Klassische Kostbarkeiten: Giuseppe Verdi (The difference to the other release are the different number of tracks.)

~ Release by Giuseppe Verdi (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Othello: Sturmchor „Una vela! Una vela! Un vessillo!“
baritone vocals:
Enric Serra (baritone) and Eduard Tumagian (baritone)
choir vocals:
Cor del Gran Teatre del Liceu
tenor vocals:
José Ruiz (Spanish tenor) and Mauricio Septién (Spanish tenor)
orchestra:
Orquestra Simfònica de Barcelona i Nacional de Catalunya (Barcelona Symphony and Catalonia National Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Otello: Atto I, scena 1. “Una vela! una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
4:12
2Othello: Feuerchor „Fuoco di gioia“
choir vocals:
St. Petersburg Philharmonic Choir
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
2:44
3Othello: Credo des Jago „Credo in Dio crudel“
baritone vocals:
Eduard Tumagian (baritone)
orchestra:
Orquestra Simfònica de Barcelona i Nacional de Catalunya (Barcelona Symphony and Catalonia National Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
4:22
4Othello: „Piangea cantando nell’erma landa“
mezzo-soprano vocals:
Mabel Perelstein (mezzo-soprano)
soprano vocals:
Miriam Gauci (soprano)
orchestra:
Orquestra Simfònica de Barcelona i Nacional de Catalunya (Barcelona Symphony and Catalonia National Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
7:19
5Othello: „Niun mi tema“
baritone vocals:
Enric Serra (baritone)
bass vocals:
Marcel Roşca (operatic bass)
tenor vocals:
Nicola Martinucci (tenor) and Mauricio Septién (Spanish tenor)
orchestra:
Orquestra Simfònica de Barcelona i Nacional de Catalunya (Barcelona Symphony and Catalonia National Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
5:01
6Macbeth: Vorspiel (1. Akt)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Macbeth: N°1 Preludio
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth
part of:
Macbeth (german lyrics)
2:38
7Macbeth: Mörderchor „Chi v’impose unirvi a noi“
choir vocals:
St. Petersburg Philharmonic Choir
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Macbeth: Atto II. N°8a Coro “Chi v'impose unirvi a noi?” (Sicari)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
4:03
8Macbeth: „Come dal ciel“
bass vocals:
Jules Bastin (Belgian 20th century operatic bass)
orchestra:
Orchestre de l'Opéra Royal de Wallonie (Orchestra of the Opéra royal de Wallonie, Belgian/Walloon royal opera orchestra)
conductor:
Roger Rossel (Belgian conductor & violinist)
recording of:
Macbeth: Atto II. N°8c Adagio "Come dal ciel precipita" (Banco)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto II
3:24
9Macbeth: Hexenküche „Tre volte miagola la gata“
choir vocals:
St. Petersburg Philharmonic Choir
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Macbeth: Atto III. N°10a Incantesimo “Tre volte miagola la gatta in fregola” (Streghe)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto III
5:08
10Macbeth: Chor der schottischen Flüchtlinge „Patria opressa“
choir vocals:
St. Petersburg Philharmonic Choir
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles)
composer:
Giuseppe Verdi (Italian opera composer) (in 1847)
librettist:
Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave
part of:
Macbeth: Atto IV
4:27
11Don Carlos: Vorspiel und Chor der Mönche: „Rex tremendae majestatis“ … „Carlo il sommo imperatore“
choir vocals:
St. Petersburg Philharmonic Choir
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlos: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
6:16
12Don Carlos: Ketzergericht „Spuntato ecco il dì“
choir vocals:
St. Petersburg Philharmonic Choir
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
4:18
13Don Carlos: „Ella giammai m’amó“
bass vocals:
Jules Bastin (Belgian 20th century operatic bass)
orchestra:
Orchestre de l'Opéra Royal de Wallonie (Orchestra of the Opéra royal de Wallonie, Belgian/Walloon royal opera orchestra)
conductor:
Roger Rossel (Belgian conductor & violinist)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
10:12
14Luisa Miller: „Quando le sere al placido chiaror d’un ciel stellato“
tenor vocals:
Marcello Giordani (tenor)
orchestra:
Orchestra del Teatro Massimo Bellini
conductor:
Steven Mercurio (conductor and composer)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
5:04
15Ernani: Eingangschor „Evviva beviamo“
choir vocals:
Chœurs de l’Opéra de Nice
orchestra:
Orchestre philharmonique de Nice
conductor:
Marcello Panni (conductor)
recording of:
Ernani: Atto I. (no. 2) Coro d’Introduzione. “Evviva!… beviamo” (Ribelli e Banditi)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
2:11
16Ernani: „Mercé, dilette amici“
tenor vocals:
Fabio Armiliato (Italian tenor)
orchestra:
Orchestre philharmonique de Nice
conductor:
Marcello Panni (conductor)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
4:03