Film Soundtrack Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 Warner Music Group - X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-03-27).

  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Anmerkung zuletzt geändert am 2020-03-27 09:05 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Living Daylights
Produzent(in):
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
vocals:
a‐ha (Norwegian synth‐pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
Verfasser(in):
Pal Waaktaar (guitarist, songwriter and singer)
zusätzliche(r) Komponist(in):
John Barry (English score composer)
publisher:
ATV Music und BMG Music
Teil von:
James Bond themes
a‐ha44:14
2Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:54
3Breaker’s Revenge
Produzent(in):
Arthur Baker (American record producer and DJ)
recording of:
Breaker’s Revenge
Texter und Komponist(in):
Arthur Baker (American record producer and DJ)
publisher:
DTCM Blvd., Hargreen Music Inc., Shakin’ Baker Music und Shakin’ Baker Music Inc.
Arthur Baker24:53
4Grease
Techniker(in) und Mix:
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Gitarre:
Peter Frampton
Hintergrundgesang:
Barry Gibb
Sologesang:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten und Barry Gibb
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 11)
recording of:
Grease (Grease, 1978 film)
Texter und Komponist(in):
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Teil von:
Grease (1978 film)
Frankie Valli4.33:23
5GoldenEye
Produzent(in):
Nellee Hooper
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner4:43
6Lost in the Shadows (from “The Lost Boys”)
Produzent(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Pat Moran (UK male singer, keyboardist sound engineer and producer)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Lost in the Shadows (The Lost Boys)
Texter und Komponist(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
Lou Gramm36:37
7Jump
recording engineer:
Roger Anfinsen
Produzent(in):
Curtis Mayfield
arranger:
Curtis Mayfield und Richard Tufo
Orchestrator(in):
Richard Tufo
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Jump
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin2:20
8Now We Are Free (from “Gladiator”)
Becky Taylor4:51
9I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:05
10Moon River
Ben E. King32:54
11Two Hearts (from “American Anthem”)
John Parr6:08
12From Russia With Love
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
Texter und Komponist(in):
Lionel Bart
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:35
13Theme From “Enter the Dragon”
recording engineer:
Dan Wallin
Mix:
Doc Siegel
conductor:
Lalo Schifrin (pianist & composer)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Theme From Enter the Dragon
Komponist(in):
Lalo Schifrin (pianist & composer)
Lalo Schifrin52:22
14Street Life (edit)
recording of:
Street Life
Verfasser(in):
Will Jennings und Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Randy Crawford4:49
15Wind Beneath My Wings
Produzent(in):
Arif Mardin
Sologesang:
Bette Midler
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 1) und Alan Cross: Hurricane Songs (Nummer: 10)
cover recording of:
Wind Beneath My Wings
Verfasser(in):
Larry Henley (singer songwriter) und Jeff Silbar
publisher:
Silbar’Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler54:54
16(Where Do I Begin) Love Story
Produzent(in):
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
Texter:
Carl Sigman
Komponist(in):
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Version von:
Theme From Love Story (Instrumental)
Shirley Bassey3:17
17Falling
recording engineer:
Art Polhemus
Koproduzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Produzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Mix:
Jay Healy
E-Gitarre:
Vinnie Bell und Eddie Dixon
flute und Klarinette:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) und Al Regni
Klavier:
Angelo Badalamenti (American score composer)
Schlagzeug:
Grady Tate
Synthesizer:
Angelo Badalamenti (American score composer) und Kinny Landrum
Tenorsaxophon:
Al Regni
vocals:
Julee Cruise (US singer and actress)
arranger und Orchestrator(in):
Angelo Badalamenti (American score composer)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1990)
aufgenommen bei:
Excalibur Sound in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Falling (Twin Peaks theme song)
Texter:
David Lynch (filmmaker)
Komponist(in):
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Version von:
Theme from Twin Peaks
Teil von:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
18Everybody Needs Somebody to Love
Produzent(in):
Bob Tischler
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper und Matt Murphy (US blues guitarist)
Keyboard:
Murphy Dunne
Saxophon:
Tom “Bones” Malone (US trombonist) und Lou Marini
Schlagzeug:
Willie "Too Big" Hall
Trompete:
Al Rubin
vocals:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) und Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
Hintergrundgesang arranger:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Everybody Needs Somebody to Love
Verfasser(in):
Bert Russell Berns, Solomon Burke und Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC und Musical Lights Tokyo
Blues Brothers4.33:25
19Love Is Here to Stay (from “An American in Paris”)
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
John Wilson Orchestra4:03
20I Wanna Be Your Dog
Produzent(in):
John Cale (The Velvet Underground founder)
Bassgitarre:
Dave Alexander (bassist for The Stooges)
E-Gitarre:
Ron Asheton
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Stooge
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 314) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 438)
recording of:
I Wanna Be Your Dog
Verfasser(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
The Stooges3.63:10
21For Just a Moment (from “St. Elmo’s Fire”)
Koproduzent(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
vocals:
Donny Gerrard und Amy Holland
recording of:
Love Theme from St. Elmo’s Fire (For Just a Moment) (lyric version)
Texter:
Cynthia Weil
Komponist(in):
David Foster (Canadian music producer, arranger and composer)
publisher:
Dyad Music Ltd., Foster Frees Music Inc. und Gold Horizon Music Corp.
Version von:
Love Theme From St. Elmo's Fire
David Foster3:47
22Alfie
cover recording of:
Alfie
Texter:
Hal David (in 1965)
Komponist(in):
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
Dionne Warwick2:49
23Cavatina (from “The Deer Hunter”)
Geoff Love3:02
24Shine (soundtrack version)
Laura Izibor3:35
25Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Morten Harket3:44
26Never Let Go
Produzent(in):
John Barry (English score composer)
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Never Let Go (From the Film) (am 1960-05-29)
Komponist(in):
John Barry (English score composer)
John Barry and His Orchestra2:10
27Disco Inferno (single edit)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 54)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps4.353:12
28Get Down Tonight
Artdirection:
STT!
Produzent(in):
Harry Wayne Casey und Richard Finch
recording of:
Get Down Tonight
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music und Southern Music (publisher)
KC and the Sunshine Band4.55:17
29You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:04
30Conquest of Paradise
recording engineer und Mix:
Philippe Colonna
assistierende(r) Produzent(in):
Frederick Rousseau
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
flute:
Didier Malherbe
Geige / Violine und Mandoline:
Francis Darizcuren
klassiche Gitarre [Spanish guitar]:
Bruno Manjarrés und Pepe Martinez (flamenco guitar player)
Chorgesang:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) und Guy Protheroe
conductor:
Guy Protheroe
Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Warner Music U.K. Ltd. (not for release label use!) (in 1992)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (Chorgesang) und Epsilon Laboratory in Paris, Île-de-France, Frankreich
mixed at:
Epsilon Laboratory in Paris, Île-de-France, Frankreich
recording of:
Conquest of Paradise (1492: Conquest of Paradise)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric BV
Vangelis4.24:45
31The Messenger
Daniel Lanois5:27
32Someday, Someway
recording of:
Someday, Someway
Texter und Komponist(in):
Marshall Crenshaw
publisher:
Belwin Mills Music Ltd. und MHC Music
Marshall Crenshaw52:52
33When the Night Comes
recording of:
When the Night Comes
geschrieben in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1987-04) und Vancouver, British Columbia, Kanada (in 1987-04)
Verfasser(in):
Diane Warren (US songwriter), Bryan Adams (Canadian singer/songwriter) (in 1987-04) und Jim Vallance (in 1987-04)
Joe Cocker4:49