Les Quatre Saisons

~ Veröffentlichung von Antonio Vivaldi; Baroque Festival Orchestra, Alberto Lizzio (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Le Printemps: Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (Nummer: F. I/22) und Ryom-Verzeichnis (Nummer: RV 269)
Teil von:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
Teil von:
Le quattro stagioni (Die vier Jahreszeiten, “The Four Seasons”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:25
2Le Printemps: Largo e pianissimo sempre
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:15
3Le Printemps: Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi54:02
4L'Eté: Allegro non molto
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:16
5L'Eté: Adagio
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:09
6L'Eté: Tempo impetuoso d'Estate
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Jeannette Sorrell (conductor and harpsichordist)
Arrangement von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:56
7L'Automne: Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:07
8L'Automne: Adagio
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:05
9L'Automne: La caccia
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:21
10L'Hiver: Allegro non molto
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name) und Nils‐Erik Sparf (Swedish viol(in)ist)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Drottningholms Barockensemble (Drottningholm Baroque Ensemble), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi53:35
11L'Hiver: Largo
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Arrangement von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:45
12L'Hiver: Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:30
13Symphonie en ut majeur: Allegro molto
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (Alfred Scholz pseudonym)
recording of:
Sinfonia in C major, RV 116: I. Allegro
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia in C major, RV 116
Antonio Vivaldi5:17
14Symphonie en ut majeur: Larghetto
Antonio Vivaldi3:11
15Symphonie en ut majeur: Allegro
Antonio Vivaldi1:40
16Concerto pour cordes et basse continue en sol majeur: Presto
Orchester:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: I. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:34
17Concerto pour cordes et basse continue en sol majeur: Adagio
Orchester:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: II. Adagio
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi0:59
18Concerto pour cordes et basse continue en sol majeur: Allegro
Orchester:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:35
19Concerto pour violon, cordes et basse continue en la mineur: Allegro moderato
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: I. Allegro moderato
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
Teil von:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi3:08
20Concerto pour violon, cordes et basse continue en la mineur: Largo
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
Teil von:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi2:30
21Concerto pour violon, cordes et basse continue en la mineur: Presto
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: III. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
Teil von:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi52:19

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