Addicted To Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Addicted to LoveRobert Palmer3:04
2Nothing's Gonna Change My Love for You
phonographisches Urheberrecht (℗) von:
Amherst Records, Inc. und PolyGram International Music B.V. (not for release label use!) (in 1988)
cover recording of:
Nothing’s Gonna Change My Love for You
Texter:
Gerald Goffin und Michael Masser
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Glenn Medeiros3.53:49
3Every Little Thing She Does Is Magic
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Klavier:
Jean Roussel
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada
recording of:
Every Little Thing She Does Is Magic
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.754:20
4Blue Eyes
recording engineer:
Bill Price (UK producer/engineer) (in 1982-02)
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray (in 1982-02)
Gitarre:
Richie Zito (in 1982-02)
Hybrid-Piano und Synthesizer:
James Newton Howard (American score composer) (in 1982-02)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1982-02)
Schlagzeug:
Jeffrey Porcaro (in 1982-02)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Happenstance Ltd. (record and publishing company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (in 1982-02)
Musikvideos:
Blue Eyes von Elton John (English singer, songwriter, pianist, and composer)
recording of:
Blue Eyes (in 1982-02)
Texter:
Gary Osborne
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John33:28
5Best of Times
assistierende(r) Techniker(in):
Will Rascati
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Bassgitarre und Basspedal:
Chuck Panozzo
Gitarre:
Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
Horn:
Dan Barber, John Haynor (horn), Mark Ohlsen (Trumpet), Mike Halpin (Trombone) und Bill Simpson (horn)
Keyboard und Sologesang:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
vocals:
Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
Horn arranger:
Ed Tossing
arranger:
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei und mixed at:
Pumpkin Studios in Oak Lawn, Illinois, Vereinigte Staaten
recording of:
The Best of Times
Texter und Komponist(in):
Dennis DeYoung
publisher:
Stygian Songs (publishing company for the rock band Styx) (in 1980)
Styx3.854:20
6You Don't Know What You've Got (Til Its Gone)
Julie Anthony4:15
7She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:37
8Hell (You Put Me Through)
Stephen Cummings3:40
9Read My Lips
Melissa3:45
10Teardrops
Womack & Womack3:31
11My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:38
12Your Wildest Dreams
recording of:
Your Wildest Dreams
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
The Moody Blues3:52
13Beat Surrender
Produzent(in):
Peter Wilson (UK Producer)
Trompete:
Martin Drover und Luke Tunney
Hintergrundgesang:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) und Caron Wheeler (English singer, songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
aufgenommen bei:
Phonogram Studios in London (Greater London), England, Vereinigtes Königreich (in 1982-10)
recording of:
Beat Surrender (in 1982-10)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. und Stylist Music Ltd.
The Jam3:27
14Don't Leave Me This Way
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards4:16
15Boys (Summertime Love)
Produzent(in):
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
Texter:
Claudio Cecchetto (Italian record producer & talent scout) und Malcolm Charlton
Komponist(in):
Matteo Bonsanto und Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina3.63:51
16The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29

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