Weihnachtskantaten BWV 1, 61, 40

~ Release by Johann Sebastian Bach; Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz, Thomanerchor Leipzig, Neues Bachisches Collegium Musicum, Hans-Joachim Rotzsch (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate BWV No. 1, "Wie schön leuchtet der Morgenstern": I Choral: Wie schön leuchtet der Morgenstern
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: I. Coro “Wie schön leuchtet der Morgenstern”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach7:07
2Kantate BWV No. 1, "Wie schön leuchtet der Morgenstern": II Recitativo: Du wahrer Gottes uns Marien Sohn
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: II. Recitativo (Tenore) “Du wahrer Gottes und Marien Sohn”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach0:58
3Kantate BWV No. 1, "Wie schön leuchtet der Morgenstern": III Aria: Erfüllet in himmlischen göttlichen Flammen
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: III. Aria (Soprano) “Erfüllet, ihr himmlischen göttlichen Flammen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach4:46
4Kantate BWV No. 1, "Wie schön leuchtet der Morgenstern": IV Recitativo: Ein irdischer Glanz, ein leiblich Licht
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: IV. Recitativo (Basso) “Ein irdscher Glanz, ein leiblich Licht”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:03
5Kantate BWV No. 1, "Wie schön leuchtet der Morgenstern": V Aira: Unser Mund und Ton der Saiten
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: V. Aria (Tenore) “Unser Mund und Ton der Saiten”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach6:16
6Kantate BWV No. 1, "Wie schön leuchtet der Morgenstern": VI Choral: Wie bin ich doch so Herzlch froh
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: VI. Choral “Wie bin ich doch so herzlich froh”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:31
7Kantate BWV No. 61, "Nun komm, der Heiden Heiland": I Ouverture: Nun komm, der Heiden Heiland
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: I. Coro “Nun komm, der Heiden Heiland” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach3:13
8Kantate BWV No. 61, "Nun komm, der Heiden Heiland": II Recitativo: Der Heiland ist gekommen
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: II. Recitativo (Tenore): “Der Heiland ist gekommen” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:43
9Kantate BWV No. 61, "Nun komm, der Heiden Heiland": III Aria: Komm Jesu zu deiner Kirche
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: III. Aria (Tenore) “Komm, Jesu, komm zu deiner Kirche” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach4:10
10Kantate BWV No. 61, "Nun komm, der Heiden Heiland": IV Recitativo: Siehe, ich stehe vor der Tür
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
bass vocals:
Siegfried Lorenz (baritone) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: IV. Recitativo (Basso) “Siehe, ich stehe vor der Tür und klopfe an” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:05
11Kantate BWV No. 61, "Nun komm, der Heiden Heiland": V Aria: Öffne dich, mein ganzes Herze
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
baritone vocals:
Arleen Augér (soprano) (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: V. Aria (Soprano) “Öffne dich, mein ganzes Herze” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach4:23
12Kantate BWV No. 61, "Nun komm, der Heiden Heiland": VI Choral: Amen! Komm du schöne Freudenkrone
recording engineer:
Gerald Junge (sound engineer) (from 1980-10 until 1981-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel
choir vocals:
Thomanerchor Leipzig (from 1980-10 until 1981-02)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1980-10 until 1981-02)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1980-10 until 1981-02)
balance engineer:
Eberhard Richter (engineer)
phonographic copyright (℗) by:
“edel” Gesellschaft für Produktmarketing mbH (in 1981)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1980-10 until 1981-02)
recording of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”: VI. Choral “Amen, Amen” (from 1980-10 until 1981-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 “Nun komm, der Heiden Heiland”
Johann Sebastian Bach1:01
13Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": I Choral: Dazu ist erschienen der Sohn Gottes
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach4:12
14Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": II Recitativo: Das Wort ward Fleisch
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": II. Recitativo (Tenore) "Das Wort ward Fleisch"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach1:27
15Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": III Choral: Die Sünd macht Leid
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": III. Choral "Die Sünd macht Leid"
lyricist:
Kaspar Füger (16th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 379)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach0:53
16Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": IV Aria: Höllische Schlange, wird dir nicht bange
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": IV. Aria (Basso) "Höllische Schlange"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach2:19
17Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": V Recitativo: Die Schlange, so im Paradies
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": V. Recitativo (Alto) "Die Schlange, so im Paradies"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach1:08
18Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": VI Choral: Schüttle deinen Kopf und sprich
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VI. Choral "Schüttle deinen Kopf und sprich"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 305)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach1:02
19Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": VII Aria: Christenkinder, freut euch
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VII. Aria (Tenore) "Christenkinder, freuet euch!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach4:09
20Kantate BWV No. 40, "Dazu ist erschienen der Sohn Gottes": VIII Choral: Jesu, nimm dich deiner Glieder
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VIII. Choral "Jesu, nimm dich deiner Glieder"
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 105)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
Johann Sebastian Bach1:16

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Release

ASIN:DE: B000025G4E [info]