100 Mp3 Original Hits Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Daten-CD
Nr.TitelKünstlerBewertungLänge
1Love Me Tender
recording of:
Love Me Tender
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley2:40
2Let It Be Me
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
cover recording of:
Let It Be Me (am 1959-12-15)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
The Everly Brothers2:34
3Time in a Bottle
Produzent(in):
Terry Cashman und Tommy West
vocals:
Jim Croce (am 1971-10-11)
phonographisches Urheberrecht (℗) von:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) und LeFrak-Moelis Records (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1971-10-11)
recording of:
Time in a Bottle (am 1971-10-11)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:25
4You Don’t Have to Say You Love Me
cover recording of:
You Don’t Have to Say You Love Me
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
Guys ’n’ Dolls2:47
5Don’t Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:35
6Save Your Kisses for Me
recording of:
Save Your Kisses for Me
Verfasser(in):
Tony Hiller, Martin Lee (singer, of UK pop group Brotherhood of Man) und Lee Sheriden
publisher:
ATV Music, Easy Listening Music Corp., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Tony Hiller Music (publisher), Tony Hills Music Co. Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Brotherhood of Man3:01
7Send Me the Pillow That You Dream On
cover recording of:
Send Me the Pillow That You Dream On
Texter und Komponist(in):
Hank Locklin
publisher:
Four Star Sales Co.
Johnny Tillotson2:51
8Blueberry Hill
cover recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino2:17
9All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:18
10I Almost Lost My Mind
Pat Boone2:33
11Little Things Mean a Lot
cover recording of:
Little Things Mean a Lot
Texter:
Edith Lindeman
Komponist(in):
Carl Stutz
Alma Cogan3:14
12Only You
recording of:
Only You
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:36
13When You’re Smiling
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
Perry Como2:12
14Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:52
15Young Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-10-30)
Hintergrundgesang:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-10-30)
Sologesang:
Sonny James (US country singer and songwriter) (am 1956-10-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 40)
cover recording of:
Young Love (am 1956-10-30)
Verfasser(in):
Ric Cartey (US rockabilly singer and songwriter) und Carole Joyner
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Sonny James2:28
16Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Elvis Presley2:37
17Spicks and Specks
Produzent(in):
Ossie Byrne und Nat Kipner (Australian producer, songwriter, label owner & publisher)
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees) (in 1966)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1966), Maurice Gibb (in 1966) und Robin Gibb (in 1966)
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1966), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1968) und Robert Stigwood Organisation Ltd. (in 1968)
recording of:
Spicks and Specks (in 1966)
Texter und Komponist(in):
Barry Gibb
publisher:
BMG Music, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
Bee Gees12:49
18A Place in the Sun
cover recording of:
A Place in the Sun
Verfasser(in):
Ron Miller (Motown songwriter Ronald Norman Miller) und Bryan Wells
publisher:
Jobete Music Co., Inc., Stone Diamond Music Corporation, イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Family Dogg3:03
19Afternoon Delight
vocals:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff und Taffy Nivert
phonographisches Urheberrecht (℗) von:
Cherry Lane Music Publishing Company Inc. (in 1976)
recording of:
Afternoon Delight
Texter und Komponist(in):
Bill Danoff
publisher:
Cherry Lane Music Publishing Company Inc. und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:10
20You Were on My Mind
Crispian St. Peters2:38
21Way of Life
Family Dogg4:00
22Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men33:35
23Hold on to What You’ve Got
recording of:
Hold on to What You've got
Bill & Buster3:47
24We Do It
Produzent(in):
Phillip Swern
phonographisches Urheberrecht (℗) von:
BR Music Copyrights BV (in 1976)
recording of:
We Do It
Texter und Komponist(in):
Stefan Breuer (German drummer)
publisher:
Imagem Songs Ltd.
R & J Stone3:17
25Going in With My Eyes Open
phonographisches Urheberrecht (℗) von:
David Soul (in 1977)
recording of:
Going in With My Eyes Open
Texter und Komponist(in):
Tony Macaulay
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
David Soul3:57
26Which Way You Going Billy
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 26) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 54)
recording of:
Which Way You Goin’ Billy?
Verfasser(in):
Susan Jacks und Terry Jacks
The Poppy Family43:21
27When Jesamine Goes
cover recording of:
When Jesamine Goes
Verfasser(in):
Frere Manston und Jack Gellar (a British pop music promoter, group manager and songwriter)
recording of:
When Jesamine Goes
Verfasser(in):
Frere Manston und Jack Gellar (a British pop music promoter, group manager and songwriter)
The Casuals23:35
28You Make My Life So Colorful
Clout4:10
29I’ll Have to Say I Love You in a Song
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar]:
Jim Croce
Hybrid-Piano:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Marty Nelson und Tommy West
vocals:
Jim Croce (am 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) und Lastrada Entertainment Co., Ltd. (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (am 1973-06-07)
Texter und Komponist(in):
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:29
30I’ve Got a Right to Cry
Fats Domino2:23
31Unforgettable
Bratsche / Viola:
Paul Robyn (am 1951-08-17) und Dave Sterkin (am 1951-08-17)
Celesta und Klavier:
Buddy Cole (am 1951-08-17)
Cello:
Cy Bernard (am 1951-08-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1951-08-17)
Conga:
Joe Costanzo (am 1951-08-17)
Geige / Violine:
Alex Beller (am 1951-08-17), Harry Bluestone (am 1951-08-17), Walter Edelstein (am 1951-08-17), Henry Hill (Violin player) (am 1951-08-17), Dan Lube (am 1951-08-17), Erno Neufeld (am 1951-08-17), Mischa Russell (violinist) (am 1951-08-17) und Marshall Sosson (am 1951-08-17)
Gitarre:
Bob Bain (guitarist) (am 1951-08-17)
Harfe:
Ann Mason Stockton (American harpist) (am 1951-08-17)
Kontrabass:
Joe Comfort (am 1951-08-17)
Schlagzeug:
Nick Fatool (am 1951-08-17)
vocals:
Nat King Cole (am 1951-08-17)
Orchester:
Nelson Riddle and His Orchestra (am 1951-08-17)
conductor:
Nelson Riddle (am 1951-08-17)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-08-17)
recording of:
Unforgettable (am 1951-08-17)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole43:11
32I’ll Always Love You (Day After Day)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
Orchester:
Dick Stabile and His Orchestra (in 1951)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
Dean Martin2:32
33True Love
vocals:
Bing Crosby und Grace Kelly (US film actress)
Orchester:
MGM Studio Orchestra
conductor:
Johnny Green (composer and conductor, often credited as John Green)
recording of:
True Love (High Society) (am 1956-02-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Bing Crosby & Grace Kelly3:03
34Jamaica Farewell
Produzent(in):
Edward O. Welker
Gitarre:
Frantz Casséus (am 1955-11-09), Lord Burgess (am 1955-11-09) und Millard Thomas (am 1955-11-09)
Kontrabass:
Al Hall (am 1955-11-09) und Norman Keenan (am 1955-11-09)
Schlagzeug:
Kelly Martin (US jazz drummer) (am 1955-11-09)
vocals:
Harry Belafonte (am 1955-11-09)
recording of:
Jamaica Farewell (am 1955-11-09)
Texter und Komponist(in):
Irving Burgie
publisher:
Cherry Lane Music Ltd.
Harry Belafonte4.83:01
35These Foolish Things
Bob Manning3:07
36How Deep Is the Ocean
conductor:
Ian Bernard
recording of:
How Deep Is the Ocean?
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dick Haymes3:21
37Everybody Loves Somebody
recording of:
Everybody Loves Somebody
Texter:
Sam Coslow und Irving Taylor
Komponist(in):
Sam Coslow und Ken Lane
publisher:
Sands Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
sub-publisher:
Warner Chappel Music Belgium NV
Frank Sinatra3:14
38I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Ella Fitzgerald3:15
39Friendly Persuasion
recording of:
Friendly Persuasion (Thee I Love)
Texter:
Paul Francis Webster
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd. und Leo Feist, Inc.
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Pat Boone2:56
40Devoted to You
recording of:
Devoted to You
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose (BMI)
The Everly Brothers2:23
41Here I Am Broken Hearted
Johnnie Ray2:47
42Dear Don
The Metronomes2:25
43It Keeps Right on A‐Hurtin’
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1962)
recording of:
It Keeps Right On a‐Hurtin’ (in 1962)
Texter und Komponist(in):
Johnny Tillotson (pop and country singer)
publisher:
Ridge Music Corp.
Johnny Tillotson2:48
44I Love You Because
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
Elvis Presley32:42
45You Made Me Cry
The Platters2:17
46Let’s Fall in Love
recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
Nat King Cole2:45
47Love Is Here to Stay
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
Frank Sinatra42:38
48Maybe
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1952) und Eddie Fisher (’50s singer) (in 1952)
Interpret(in):
Mitchell Ayres and His Orchestra (in 1952)
recording of:
Maybe
Verfasser(in):
Allan Flynn und Frank Madden (US songwriter)
publisher:
Robbins (publisher)
Perry Como2:49
49Canadian Sunset
recording of:
Canadian Sunset
Texter:
Norman Gimbel
Verfasser(in):
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
Komponist(in):
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
publisher:
Chappell-Morris Ltd. und Meridian Music
Andy Williams2:35
50Memories Are Made of This
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Memories Are Made of This
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin2:14
51The Finger of Suspicion
Dickie Valentine2:48
52After You’ve Gone
Kay Starr2:33
53Goodnight, Sweetheart, Goodnight
The McGuire Sisters2:51
54Can Anyone Explain?
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-08-25)
cover recording of:
Can Anyone Explain? (am 1950-08-25)
Texter und Komponist(in):
Bennie Benjamin und George David Weiss
Ella Fitzgerald & Louis Armstrong3:08
55Thank You for Calling
recording of:
Thank You for Calling
Texter:
Cindy Walker (US songwriter, singer and dancer)
Komponist(in):
Cindy Walker (US songwriter, singer and dancer) (in 1954)
Jo Stafford2:28
56If
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1950)
Orchester:
Paul Weston and His Orchestra (in 1950)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1950)
cover recording of:
If (Song, popular in the 1950s) (in 1950)
Texter:
Stanley J. Damerell und Robert Hargreaves (songwriter)
Verfasser(in):
H. Tilsley
Komponist(in):
Tolchard Evans
Dean Martin2:45
57Love Is a Many Splendored Thing
Bass:
Charlie Harris (jazz bassist) (am 1955-08-25)
Bassposaune:
George Roberts (american bass trombone) (am 1955-08-25)
Bratsche / Viola:
Alvin Dinkin (am 1955-08-25) und Stanley Spiegelman (am 1955-08-25)
Cello:
Victor Gottlieb (am 1955-08-25), Kurt Reher (cellist) (am 1955-08-25) und Joseph Saxon (am 1955-08-25)
Geige / Violine:
Victor Bay (am 1955-08-25), Alex Beller (am 1955-08-25), Erno Neufeld (am 1955-08-25), Nathan Ross (am 1955-08-25), Paul Shure (am 1955-08-25), Felix Slatkin (am 1955-08-25), Marshall Sosson (am 1955-08-25) und Gerald Vinci (American violinist and strings conductor) (am 1955-08-25)
Gitarre:
John Collins (US jazz guitarist) (am 1955-08-25)
Harfe:
Kathryn Julye (am 1955-08-25)
Klavier:
Nat King Cole (am 1955-08-25) und Bill Miller (pianist) (am 1955-08-25)
Posaune:
Ed Kusby (am 1955-08-25)
Rohrblattinstrumente:
Harry Klee (am 1955-08-25), Wilbur Schwartz (am 1955-08-25) und Champ Webb (am 1955-08-25)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1955-08-25)
Ventilposaune:
Juan Tizol (am 1955-08-25)
Waldhorn:
Jack Cave (am 1955-08-25) und Vincent DeRosa (am 1955-08-25)
vocals:
Nat King Cole (am 1955-08-25)
Orchester:
Nelson Riddle and His Orchestra (am 1955-08-25)
conductor:
Nelson Riddle (am 1955-08-25)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-25)
cover recording of:
Love Is a Many‐Splendored Thing (am 1955-08-25)
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
Nat King Cole2:40
58Whatever Will Be, Will Be (Que Sera, Sera)
Doris Day2:03
59Till I Waltz Again With You
vocals:
Teresa Brewer
recording of:
’Til I Waltz Again With You
Texter und Komponist(in):
Sidney Prosen (in 1952)
Teresa Brewer2:58
60Pledging My Love
Orchester:
Johnny Otis Orchestra
recording of:
Pledging My Love
Verfasser(in):
Don Robey und Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Songs of Universal, Inc. (BMI), Spirit One Music und Wemar Music Corp.
Johnny Ace42:28
61Love Me
cover recording of:
Love Me
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
Elvis Presley2:44
62Can’t Go on Without You
Fats Domino32:10
63Darling, je vous aime beaucoup
Produzent(in):
Lee Gillette
vocals:
Nat King Cole (am 1961-03-24)
Orchester:
Ralph Carmichael Orchestra (am 1961-03-24)
conductor:
Ralph Carmichael
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-03-24)
cover recording of:
Darling, je vous aime beaucoup (am 1961-03-24)
Texter und Komponist(in):
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) und Francis Day S.A.
Medley von:
La Vie en rose (French original)
Nat King Cole2:48
64Earth Angel
cover recording of:
Earth Angel (Will You Be Mine)
Verfasser(in):
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) und Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
Teil von:
Back to the Future: the Musical
Johnny Tillotson2:55
65My Prayer
recording of:
My Prayer
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Avant de mourir
The Platters2:44
66Like Strangers
recording of:
Like Strangers (1960 song) (am 1960-02-18)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose (BMI)
The Everly Brothers2:00
67Scarlet Ribbons
Harry Belafonte3:10
68Harbour Lights
Sammy Kaye & His Orchestra3:21
69Young and Foolish
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Young and Foolish
Texter:
Arnold Horwitt
Komponist(in):
Albert Hague
publisher:
Chappell & Co. und Chappell Music (UK)
Dean Martin2:44
70Waltz of Paree
Alma Cogan3:12
71Love Me or Leave Me
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Billie Holiday2:34
72Hey There
vocals:
Sammy Davis Jr.
cover recording of:
Hey There (The Pajama Game)
Texter und Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (von 1954 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Teil von:
The Pajama Game (musical)
Sammy Davis Jr.2:44
73Swingin’ Down the Lane
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Instrumente:
William (Bill) Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jim Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Rohrblattinstrumente:
Mort Friedman (am 1956-01-12), Justin Gordon (am 1956-01-12), Harry Klee (am 1956-01-12), Wilbur Schwartz (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Schlagzeug:
Irv Cottler (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Mickey Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
Swingin’ Down the Lane (am 1956-01-12)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) und Leo Feist, Inc. (am 1923-02-26)
recording of:
Swingin’ Down the Lane
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) und Leo Feist, Inc. (am 1923-02-26)
Frank Sinatra12:52
74Goodnight My Love
recording of:
Goodnight My Love (Pleasant Dreams)
Verfasser(in):
John Marascalco und George Motola
publisher:
Chappel-Morris, House of Fortune und Quintet Music (Leiber & Stoller)
Jesse Belvin3:05
75Funny How Time Slips Away
cover recording of:
Funny How Time Slips Away
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Tree Publishing
Johnny Tillotson3:10
76I Was the One
recording of:
I Was the One
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
Elvis Presley2:33
77Crying in the Chapel
cover recording of:
Crying in the Chapel (am 1953-06-30)
Texter und Komponist(in):
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) und Mijac Music
The Orioles3:00
78The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:39
79Song for Rosemary
recording of:
Song for Rosemary
Komponist(in):
Fats Domino
Fats Domino2:22
80Eddie My Love
Produzent(in):
Archie Bleyer
recording of:
Eddie My Love
Verfasser(in):
Aaron Collins (US R&B singer/songwriter), Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) und Sam Ling
The Chordettes2:14
81Singing in the Rain
Gene Kelly2:54
82(I Love You) For Sentimental Reasons
Gitarre:
Oscar Moore (am 1946-08-22)
Klavier:
Nat King Cole (am 1946-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-22)
vocals:
Nat King Cole (am 1946-08-22)
Interpret(in):
The Nat King Cole Trio (am 1946-08-22)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-22)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
Nat King Cole42:51
83Wanted
Perry Como3:05
84Love Me, Love Me
Dean Martin2:48
85Green Eyes
recording of:
Green Eyes (version of Spanish song “Aquellos ojos verdes”)
Komponist(in):
Nilo Menéndez
Übersetzer:
Eddie Rivera (lyricist, "Green Eyes") und Eddie Woods (songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
Aquellos ojos verdes
Jimmy Dorsey3:33
86The Very Thought of You
Bob Manning2:43
87You Don’t Know Me
cover recording of:
You Don’t Know Me
Verfasser(in):
Eddy Arnold und Cindy Walker (US songwriter, singer and dancer)
publisher:
J. Albert & Son, Unichappell Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Unichappell Music, Inc. (in 1955), Hill and Range Songs, Inc. (publisher) (am 1955-08-19) und Mijac Music (in 2006)
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 2006)
Lenny Welch2:46
88Don’t Forbid Me
recording of:
Don’t Forbid Me
Texter und Komponist(in):
Chas. Singleton (composer/lyricist)
publisher:
Roosevelt Music Co., Inc.
Pat Boone2:11
89(’Til) I Kissed You
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 28)
recording of:
(’Til) I Kissed You (am 1959-07-07)
Texter und Komponist(in):
Don Everly
The Everly Brothers2:22
90Pledging My Love
cover recording of:
Pledging My Love
Verfasser(in):
Don Robey und Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Songs of Universal, Inc. (BMI), Spirit One Music und Wemar Music Corp.
Johnny Tillotson2:32
91I Forgot to Remember to Forget
cover recording of:
I Forgot to Remember to Forget
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Elvis Presley2:28
92It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
Texter:
Carl Sigman (in 1951)
Komponist(in):
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
basiert auf:
Melody in A major (instrumental)
Tommy Edwards42:36
93Allez‐vous‐en (Go Away)
Kay Starr2:35
94I Only Have Eyes for You
Doris Day3:19
95(You’ve Got) The Magic Touch
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-14)
Sologesang:
Tony Williams (lead singer for The Platters)
recording of:
(You’ve Got) the Magic Touch (am 1956-02-14)
Texter und Komponist(in):
Buck Ram
publisher:
A M C Incorporated, Martha Robi Publishing, Southern Music Publishing Co. Ltd. und Universal Music Corp. (USA, affiliated with ASCAP)
The Platters2:27
96Ebb Tide
cover recording of:
Ebb Tide
Texter:
Carl Sigman
Komponist(in):
Robert Maxwell (US harpist, songwriter and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Arrangement von:
Ebb Tide (original instrumental version)
Lenny Welch2:36
97Vaya Con Dios (May God Be with You)
Les Paul & Mary Ford2:47
98I’ll Be Home
recording of:
I’ll Be Home
Verfasser(in):
Stanley Lewis (well known 60s/70s US producer/songwriter) und Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. (BMI) und Spirit One Music
Pat Boone2:59
99Red Sails in the Sunset
phonographisches Urheberrecht (℗) von:
ABC Records Inc. (in 1963)
cover recording of:
Red Sails in the Sunset
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Fats Domino2:33
100Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Elvis Presley3.552:08

Nennungen