Live at Art D'Lugoff's Top of the Gate

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Yesterdays
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live instrumental recording of:
Yesterdays (am 1968-10-23)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
4:48
2Emily (alternate version)
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live instrumental recording of:
Emily (Emily Theme from The Americanization of Emily) (am 1968-10-23)
Texter:
Johnny Mercer
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs und SBK Miller Catalog, Inc.
5:08
3In a Sentimental Mood
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live instrumental recording of:
In a Sentimental Mood (am 1968-10-23)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
4:06
4Round Midnight (alternate version)
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live recording of:
’Round Midnight (am 1968-10-23)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
6:26
5Autumn Leaves
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (am 1968-10-23)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
5:30
6Someday My Prince Will Come
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live instrumental recording of:
Someday My Prince Will Come (am 1968-10-23)
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:13
7Mother of Earl
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live recording of:
Mother of Earl (am 1968-10-23)
Komponist(in):
Earl Zindars
4:21
8Here’s That Rainy Day
recording engineer:
George Klabin (engineer and producer) (am 1968-10-23)
Produzent(in):
Zev Feldman (producer and author)
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-10-23)
Kontrabass [bass]:
Eddie Gomez (jazz double bassist) (am 1968-10-23)
Schlagzeug:
Marty Morell (drums) (am 1968-10-23)
aufgenommen bei:
Top of the Gate in Greenwich Village, New York, New York, Vereinigte Staaten (am 1968-10-23)
live instrumental recording of:
Here’s That Rainy Day (am 1968-10-23)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:15

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
art direction und design:Burton Yount
Fotografie:Tom Copi (photographer)
Herb Snitzer (photographer)
liner notes:Gary Burton (jazz vibraphonist and composer)
Nat Hentoff
George Klabin (engineer and producer)
Marty Morell (drums)
Eddie Gomez (jazz double bassist) (in 2011-05)
Zev Feldman (producer and author) (in 2012-02)
leitende(r) Produzent(in):George Klabin (engineer and producer)
mastering:Fran Gala (sound engineer)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Resonance Records (jazz) (in 2012)
Discogs:https://www.discogs.com/release/3773200 [Info]
ASIN:US: B007PNS4TY [Info]