Il barbiere di Siviglia

~ Release by Gioachino Rossini, Maria Callas, Tito Gobbi, Luigi Alva, Nicola Rossi‐Lemeni, Carlo Maria Giulini, Melchiorre Luise, Anna Maria Canali, Coro del Teatro alla Scala di Milano & Orchestra del Teatro alla Scala di Milano (see all versions of this release, 2 available)

Annotation

Live recording of a performance at La Scala (16 February 1956)

Conductor - Carlo Maria Giulini
Orchestra - Teatro alla Scala
Chorus - Teatro alla Scala

Figaro - Tito Gobbi
Il Conte Almaviva - Luigi Alva
Rosina - Maria Callas
Dr. Bartolo - Melchiorre Luise
Don Basilio - Nicola Rossi-Lemeni
Berta - Anna Maria Canali
Fiorello - Pier Luigi Latinucci
Un Ufficiale - Giuseppe Nessi

Annotation last modified on 2021-07-27 21:06 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Il barbiere di Siviglia: Atto primo: "Finora in questa camera"
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:58
2Il barbiere di Siviglia: Atto primo: "Ehi di casa ..."
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live partial recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:28
3Il barbiere di Siviglia: Atto primo: "Grazie, grazie, grazie!"
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live partial recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:33
4Il barbiere di Siviglia: Atto primo: "Che cosa accadde Signori miei?"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1956-02-16)
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
tenor vocals [un ufficiale]:
Giuseppe Nessi (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:07
5Il barbiere di Siviglia: Atto primo: "Freddo (a) a e immobile"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:34
6Il barbiere di Siviglia: Atto primo: "Mi par d'esser con la testa"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1956-02-16)
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:03
7Il barbiere di Siviglia: Atto secondo: "Ma vedi il mio destino!"
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:42
8Il barbiere di Siviglia: Atto secondo: "Pace e gioia il ciel vi dia!"
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:44
9Il barbiere di Siviglia: Atto secondo: "Insomma, mi signore,"
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:28
10Il barbiere di Siviglia: Atto secondo: "Contro un chor che accende amore"
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:03
11Il barbiere di Siviglia: Atto secondo: "Bella voce! Bravissima!"
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:54
12Il barbiere di Siviglia: Atto secondo: "Quando mi sei vicina"
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:36
13Il barbiere di Siviglia: Atto secondo: "Bravo, signor barbiere,"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:57
14Il barbiere di Siviglia: Atto secondo: "Don Basilio!"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il Barbiere di Siviglia: Atto II. "Don Basilio!" (Rosina, Conte, Figaro, Bartolo, Basilio) (on 1956-02-16)
composer:
Giovanni Paisiello (composer)
librettist:
Cesare Sterbini
part of:
Il Barbiere di Siviglia
Gioachino Rossini2:43
15Il barbiere di Siviglia: Atto secondo: "Buona sera, mio signore,"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:02
16Il barbiere di Siviglia: Atto secondo: "Stringi, bravissimo"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. “Orsù, Signor Don Bartolo” … “Stringi, bravissimo” (Figaro, Bartolo, Conte, Rosina) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:17
17Il barbiere di Siviglia: Atto secondo: "Sempre gridi e tumulti"
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:29
18Il barbiere di Siviglia: Atto secondo: "Il vecchiotto cerca moglie,"
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:21
19Il barbiere di Siviglia: Atto secondo: Temporale
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:50
20Il barbiere di Siviglia: Atto secondo: "Alfine eccoci qua."
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:02
21Il barbiere di Siviglia: Atto secondo: "Ah, qual colpo inaspettato"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:47
22Il barbiere di Siviglia: Atto secondo: "Ah disgraziati noi!"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
tenor vocals [un ufficiale]:
Giuseppe Nessi (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:16
23Il barbiere di Siviglia: Atto secondo: "Di sì felice innesto"
baritone vocals [Figaro]:
Tito Gobbi (baritone) (on 1956-02-16)
bass vocals [Bartolo]:
Melchiorre Luise (bass-baritone) (on 1956-02-16)
bass vocals [Basilio]:
Nicola Rossi‐Lemeni (operatic bass) (on 1956-02-16)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1956-02-16)
mezzo-soprano vocals [Berta]:
Anna Maria Canali (mezzo-soprano) (on 1956-02-16)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1956-02-16)
tenor vocals [Conte]:
Luigi Alva (tenor) (on 1956-02-16)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1956-02-16)
conductor:
Carlo Maria Giulini (conductor) (on 1956-02-16)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1956-02-16)
live recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (on 1956-02-16)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:03