| # | Title | Rating | Length |
|---|
| 1 | Move | 5 | 3:29 |
| 2 | Groovin' High | | 3:26 |
| 3 | Opus de Funk | | 3:17 |
| 4 | 'Round Midnight- recording engineer:
- Roy DuNann and Howard Holzer
- producer:
- Lester Koenig
- alto saxophone:
- Herb Geller (on 1959-03-14)
- alto saxophone, clarinet and tenor saxophone:
- Art Pepper (on 1959-03-14)
- baritone saxophone:
- Med Flory (on 1959-03-14)
- double bass:
- Joe Mondragon (on 1959-03-14)
- drums (drum set):
- Mel Lewis (on 1959-03-14)
- French horn:
- Vincent DeRosa (on 1959-03-14)
- piano:
- Russ Freeman (on 1959-03-14)
- tenor saxophone:
- Bill Perkins (on 1959-03-14)
- tenor saxophone and valve trombone:
- Bob Enevoldsen (on 1959-03-14)
- trombone:
- Dick Nash (on 1959-03-14)
- trumpet:
- Pete Candoli (on 1959-03-14) and Jack Sheldon (on 1959-03-14)
- conductor:
- Marty Paich (on 1959-03-14)
- arranger:
- Marty Paich
- recorded at:
- Contemporary’s Studio in Los Angeles, California, United States (on 1959-03-14)
- recording of:
- ’Round Midnight (on 1959-03-14)
- lyricist:
- Bernie Hanighen
- composer:
- Thelonious Monk and Cootie Williams
- publisher:
- Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation , Ultra Empire Music, Warner Bros. Music , Warner Bros., Inc. , Warner Chappell Music Ltd. , Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
- is based on:
- I Need You So
| 5 | 3:37 |
| 5 | Four Brothers | 5 | 3:02 |
| 6 | Shaw Nuff | | 3:00 |
| 7 | Bernie's Tune | | 2:49 |
| 8 | Walkin' Shoes | | 3:34 |
| 9 | Anthropology | | 3:22 |
| 10 | Airegin | | 3:04 |
| 11 | Walkin' | | 5:17 |
| 12 | Donna Lee | | 3:22 |
| 13 | Walkin' (alt 1) | | 4:59 |
| 14 | Walkin' (alt 2) | | 5:02 |
| 15 | Donna Lee (alt) | | 3:25 |
| 16 | It's All Right With Me | | 3:27 |
| 17 | Let There Be Love | | 2:30 |
| 18 | My Heart Belongs to Daddy | | 2:18 |
| 19 | So in Love | | 2:21 |
| 20 | St. Louis Blues | | 2:44 |
| 21 | The Man I Love | | 3:10 |
| 22 | Blues in the Night | | 4:27 |