Romantic Collection, Volume 3

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Yesterday
additional engineer:
Phil McDonald (engineer and producer)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
acoustic guitar:
Paul McCartney (The Beatles) (on 1965-06-14)
cello:
Francisco Gabarro (on 1965-06-17)
viola:
Kenneth Essex (British violist) (on 1965-06-17)
violin:
Tony Gilbert (violinist) (on 1965-06-17) and Sidney Sax (violinist and concertmaster) (on 1965-06-17)
lead vocals:
Paul McCartney (The Beatles) (on 1965-06-14, on 1965-06-17)
string quartet arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965, in 1987)
additionally recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-06-17)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-06-14, on 1965-06-17)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-06-18)
part of:
SWR1 Hitparade 2003 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 7), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 8), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 10), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 10), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 13), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 72), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 86), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 95) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Yesterday (original by The Beatles) (from 1965-06-14 until 1965-06-17)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
The Beatles4.452:08
2Only You
recording of:
Only You
lyricist and composer:
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:42
3Go Down Moses
producer:
Milt Gabler
bass:
Mort Herbert (on 1958-02-07)
clarinet:
Hank D'Amico (on 1958-02-07)
drums (drum set):
Barrett Deems (on 1958-02-07)
guitar:
Everett Barksdale (on 1958-02-07)
organ:
Nickie Tagg (on 1958-02-07)
piano:
Billy Kyle (on 1958-02-07)
trombone:
Trummy Young (on 1958-02-07)
trumpet:
Louis Armstrong (on 1958-02-07)
choir vocals:
The Sy Oliver Choir (on 1958-02-07)
vocals:
Louis Armstrong (on 1958-02-07)
conductor:
Sy Oliver (on 1958-02-07)
recording of:
Go Down Moses (spiritual) (on 1958-02-07)
lyricist and composer:
[traditional] (special purpose artist)
Louis Armstrong3:43
4Strangers in the Night
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-04-11)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) (on 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-04-11)
arranger:
Ernie Freeman (on 1966-04-11)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (on 1966-04-11)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:39
5Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
The Glenn Miller Orchestra2:49
6Spanish Caravan
engineer and mixer:
Bruce Botnick
producer:
Paul A. Rothchild
acoustic bass guitar and bass:
Leroy Vinnegar
bass guitar and electric bass guitar:
Doug Lubahn (rock bassist)
drums (drum set):
John Densmore
guitar:
Robby Krieger (American guitarist, member of The Doors)
keyboard:
Ray Manzarek
vocals:
Jim Morrison (lead vocalist of the Doors)
recording of:
Spanish Caravan
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. and Nipper Music Co., Inc. (in 1968)
version of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
The Doors3.73:03
7Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:53
8I'll Meet You at Midnight
recording of:
I’ll Meet You at Midnight
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Smokie43:21
9Still Got the Blues
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (rock producer/engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (rock producer/engineer)
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guest strings:
Gavyn Wright (UK violinist, conductor)
guitar and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
keyboard:
Don Airey
piano:
Nicky Hopkins (pianist and organist)
conductor:
Don Airey
strings arranger:
Don Airey and Gary Moore (Thin Lizzy, blues guitar)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:15
10El Condor Pasa
recording engineer:
Ted Brosnan (on 1969-11-02)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-02)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1969-11-02)
guitar:
Fred Carter, Jr. (on 1969-11-02) and Paul Simon (of Simon & Garfunkel) (on 1969-11-02)
keyboard:
Larry Knechtel (on 1969-11-02)
strings:
Ernie Freeman (on 1969-11-02) and Jimmie Haskell (on 1969-11-02)
vocals:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
performer:
Los Incas (on 1969-11-02)
arranger:
Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Charing Cross Music, Inc. (Paul Simon’s publishing company) (in 1970)
recording of:
El cóndor pasa (If I Could) (Simon & Garfunkel version) (on 1969-11-02)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Jorge Milchberg, Paul Simon (of Simon & Garfunkel) and Daniel Alomía Robles (in 1913)
publisher:
Pattern Music Ltd (publisher) and Paul Simon Music
version of:
El cóndor pasa (The Condor Passes)
Simon & Garfunkel4.153:11
11Theme From 'Love Story'
cover recording of:
Theme From Love Story (Instrumental)
composer:
Francis Lai (French composer)
Richard Clayderman3:05
12À toi
vocals:
Joe Dassin (in 1976)
recording of:
À toi (in 1976)
writer:
Jean Baudlot, Joe Dassin and Pierre Delanoë
Joe Dassin42:55
13Army Dreamers
additional assistant engineer:
Danny Dawson
additional engineer:
John Barratt (British audio engineer)
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
lead vocals:
Kate Bush
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Army Dreamers
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush43:17
14Mammy Blue
recording of:
Mamy Blue (English version)
lyricist and composer:
Hubert Giraud
translator:
Phil Trim
translated version of:
Mamy Blue (French version)
Julio Iglesias4:16
15Love Is Blue
phonographic copyright (℗) by:
Mercury (France) (“un label PolyGram” ; “un label Universal Music”) (in 1968)
instrumental cover recording of:
L’amour est bleu (in 1967)
lyricist:
Pierre Cour
composer:
André Popp
publisher:
Frégate Music, Radio-Tele-Music GmbH and Warner Chappell Music France
Paul Mauriat42:40
16Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Boy George3.954:27
17Lady
recording of:
Lady
lyricist and composer:
Lionel Richie, Jr.
publisher:
Brockman Music
Lionel Richie3:18
18Girl, You'll Be a Woman Soon
cover recording of:
Girl, You’ll Be a Woman Soon
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1967)
Urge Overkill3.93:14
19Love Theme From 'Godfather'
Nino Rota2:44
20Lonesome Town
producer:
Jimmie Haskell, Ozzie Nelson and Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
vocals:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
recording of:
Lonesome Town (on 1958-08-21)
lyricist and composer:
Baker Knight Jr.
publisher:
Imagem London Ltd. and Matragun Music Inc.
Richard Nelson3.12:20
21Your Favourite Toy
recording of:
Your Favorite Toy
lyricist:
Richard W. Palmer-James (guitarist and lyricist)
Michael Cretu3:30
22Yesterday
Royal Philharmonic Orchestra3:12

Credits

Release group

part of:Romantic Collection (Barracuda Records, Pirate label from Kiev, Ukraine) (order: 18)
Discogs:https://www.discogs.com/master/863736 [info]