| # | Title | Artist | Rating | Length |
|---|
| 1 | Let’s Make a Night to Remember | Bryan Adams | | 6:21 |
| 2 | Jessie | Joshua Kadison | 1 | 4:21 |
| 3 | Über den Wolken | Reinhard Mey | | 3:48 |
| 4 | Reif für die Insel | Peter Cornelius | | 4:40 |
| 5 | Ich lieb Dich überhaupt nicht mehr | Udo Lindenberg | | 3:56 |
| 6 | Falling in Love | Randy Newman | | 3:01 |
| 7 | Wild Wood | Paul Weller | 4.15 | 3:24 |
| 8 | Come Away With Me | Norah Jones | 3.75 | 3:20 |
| 9 | Strong Enough- engineer:
- Blair Lamb
- producer:
- Bill Bottrell
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993)
- recording of:
- Strong Enough
- writer:
- David Baerwald, Bill Bottrell, Sheryl Crow , Kevin Gilbert , Brian MacLeod and David Ricketts
- publisher:
- Almo Music Corp. , Ignorant Music , Reservoir 416, Sony/ATV Tunes LLC , Weenie Stand Music, 48/11 (from 1993 to ????), Canvas Mattress Music (from 1993 to ????), Old Crow Music (from 1993 to ????), Rambling Blah Music (from 1993 to ????), Third Stone From the Sun (from 1993 to ????), Warner–Tamerlane Publishing Corp. (from 1993 to present), WB Music Corp. (from 1993 to present) and Zen of Iniquity (from 1993 to present)
| Sheryl Crow | 3.85 | 3:12 |
| 10 | Constant Craving | k.d. lang | 3.8 | 4:38 |
| 11 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd. , Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4.55 | 4:19 |
| 12 | Moonlight Shadow | Mike Oldfield | 3.9 | 3:40 |
| 13 | Falling Slowly | Glen Hansard & Markéta Irglová | | 4:50 |
| 14 | After Midnight | J.J. Cale | 3.6 | 2:22 |
| 15 | New York, New York | Ryan Adams | 3.65 | 3:48 |
| 16 | Shine On | Dolly Parton | 4 | 3:58 |
| 17 | Bubbly | Colbie Caillat | 3.9 | 3:18 |
| 18 | All Good Things (Come to an End)- additional recording engineer:
- Marcella "Ms. Lago" Araica
- recording engineer and mixer:
- Demacio "Demo" Castellon
- engineer:
- Vadim Chislov, Demacio "Demo" Castellon, Ben Jost , James Roach and Kobla Tetey
- producer:
- Jim Beanz, Danja and Timbaland
- drums (drum set) [drums]:
- Timbaland
- guitar:
- Dan Warner
- keyboard [keyboards]:
- Danja
- background vocals:
- Jim Beanz and Nelly Furtado
- mixed for:
- Storm Circle Entertainment
- produced for:
- Danja Handz Productions, Pettaway Music, Sunset Entertainment and Timbaland Productions
- recorded at:
- The Hit Factory Miami in Miami, Florida, United States
- mixed at:
- Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, United States
- recording of:
- All Good Things (Come to an End)
- lyricist:
- Nelly Furtado
- composer:
- Nelly Furtado, Chris Martin , Nate Hills and Timothy Mosley
| Nelly Furtado | 4.45 | 5:12 |
| 19 | Back to Black- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop
- bass guitar:
- Nick Movshon
- cello:
- John Heley , Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- guitar:
- Thomas Brenneck and Binky Griptite
- percussion:
- Frank Ricotti
- piano:
- Victor Axelrod
- tambourine:
- Mark Ronson
- tenor saxophone:
- Jamie Talbot
- viola:
- Rachel Bolt , Jonathan Thorne , Bruce White and Katie Wilkinson
- violin:
- Mark Berrow , Elizabeth Edwards , Peter Hanson , Boguslaw Kostecki , Perry Montague‐Mason , Everton Nelson , Tom Pigott‐Smith , Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London , England, United Kingdom
- part of:
- BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (number: 62) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 79)
- recording of:
- Back to Black
- writer:
- Mark Ronson and Amy Winehouse
- publisher:
- BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. and EMI Music Publishing Ltd.
| Amy Winehouse | 4.3 | 4:02 |
| 20 | La camisa negra | Juanes | 2.8 | 3:35 |
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