20 Years of No. 1 Hits: 1956-1975

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD: 1956-1961
Nr.TitelKünstlerBewertungLänge
1Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Elvis Presley3.652:18
2That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly4.62:19
3Sixteen Tons
Akustikgitarre:
Bobby Gibbons (am 1955-09-20)
Bassklarinette:
Darol Rice (am 1955-09-20)
Fingerschnippen und Sologesang:
Tennessee Ernie Ford (am 1955-09-20)
Klarinette:
Red Mandel (am 1955-09-20)
Kontrabass [bass]:
Rolly Bundock (am 1955-09-20)
Posaune:
George Bruns (am 1955-09-20)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-09-20)
Trompete:
Charlie Parlato (am 1955-09-20)
conductor:
Jack Fascinato (am 1955-09-20)
arranger:
Jack Fascinato
phonographisches Urheberrecht (℗) von:
Bacci Bros Records (in 2010) und Lucky Vintage (in 2014)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-20)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 12)
cover recording of:
Sixteen Tons (am 1955-09-20)
Texter und Komponist(in):
Merle Travis
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
adaptations:
16 Tons
Tennessee Ernie Ford4.652:38
4Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:18
5Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
Elvis Presley3.82:06
6You Send Me
Produzent(in):
Robert “Bumps” Blackwell
Bass:
Ted Brinson (am 1957-06-01)
Gitarre:
Clifton White (am 1957-06-01) und René Hall (am 1957-06-01)
Schlagzeug:
Earl Palmer (am 1957-06-01)
Hintergrundgesang:
Charles Parlato, Alicia Adams (singer) (am 1957-06-01), Sue Allen (am 1957-06-01) und Lee Gotch (am 1957-06-01)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”) (am 1957-06-01)
Orchester:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (am 1957-06-01)
conductor:
Glenn Osser (am 1957-06-01)
phonographisches Urheberrecht (℗) von:
Keen (in 1958)
aufgenommen bei:
Specialty Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 115)
recording of:
You Send Me (am 1957-06-01)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Sam Cooke42:50
7At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.52:32
8The Happy Organ
recording of:
The Happy Organ
Komponist(in):
David Clowney, James J. Kriegsmann und Ken Wood (50/60 Rockabilly artist)
publisher:
Embassy Music Corporation
Dave "Baby" Cortez2:05
9Bird Dog
recording of:
Bird Dog
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers2:16
10Mr. Blue
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 29)
recording of:
Mr. Blue
Texter und Komponist(in):
Dewayne Blackwell (country music singer-songwriter)
The Fleetwoods42:25
11Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
The Champs4.32:13
12Twilight Time
cover recording of:
Twilight Time
Texter:
Buck Ram
Komponist(in):
Artie Dunn, Al Nevins und Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) und Victoria Music Publishing Co. Ltd.
übersetzte Version von:
Al caer la noche
The Platters2:51
13Kansas City
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 5)
cover recording of:
Kansas City (aka “K.C. Loving”)
Texter:
Jerry Leiber (in 1952)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
Wilbert Harrison32:29
14Stuck on You
cover recording of:
Stuck on You
Texter:
Aaron Schroeder (1950s~1960s US songwriter) (am 1960-03-20)
Komponist(in):
J. Leslie McFarland (composer) (am 1960-03-20)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Elvis Presley2:23
15I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
Verfasser(in):
Dub Albritton (manager and songwriter) und Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee52:42
16Everybody’s Somebody’s Fool
recording of:
Everybody’s Somebody’s Fool
Texter:
Howard Greenfield
Komponist(in):
Jack Keller
Connie Francis2:42
17Are You Lonesome Tonight
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960, in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 9)
cover recording of:
Are You Lonesome Tonight? (am 1960-04-03)
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
Elvis Presley3.13:11
18Stay
Kontrabass:
Albert Hill (double bassist)
Schlagzeug [drums]:
Willie Morrow
Baritongesang:
Charles Thomas (The Zodiacs)
Sologesang:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
Tenor-Gesang:
Wiley Bennett
Tenor-Gesang [falsetto tenor]:
Henry Gaston
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 1)
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:41
19Running Bear
recording of:
Running Bear
Texter und Komponist(in):
J.P. Richardson (known as The Big Bopper)
publisher:
Big Bopper Music Company, Hall-Clement Publications, Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd. und Universal–Songs of PolyGram International, Inc.
Johnny Preston2:40
20Tossin’ & Turnin’
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 40)
recording of:
Tossin’ and Turnin’
Verfasser(in):
Ritchie Adams und Malou Rene
publisher:
EMI Grove Park Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Lewis2:24
21Runaround Sue
recording of:
Runaround Sue
Texter:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
Komponist(in):
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. und Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:46
22Surrender
Produzent(in):
Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-10-30)
Gitarre:
Hank Garland (am 1960-10-30) und Scotty Moore (American guitarist and recording engineer) (am 1960-10-30)
Instrumente:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-30)
Klavier:
Floyd Cramer (am 1960-10-30)
Saxophon:
Boots Randolph (am 1960-10-30)
Schlagzeug:
D.J. Fontana (am 1960-10-30) und Buddy Harman (Session drummer and songwriter) (am 1960-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Charlie Hodge (am 1960-10-30), The Jordanaires (southern gospel group) (am 1960-10-30) und Millie Kirkham (am 1960-10-30)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960, in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-10-30)
recording of:
Surrender (am 1960-10-30)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
Komponist(in):
Ernesto De Curtis (composer)
publisher:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music und R&H Music
basiert auf:
Torna a Surriento
Elvis Presley3.31:56
23Runaway
recording of:
Runaway
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon52:23
24Take Good Care of My Baby
recording of:
Take Good Care of My Baby
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:32
25Please Mr. Postman
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer) und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (in 1961-04)
Gitarre:
Eddie Willis (in 1961-04)
Händeklatschen:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Instrumente:
The Funk Brothers (in 1961-04)
Klavier:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
Perkussion:
Eddie “Bongo” Brown (in 1961-04)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961-04) und Marvin Gaye (in 1961-04)
Hintergrundgesang:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Sologesang:
Gladys Horton (in 1961-04)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1961-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 331) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 410)
recording of:
Please Mr. Postman (in 1961-04)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Marvelettes4.62:27
2▶CD: 1962-1965
3▶CD: 1966-1969
4▶CD: 1970-1975

Nennungen

Veröffentlichung

ASIN:US: B000LY3J58 [Info]