Grieg: Morning Mood / Albinoni: Adagio / Gluck: Dance of the Blessed Spirits / Bach: Jesu, Joy of Man's Desiring & Badinerie / Charpentier: Te Deum / Bizet: Les toréadors / Other Classical Hits

~ Release by Grieg, Albinoni, Gluck, Bach, Charpentier, Bizet; Sir Neville Marriner (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Peer Gynt, op. 23, Act 4: No. 13, Prelude. Morning Mood
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:17
2Adagio in G Minor (arr. Giazotto)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:53
3Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Orphée et Eurydice, Wq. 41 : Acte II, N° 35. Danse des ombres heureuses
composer:
Christoph Willibald Gluck (composer)
part of:
Orphée et Eurydice, Wq. 41 : Acte II
Christoph Willibald Gluck6:04
4Pavane, op. 50 (instrumental version)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:19
5Symphony no. 40 in G minor, K. 550: I. Molto allegro
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10-29 until 1986-11-01)
conductor:
Sir Neville Marriner (conductor) (from 1986-10-29 until 1986-11-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10-29 until 1986-11-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1986-10-29 until 1986-11-01)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:26
6Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:54
7String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (arr. Woodhouse for string orchestra)
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:58
8Canon and Gigue in D major: Canon
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:01
9Don Giovanni, K. 527: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart6:30
10Piano Concerto no. 19 in F major, K. 459: I. Allegro
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
piano:
Christian Zacharias (pianist and conductor) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
conductor:
Sir Neville Marriner (conductor) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
balance engineer:
Frank Richter (sound engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
recording of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro (from 1989-06-12 until 1989-06-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-12-11)
part of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459
recording of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro (from 1989-10-02 until 1989-10-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-12-11)
part of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459
Wolfgang Amadeus Mozart12:08
11String Quartet no. 1 in D major, op. 11: II. Andante cantabile (arr. Marriner for string orchestra)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Sir Neville Marriner (conductor)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Pyotr Ilyich Tchaikovsky6:16
12Jocelyn, op. 100: Act 1: Berceuse. "Oh ! Ne t'éveille pas encore" (instrumental version)
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
recording of:
Jocelyn, op. 100: Acte II. Berceuse (catch-all for arrangements) (from 1987-03-09 until 1987-03-12)
composer:
Benjamin Godard (French violinist and composer, 1849-1895)
arrangement of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
recording of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
composer:
Benjamin Godard (French violinist and composer, 1849-1895) (on 1888-02-25)
librettist:
Victor Capoul and Paul-Armand Silvestre
part of:
Jocelyn, op. 100: Acte II
Benjamin Godard4:41
13Les contes d'Hoffmann: Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (instrumental version)
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
instrumental recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements) (from 1987-03-09 until 1987-03-12)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:04
14Die Entführung aus dem Serail, K. 384: Ouvertüre
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart5:43
15Te Deum, H. 146: Prélude
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Prélude (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:53
16Violin Concerto no. 1 in B-flat major, K. 207: II. Adagio
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: II. Adagio (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
Wolfgang Amadeus Mozart8:14
17Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:16
18Solomon, HWV 67: Act 3: Sinfonia "The Arrival of the Queen of Sheba"
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel42:48
19Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:26
20Symphony no. 25 in G minor, K. 183: I. Allegro con brio
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:47
21Gloria in D major, RV 589: I. Gloria in excelsis Deo
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
22Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
producer:
John Fraser (UK producer) and Simon Woods (producer)
orchestra:
Academy of St Martin in the Fields (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
conductor:
Sir Neville Marriner (conductor) (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06-27 until 1988-07-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel4:10
23Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:57
24Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" (orch. Marriner)
producer:
John Fraser (UK producer)
organ:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:39
25Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1984-11-17 until 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-17 until 1984-11-18)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-17 until 1984-11-18)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (from 1984-11-17 until 1984-11-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:27
26Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1984-11-17 until 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-17 until 1984-11-18)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-17 until 1984-11-18)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (from 1984-11-17 until 1984-11-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:26
27Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto (in 1981-11)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn57:06
28Suite no. 1 from Carmen, WD : VI. Les toréadors
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (from 1987-03-09 until 1987-03-12)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:26
29The Tale of Tsar Saltan: Act 3: The Flight of the Bumblebee
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10 until 1986-11)
conductor:
Sir Neville Marriner (conductor) (from 1986-10 until 1986-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10 until 1986-11)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (from 1986-10 until 1986-11)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Nikolai Rimsky-Korsakov21:27
30Le nozze di Figaro, K. 492: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1981-06-15 until 1981-06-16)
conductor:
Sir Neville Marriner (conductor) (from 1981-06-15 until 1981-06-16)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1981-06-15 until 1981-06-16)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1981-06-15 until 1981-06-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:14
31Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:05
32Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
engineer and balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
executive producer:
Christopher Bishop (conductor/producer)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1971-05-17 until 1971-05-21)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1971-05-17 until 1971-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:36
33Holberg Suite, op. 40: I. Praeludium
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:47
343 German Dances, K. 605: No. 3 in C major "Die Schlittenfahrt"
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (from 1973-10-01 until 1973-10-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart3:06
35Piano Concerto no. 5 in F minor, BWV 1056: II. Largo
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
36Der Messias, HWV 56: Pt. 2: Chor. "Hallelujah"
engineer:
Christfried Bickenbach (task: recording supervision)
producer:
Gerd Berg (producer) and Dr. Otto Tomek (producer)
choir vocals:
Südfunkchor (from 1984-05-24 until 1984-05-30, on 1984-07-19)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
conductor:
Sir Neville Marriner (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
chorus master:
Klaus Martin Ziegler (conductor) (from 1984-05-24 until 1984-05-30, on 1984-07-19)
balance engineer:
Hartwig Paulsen
recorded at:
Studio Berg in Stuttgart, Baden-Württemberg, Germany (from 1984-05-24 until 1984-05-30, on 1984-07-19)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1984-05-24 until 1984-05-30)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (on 1984-07-19)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:04
37Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:46
38Thaïs, Act 2: Méditation
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
solo violin:
Hans Kalafusz (violinist) (from 1987-03-09 until 1987-03-12)
violin:
Hans Kalafusz (violinist)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1987-03-09 until 1987-03-12)
conductor:
Sir Neville Marriner (conductor) (from 1987-03-09 until 1987-03-12)
balance engineer:
Franck Richter (engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1987-03-09 until 1987-03-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1987-03-09 until 1987-03-12)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:05
39Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy of Man's Desiring (orch. Marriner)
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
oboe:
Celia Nicklin (oboist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
arranger and orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Jesu, Joy of Man’s Desiring (from 1983-06-27 until 1983-06-28)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1983-06-27 until 1983-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1983-06-27 until 1983-06-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:16