Greatest Hits of the Millennium: 50’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
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Nr.TitelKünstlerBewertungLänge
1Tutti Frutti
recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard2:24
2Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:14
3Whatever Will Be, Will Be (Que será, será)
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:05
4At the Hop
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 28)
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors3.52:31
5Love Letters in the Sand
cover recording of:
Love Letters in the Sand
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone42:15
6The Black and White Rag
Winifred Atwell2:25
7Tammy
recording of:
Tammy
Verfasser(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), MCA Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
Debbie Reynolds3:04
8Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.52:30
9Dynamite
Sologesang:
Brenda Lee (1960s American singer)
recording of:
Dynamite
Texter:
Tom Glazer
Komponist(in):
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Skidmore Music Co., Inc. und Songs Music, Inc.
Brenda Lee32:04
10Great Balls of Fire
Produzent(in):
Jerry Bruckheimer, Jack Clement, Don Simpson (American film producer, screenwriter, and actor) und Sam Phillips (founder of Sun Records) (in 1957)
Bassgitarre:
Sidney Stokes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
Schlagzeug:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-10-08)
Bearbeitung von:
Great Balls of Fire (chat & master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 242)
recording of:
Great Balls of Fire (in 1957-10)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
cover recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis4.351:51
11Banana Boat (Day‐O)
Produzent(in):
Herman Diaz, Jr.
Conga:
Alexander Cambrelen (am 1955-10-20) und Mario Castillo (am 1955-10-20)
flute:
Herbert Levy (am 1955-10-20)
Gitarre:
Millard Thomas (am 1955-10-20)
Kontrabass:
Milt Hinton (am 1955-10-20)
Schlagzeug:
Osie Johnson (am 1955-10-20)
Chorgesang:
Charles Colman (am 1955-10-20), J. Hamilton Grandison (am 1955-10-20), Herbert L. Stubbs (am 1955-10-20), Joseph Lewis (am 1955-10-20), Lord Burgess (am 1955-10-20), Brock Peters (am 1955-10-20), Sherman Sneed (am 1955-10-20), John White (50s US vocalist) (am 1955-10-20) und Gloria Wynder (am 1955-10-20)
Sologesang:
Harry Belafonte (am 1955-10-20)
vocals:
Harry Belafonte
Orchester:
Tony Scott's Orchestra & Chorus (am 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-10-20)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (am 1955-10-20)
zusätzlicher Texter:
William Attaway (in 1955) und Irving Burgie (in 1955)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) und Reservoir Media Music
Version von:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte4.33:04
12Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:23
13Catch a Falling Star
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) und The Ray Charles Singers (in 1957)
Orchester:
Mitchell Ayres and His Orchestra (in 1957)
Interpret(in):
The Ray Charles Singers und Mitchell Ayres and His Orchestra (in 1957)
arranger:
Joe Reisman
recording of:
Catch a Falling Star (in 1957)
Verfasser(in):
Lee Pockriss und Paul Vance (US songwriter and producer)
Perry Como42:31
14Maria Dolores
Los Paraguayos4:39
15Tulpen uit Amsterdam
cover recording of:
Tulpen uit Amsterdam
Texter:
Ernst Bader (actor, songwriter and composer) und Klaus-Günther Neumann (German songwriter, arranger)
Komponist(in):
Ralf Arnie
Übersetzer:
Erik Franssen (singer and songwriter) und Jacques Kluger (Belgian publisher, songwriter, producer, promotor)
übersetzte Version von:
Tulpen aus Amsterdam
Herman Emmink2:27
16Twee motten
recording of:
Twee motten
Verfasser(in):
Martin Erich und Tom Manders (Dutch 1950/60s entertainer aka ‘Dorus’)
Dorus33:07
17Messenwerper
recording of:
De messenwerper
Texter:
Alexander Pola (songwriter)
Verfasser(in):
Alexander Pola (songwriter) und Pi Scheffer (musician, composer, orchestra leader)
Komponist(in):
Pi Scheffer (musician, composer, orchestra leader)
Corry Brokken3:59
18De postkoets
cover recording of:
De postkoets
Verfasser(in):
Jos Cleber (Dutch trombonist & band leader) und Ferry van Delden
De Selvera’s2:43
19Ik sta op wacht
cover recording of:
Ik sta op wacht
Texter und Komponist(in):
Stan Haag (Dutch discjockey & songwriter), André de Raaff (pianist, band leader, arranger, composer) und Jacques Schutte (pianist, accordeonist, composer)
Joop de Knegt3:15
20That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:16
21Bernadine
recording of:
Oh Bernadine
Texter:
Johnny Mercer
Komponist(in):
Johnny Mercer
Pat Boone2:10
22Sail Along Silv’ry Moon
Billy Vaughn2:07
23Spiel noch einmal für mich, Habanero
vocals:
Caterina Valente (French-born Italian multilingual singer, guitarist, dancer, and actress)
Orchester:
Adalbert Lutter & sein Tanzorchester
recording of:
Spiel' noch einmal für mich, Habanero (in 1957)
Texter:
Kurt Feltz
Komponist(in):
Heinz Gietz
Caterina Valente3:10
24Schneewalzer
recording of:
Schneewalzer
Komponist(in):
Johnny Hoes und Thomas Schriebl
Schriebl & Hupperts3:02
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Teil von:Greatest Hits of the Millennium (Nummer: 50) (Reihenfolge: 1)