoO 203 | | 0:20 |
| 69 | “Herr Graf, ich komme zu fragen”, Hess 276 | | 0:57 |
| 70 | “Esel aller Esel”, Hess 277 | | 0:30 |
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