Top 40 Hitdossier 1967-1968

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Daydream Believer
recording of:
Daydream Believer (in 1968)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:51
2Sweet Soul Music
Techniker(in):
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
Produzent(in):
Otis Redding
Gitarre:
Moses Dillard (am 1967-01-20)
vocals:
Arthur Conley (am 1967-01-20)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-20)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 351)
recording of:
Sweet Soul Music (am 1967-01-20)
Verfasser(in):
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) und Otis Redding
publisher:
ABKCO Music und Rondor
basiert auf:
Yeah Man
Arthur Conley42:20
3Times Were When
recording of:
Times Were When
Texter und Komponist(in):
Neil Grimshaw
The Cats3:04
4Ha! Ha! Said the Clown
recording of:
Ha! Ha! Said the Clown
Verfasser(in):
Tony Hazzard (songwriter)
Manfred Mann2:25
5Spicks & Specks
Produzent(in):
Ossie Byrne und Nat Kipner (Australian producer, songwriter, label owner & publisher)
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees) (in 1966)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1966), Maurice Gibb (in 1966) und Robin Gibb (in 1966)
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1966), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1968) und Robert Stigwood Organisation Ltd. (in 1968)
recording of:
Spicks and Specks (in 1966)
Texter und Komponist(in):
Barry Gibb
publisher:
BMG Music, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
Bee Gees12:50
6Gotta See Jane
Produzent(in):
R. Dean Taylor (Canadian singer, songwriter and record producer)
recording of:
Gotta See Jane
Verfasser(in):
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), Ron Miller (US songwriter Ronald Alonzo Miller) und R. Dean Taylor (Canadian singer, songwriter and record producer)
R. Dean Taylor3:06
7Sound of the Screaming Day
recording of:
Sound of the Screaming Day
Verfasser(in):
Rinus Gerritsen (bass player) und George Kooymans
Golden Earring2:51
8Happy Jack
recorded in:
England, Vereinigtes Königreich (in 1966-11)
leitende(r) Produzent(in):
Chris Stamp
Produzent(in):
Kit Lambert
Cello und E-Gitarre:
Pete Townshend (of The Who) (in 1966-11)
E-Bass:
John Entwistle (in 1966-11)
Schlagzeug:
Keith Moon (drummer) (in 1966-11)
Hintergrundgesang:
John Entwistle (in 1966-11), Keith Moon (drummer) (in 1966-11) und Pete Townshend (of The Who) (in 1966-11)
Sologesang:
Roger Daltrey (in 1966-11)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1966)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1966-11) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (in 1966-11)
Musikvideos:
Happy Jack von The Who
recording of:
Happy Jack (in 1966-11)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Fabulous Music, Ltd. (this is a publisher, not an imprint!) und TRO-Essex Music, Inc.
The Who3.852:12
9A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
10The Muffin' Man
World of Oz2:28
11Paper Sun
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1967)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1967-04 bis 1967-11)
recording of:
Paper Sun
Verfasser(in):
Jim Capaldi und Steve Winwood
publisher:
Polygram Music und Warner Chappell Music (publisher as Warner/Chappell Music)
Traffic4:14
12If I Only Had Time
recording of:
If I Only Had Time
Texter:
Pierre Delanoë
Komponist(in):
Jack Fishman und Michel Fugain
übersetzte Version von:
Je n’aurai pas le temps
John Rowles2:44
13Let's Go to San Francisco
recording of:
Let’s Go to San Francisco (in 1967)
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men53:35
14Time Seller
The Spencer Davis Group2:50
15I'm So Proud
recording of:
I’m So Proud
Verfasser(in):
Darla Landan und Darlene Landan
Rudy Bennett2:17
16Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:24
17The Beat Goes On
recording of:
The Beat Goes On
Texter und Komponist(in):
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher3:24
18People Got to Be Free
recording of:
People Got to Be Free
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Eddie Brigati Music, EMI April Music Inc., EMI Jamaxal Music Inc., Huna Music und Slacsar Pub. Co. Ltd.
The Young Rascals2:58
19I See the Rain
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
Bassgitarre:
Graham Knight
E-Bass:
Pat Fairlie
Gitarre:
Junior Campbell
Schlagzeug:
Alan Whitehead
vocals:
Thomas McAleese
recording of:
I See the Rain
Verfasser(in):
Junior Campbell und Thomas McAleese
publisher:
Henrees Music co.
Marmalade3:47
20A Banda
instrumental cover recording of:
A banda
Texter und Komponist(in):
Chico Buarque de Hollanda (Brazilian singer/lyricist)
recording of:
A banda
Texter und Komponist(in):
Chico Buarque de Hollanda (Brazilian singer/lyricist)
Herb Alpert & the Tijuana Brass2:07
21Excerpt From a Teenage Opera
recording of:
Theme From “A Teenage Opera”
Texter und Komponist(in):
Keith Hopkins und Mark Wirtz
Keith West4:36
22What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:16
23Windy
recording of:
Windy
Texter und Komponist(in):
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association2:52
24Tip Toe Thru' the Tulips With Me
cover recording of:
Tiptoe Through the Tulips
Texter:
Al Dubin
Komponist(in):
Joe Burke (American composer)
Tiny Tim1:49
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Top 40 Hitdossier (Nummer: 2) (Reihenfolge: 2)