| # | Title | Artist | Rating | Length |
|---|
| 1 | Someone You Loved | Lewis Capaldi | 3.45 | 3:02 |
| 2 | Dancing on My Own | Calum Scott | 4.5 | 4:20 |
| 3 | Love Yourself | Justin Bieber | 3.65 | 3:53 |
| 4 | Scars to Your Beautiful- assistant recording engineer:
- Todd Bergman
- recording engineer:
- Oak
- miscellaneous support:
- Tanisha Broadwater and Donnie Meadows
- drum machine programming:
- Pop Wansel
- programming:
- Sebastian Kole, Oak and Pop Wansel
- assistant producer:
- Kevin “Batos” Guardado
- producer:
- @Oakwud , @Pop Wansel and Sebastian Kole
- assistant mixer:
- Daniela Rivera
- mixer:
- Phil Tan
- keyboard:
- Sebastian Kole and Oak
- phonographic copyright (℗) by:
- Def Jam Recordings (in 2016)
- recorded at:
- Glenwood Place Studios in Burbank, California, United States (in 2015)
- mixed at:
- Ninja Beat Club in Atlanta, Georgia, United States (in 2015)
- part of:
- Canada’s Drag Race Lip Sync Performances (number: 6), Billboard Year-End Hot 100 singles of 2017 (number: 30), Billboard Decade End Chart: Adult Contemporary Songs (number: 44) and BILLIONS CLUB
- recording of:
- Scars to Your Beautiful
- writer:
- Alessia Caracciolo, Andrew Wansel, Coleridge Tillman and Warren Felder
| Alessia Cara | 3.85 | 3:50 |
| 5 | She Will Be Loved | Maroon 5 | 3.4 | 4:18 |
| 6 | The Reason | Hoobastank | 4 | 3:53 |
| 7 | Mercy- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 54)
- recording of:
- Mercy
- writer:
- Teddy Geiger, Ilsey , Shawn Mendes and Danny Parker
- publisher:
- Big Deal Beats, Danny Clementine Music, Gerty Tunes, Mendes Music, Songs of Universal, Inc. , Sony/ATV Songs LLC, Sparko Phone Music, TG Worldwide Publishing, ソニー・ミュージックパブリッシング A事業部 and ピアーミュージック
| Shawn Mendes | 3.35 | 3:29 |
| 8 | Be Alright | Dean Lewis | 3.65 | 3:16 |
| 9 | This Town- recording engineer:
- Julian Burg, Greg Kurstin and Alex Pasco
- producer:
- Greg Kurstin
- assistant mixer:
- Michael Freeman
- mixer:
- Mark “Spike” Stent
- acoustic guitar:
- Greg Kurstin and Greg Leisz
- bass, drums (drum set) [drums], guitar and piano:
- Greg Kurstin
- cello:
- Irina Chirkova
- viola:
- Ilona Geller
- violin:
- Ann Marie Calhoun and Leah Zeger
- vocals:
- Niall Horan
- strings arranger:
- Greg Kurstin
- phonographic copyright (℗) by:
- Neon Haze Music Ltd. (in 2017)
- recorded at:
- EastWest Studios in Hollywood, Los Angeles, California, United States and Echo Studio in Los Feliz, Los Angeles, California, United States
- mixed at:
- The Mixsuite in Los Angeles, California, United States
- recording of:
- This Town
- writer:
- Daniel Bryer, Niall Horan, Mike Needle and Jamie Scott
- publisher:
- NJH Publishing Ltd., RRWP Ltd., Songs of Kobalt Music Publishing and Sony/ATV Music Publishing
| Niall Horan | 3.5 | 3:53 |
| 10 | (Everything I Do) I Do It for You- additional recording engineer:
- Ken Lomas (from 1991-04-10 until 1991)
- recording engineer:
- Nigel Green (from 1991-04-10 until 1991)
- programming:
- Phil Nicholas
- assistant engineer:
- Yan Memmi
- engineer:
- Nigel Green and Ron Obvious
- producer:
- Bryan Adams and Robert John 'Mutt' Lange
- assistant mixer:
- Avril MacKintosh (in 1991)
- mixer:
- Bob Clearmountain (in 1991)
- drums (drum set) and percussion:
- Mickey Curry (from 1991-04-10 until 1991)
- electric bass guitar [bass]:
- Larry Klein (from 1991-04-10 until 1991)
- guitar:
- Bryan Adams (from 1991-04-10 until 1991) and Keith Scott (from 1991-04-10 until 1991)
- Hammond organ and piano:
- Bill Payne (from 1991-04-10 until 1991)
- keyboard:
- Phil Nicholas (from 1991-04-10 until 1991)
- lead vocals:
- Bryan Adams (from 1991-04-10 until 1991)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1991, in 1999), UMG Recordings, Inc. (in 1991) and Badman Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom (from 1991-04-10 until 1991: piano), Battery Studios in London , England, United Kingdom (from 1991-04-10 until 1991), Mayfair Studios in London , England, United Kingdom (from 1991-04-10 until 1991: lead vocals) and The Warehouse Studio in Vancouver, British Columbia, Canada (from 1991-04-10 until 1991)
- mixed at:
- Mayfair Studios in London , England, United Kingdom (in 1991)
- part of:
- The Downloader’s Music Source Book (number: 162)
- recording of:
- (Everything I Do) I Do It for You (from 1991-04-10 until 1991)
- writer:
- Bryan Adams (on 1991-04-10), Michael Kamen (on 1991-04-10) and Robert John “Mutt” Lange (on 1991-04-10)
- publisher:
- 2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (in 1991)
- part of:
- The 64th Academy Award for Best Original Song (number: 2)
| Bryan Adams | 3.9 | 6:34 |
| 11 | You and Me | Lifehouse | 3.75 | 3:15 |
| 12 | The Lady in Red | Chris de Burgh | 3.35 | 4:16 |
| 13 | At Last | Etta James | 4.5 | 3:03 |
| 14 | More Than Words | Extreme | 3.75 | 5:38 |
| 15 | Right Here Waiting | Richard Marx | 3.8 | 4:24 |
| 16 | Linger | The Cranberries | 4.1 | 4:34 |
| 17 | A Thousand Miles | Vanessa Carlton | 3.45 | 3:57 |
| 18 | Always | Bon Jovi | 3.8 | 5:53 |
| 19 | Because of You | Ne‐Yo | 3.3 | 4:27 |
| 20 | You’re Still the One | Shania Twain | 3.65 | 3:33 |
| 21 | I Just Called to Say I Love You | Stevie Wonder | 4.25 | 4:21 |
| 22 | Alone | Heart | 3.65 | 3:39 |
| 23 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:22 |
| 24 | Need You Now- edit of:
- Need You Now by Lady Antebellum
- part of:
- Billboard Decade End Chart: Adult Contemporary Songs (number: 10), Holler's Best 2000s Country Songs (number: 27), Billboard Year-End Hot Country Songs of 2009 (number: 48), Grammy Award: Best Country Performance by a Duo or Group nominees (number: 2011 winner) and Billboard: The 500 Best Pop Songs (number: 325)
- recording of:
- Need You Now
- writer:
- Dave Haywood, Josh Kear, Charles Kelley and Hillary Scott
- publisher:
- Darth Buddha Music, DWHaywood Music, EMI Foray Music, Hillary Down Songs, RADIOBULLETSPUBLISHING, Round Hill Songs Josh Kear, Warner–Tamerlane Publishing Corp. and Year of the Dog Music
| Lady A | 3.9 | 3:56 |
| 25 | Don’t Speak | No Doubt | 4.15 | 4:23 |
| 26 | God Only Knows- engineer:
- Chuck Britz (on 1966-03-10) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Brian Wilson
- accordion:
- Carl Fortina (on 1966-03-10) and Frank Marocco (on 1966-03-10)
- bass clarinet:
- Leonard Hartman (on 1966-03-10)
- bell and drums (drum set):
- Hal Blaine (on 1966-03-10)
- cello:
- Jesse Erlich (on 1966-03-10)
- clarinet:
- Leonard Hartman (on 1966-03-10) and Jay Migliori (on 1966-03-10)
- double bass:
- Lyle Ritz (on 1966-03-10)
- electric bass guitar:
- Ray Pohlman (on 1966-03-10)
- flute:
- Bill Green (on 1966-03-10) and Jim Horn (on 1966-03-10)
- French horn:
- Alan Robinson (on 1966-03-10)
- guitar:
- Carol Kaye (on 1966-03-10)
- harpsichord:
- Larry Knechtel (on 1966-03-10)
- percussion:
- Jim Gordon (on 1966-03-10)
- tack piano:
- Don Randi (on 1966-03-10)
- tambourine:
- Terry Melcher (on 1966-03-10)
- viola:
- Darrel Terwilliger (on 1966-03-10)
- violin:
- Leonard Malarsky (on 1966-03-10) and Sid Sharp (on 1966-03-10)
- lead vocals:
- Carl Wilson (from 1966-03 until 1966-04)
- vocals:
- Bruce Johnston (from 1966-03 until 1966-04) and Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Western Recorders in Los Angeles, California, United States (on 1966-03-10) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 11), Helsingin Sanomat: 100 maailman parasta laulua (number: 17), Rolling Stone: 500 Greatest Songs of All Time (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 130)
- recording of:
- God Only Knows (from 1966-03 until 1966-04)
- lyricist:
- Tony Asher
- composer:
- Brian Wilson
- publisher:
- Irving Music , Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. , Universal Music Publishing Ltd. , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
| The Beach Boys | 4 | 2:53 |
| 27 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:36 |
| 28 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Limited (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 3:57 |
| 29 | Don’t Dream It’s Over- recording engineer:
- Tchad Blake and Dennis Kirk
- assistant engineer:
- Glen Holguin
- producer:
- Mitchell Froom
- mixer:
- Michael Frondelli
- bass:
- Nick Seymour
- congas, mbira [kalimba] and shakers:
- Jorge Bermudez
- drums (drum set):
- Paul Hester
- electric guitar [Gibson Les Paul Goldtop] and lead vocals:
- Neil Finn
- electric guitar [Tom Anderson “S” Style]:
- Tim Pierce
- keyboard and organ:
- Mitchell Froom
- background vocals:
- Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1986)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- mixed at:
- Studio 55 in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 5)
- recording of:
- Don’t Dream It’s Over
- lyricist and composer:
- Neil Finn
- publisher:
- Chrysalis Music , EMI Music Publishing Ltd. , Mushroom Music , Mushroom Music Publishing and Roundhead Music
- part of:
- APRA Top 100 New Zealand Songs of All Time (number: 2)
| Crowded House | 3.9 | 3:57 |
| 30 | Broken Strings | James Morrison & Nelly Furtado | 4.5 | 4:15 |
| 31 | Endless Love | Lionel Richie & Diana Ross | 3.5 | 4:26 |
| 32 | Fade Into You- recording engineer:
- Dale Everingham
- producer:
- David Roback
- acoustic guitar, electric guitar, piano and slide guitar:
- David Roback
- bass:
- Jason Yates
- drums (drum set):
- Keith Mitchell
- tambourine:
- Hope Sandoval
- vocals:
- Hope Sandoval
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1993)
- recorded at:
- Westbeach Recorders in Hollywood, Los Angeles, California, United States
- engineered at:
- Live Oak Studio in Berkeley, California, United States
- music videos:
- Fade Into You by Mazzy Star
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 468) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 468)
- recording of:
- Fade Into You
- lyricist:
- Hope Sandoval
- composer:
- David Roback
- publisher:
- Salley Gardens, Sand Devil Music and Wixen Music Publishing, Inc.
| Mazzy Star | 3.7 | 4:57 |
| 33 | Come Away With Me | Norah Jones | 3.75 | 3:17 |
| 34 | Angel- recording engineer, producer and mixer:
- Shaun Pizzonia
- drums (drum set) [drums]:
- Shaun Pizzonia
- guitar:
- P. Henry and R. Zapata
- keyboard [keyboards]:
- C. Sanchez
- background vocals:
- Gordon Dukes
- performer:
- Rayvon
- phonographic copyright (℗) by:
- MCA Records (in 2000, in 2001)
- produced for:
- Big Yard Music Group
- recorded at:
- Big Yard Studios in Kingston , Jamaica, HC&F Studio in Freeport, Hempstead, New York, United States and Ranch Recording Studios in New York, United States
- mixed at:
- Ranch Recording Studio in New York, United States
- samples:
- Angel of the Morning by Chip Taylor and The Joker by Steve Miller Band
- music videos:
- Angel by Shaggy feat. Rayvon
- recording of:
- Angel
- writer:
- Eddie Curtis , Ahmet Ertegun , Steve Miller and Chip Taylor
- publisher:
- Cotillion Music Inc. and EMI Blackwood Music Inc.
| Shaggy & Rayvon | 4.2 | 3:55 |
| 35 | I’m Not in Love- recording engineer:
- 10cc (in 1974)
- engineer and mixer:
- Eric Stewart
- producer:
- 10cc
- bass and guitar:
- Graham Gouldman (in 1974)
- effects [musical effects], electric piano and lead vocals:
- Eric Stewart (in 1974)
- Moog:
- Kevin (in 1974)
- piano:
- Lol (in 1974)
- synclavier [control desk]:
- Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
- background vocals:
- Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
- other vocals [whisper vocals]:
- Kathy Redfern (in 1974)
- phonographic copyright (℗) by:
- Mercury Records Limited (in 1975), Mercury Records Ltd. (London) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (in 1979) and Mercury Records Ltd. (in 1996)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
- music videos:
- I’m Not in Love by 10cc
- part of:
- Billboard: The 500 Best Pop Songs (number: 319)
- recording of:
- I’m Not in Love (in 1974)
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing , EMI Music Publishing Ltd. , Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| 10cc | 3.8 | 6:03 |
| 36 | Back at One- recording engineer:
- Tommy Vicari (other instruments [orchestra])
- drums (drum set) [drum] programming:
- Brian McKnight
- assistant executive producer:
- Damien Smith
- executive producer:
- Bruce Carbone, Kedar Massenburg and Herb Trawick
- producer:
- Brian McKnight
- assistant mixer:
- Tom Bender
- mixer:
- Mick Guzauski
- bass, keyboard, background vocals and background vocals and lead vocals:
- Brian McKnight
- arranger:
- Brian McKnight
- orchestrator:
- Bill K. Meyers
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (other instruments [orchestra])
- mixed at:
- Barking Doctor Recording in Mount Kisco, New York, United States
- recording of:
- Back at One
- lyricist, writer and composer:
- Brian McKnight
- publisher:
- Cancelled Lunch Music, PolyGram International Publishing, Inc. and Universal PolyGram International Publishing, Inc.
| Brian McKnight | 3 | 4:24 |
| 37 | Missing You- engineer and mixer:
- David Thoener
- drums (drum set):
- Curly Smith
- electric bass guitar [bass]:
- Donnie Nossov
- guitar:
- Gary Myrick
- keyboard:
- Bruce Brody
- percussion:
- Steve Scales
- lead vocals:
- John Waite
- phonographic copyright (℗) by:
- EMI Records (in 1984), EMI Records Ltd. (in 1984) and EMI Records USA (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.75 | 4:26 |
| 38 | Lovefool | The Cardigans | 3.65 | 3:18 |
| 39 | Love Is All Around | Wet Wet Wet | 3.85 | 4:05 |
| 40 | Issues | Julia Michaels | 3.05 | 2:56 |
| 41 | All My Life | K‐Ci & JoJo | 4 | 5:31 |
| 42 | Again | Lenny Kravitz | 2.65 | 3:49 |
| 43 | Hello | Lionel Richie | 3.85 | 4:08 |
| 44 | Let’s Get It On- engineer:
- William McMeekin and Art Stewart
- producer:
- Marvin Gaye and Ed Townsend
- mixer:
- Cal Harris
- bass guitar:
- Wilton Felder (on 1973-03-22)
- bongos and congas:
- Eddie “Bongo” Brown (on 1973-03-22) and Bobbye Hall (on 1973-03-22)
- drums (drum set):
- Paul Humphrey (on 1973-03-22)
- guitar family:
- Don Peake (on 1973-03-22), Louie Shelton (on 1973-03-22), David T. Walker (on 1973-03-22) and Melvin “Wah Wah” Watson (on 1973-03-22)
- percussion:
- Emil Richards (on 1973-03-22)
- piano:
- Marvin Gaye (on 1973-03-22), Marvin Jenkins (on 1973-03-22) and Joe Sample (on 1973-03-22)
- saxophone:
- Plas Johnson (on 1973-03-22) and Ernie Watts (on 1973-03-22)
- vibraphone:
- Victor Feldman (on 1973-03-22) and Emil Richards (on 1973-03-22)
- background vocals and lead vocals:
- Marvin Gaye (on 1973-03-22)
- conductor:
- René Hall (on 1973-03-22)
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (on 1973-03-22)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 167) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 264)
- recording of:
- Let’s Get It On (on 1973-03-22)
- writer:
- Marvin Gaye and Ed Townsend
- publisher:
- Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
| Marvin Gaye | 4.05 | 4:51 |
| 45 | Nights in White Satin | The Moody Blues | 4.4 | 4:29 |
| 46 | (I Can’t Help) Falling in Love With You- cover recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- Aberbach Musikverlag , ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
- recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- Aberbach Musikverlag , ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
| UB40 | 3.25 | 3:26 |
| 47 | Slave to Love- additional engineer:
- Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee
- assistant engineer:
- Benji Armbrister, Steve Churchyard, Randy Ezratty , Dave Greenberg , Julian Wheatley , Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker
- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Bryan Ferry
- mixer:
- Bob Clearmountain
- lead vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1985) and Virgin Records Ltd. (in 1985, in 1999, in 2004)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and The White House in Nashville, Tennessee, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- Slave to Love by Bryan Ferry
- recording of:
- Slave to Love
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Rights Management (UK) Ltd. , EMI Virgin Music Ltd. , EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (in 1985), E.G. Records Ltd. (in 1985) and Virgin EG Records Ltd. (in 1985)
| Bryan Ferry | 3.65 | 4:26 |
| 48 | Hold On- additional recording engineer:
- Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Dan Bosworth , Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
- producer:
- Glen Ballard
- additional guitar:
- Joe Walsh
- bass:
- Jimmy Johnson
- drums (drum set):
- John “JR” Robinson
- guitar:
- Michael Landau
- keyboard:
- Glen Ballard and Randy Kerber
- percussion:
- Paulinho da Costa
- percussion arranger:
- Glen Ballard
- vocals arranger:
- Glen Ballard and Wilson Phillips
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990)
- part of:
- Billboard: The 500 Best Pop Songs (number: 312)
- recording of:
- Hold On
- writer:
- Glen Ballard, Chynna Phillips and Carnie Wilson
- publisher:
- Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (in 1990, in 2003), MCA Music Publishing (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (in 2003)
| Wilson Phillips | 4.5 | 4:23 |
| 49 | We Belong | Pat Benatar | 4.4 | 3:39 |
| 50 | Crazy | Patsy Cline & The Jordanaires | 4.15 | 2:42 |
| 51 | 2 Become 1 | Spice Girls | 4.5 | 4:01 |
| 52 | I’ll Make Love to You- drums (drum set) programming:
- Rayford Griffin
- assistant engineer:
- David Betancourt , Milton Chan , Marty Hornburg and Jamie Seyberth
- engineer:
- Brad Gilderman
- producer:
- Babyface
- mixer:
- Mick Guzauski
- bass:
- Reggie Hamilton
- synthesizer:
- Babyface
- produced for:
- ECAF Productions, Inc.
- recorded at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and The Enterprise in Burbank, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 185)
- recording of:
- I’ll Make Love to You
- lyricist and composer:
- Kenny Edmonds
| Boyz II Men | 4.65 | 4:06 |
| 53 | Do You Really Want to Hurt Me | Culture Club | | 4:22 |
| 54 | Tonight I Celebrate My Love- recording engineer:
- Alan R. Hirshberg (in 1983)
- engineer:
- Howard Wolin and Jeremy Smith
- producer:
- Michael Masser
- mixer:
- Dick Bogart and Russ Terrano
- bass guitar [bass]:
- Nathan East (in 1983)
- drums (drum set):
- Carlos Vega (in 1983)
- guitar:
- Paul Jackson (in 1983)
- piano:
- Randy Kerber (in 1983)
- vocals:
- Peabo Bryson (in 1983) and Roberta Flack (in 1983)
- arranger:
- Michael Masser and Gene Page
- orchestrator:
- Gene Page
- phonographic copyright (℗) by:
- EMI USA and Capitol Records, Inc. (in 1983)
- recorded at:
- A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
- mixed at:
- Motown Hitsville in West Hollywood, California, United States
- recording of:
- Tonight, I Celebrate My Love (in 1983)
- lyricist:
- Gerry Goffin
- composer:
- Michael Masser
- publisher:
- Almo Music Corp. , Chelsea Music Publishing Co., Ltd., Lauren Wesley Music , Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. , Universal Music Corp. and Warner Chappell Music Publishing
- sub-publisher:
- Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング フジパシフィック事業部 , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Peabo Bryson & Roberta Flack | 3.75 | 3:31 |
| 55 | No Matter What- recorded in:
- London , England, United Kingdom and Los Angeles, California, United States
- keyboard programming:
- Lee McCutcheon
- programming:
- Simon Franglen
- assistant engineer:
- Alex Black and Tom
- engineer:
- Simon Franglen , Steve Rinkoff and Robin Sellars
- additional producer:
- Simon Franglen and Lupino
- executive producer:
- Andrew Lloyd Webber and Jim Steinman
- producer:
- Andrew Lloyd Webber , Jim Steinman and Nigel Wright
- mixer:
- Mick Guzauski and Steve Rinkoff
- acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
- Michael Thompson
- bass:
- Angela Lupino
- guitar:
- Fridrik Karlsson
- keyboard [keyboards]:
- Simon Franglen and Nigel Wright
- background vocals [backing vocals]:
- Tracy Ackerman and Andy Caine
- lead vocals:
- Stephen Gately and Ronan Keating
- vocals:
- Keith Duffy , Mikey Graham and Shane Lynch
- arranger:
- Simon Franglen and Lupino
- phonographic copyright (℗) by:
- Polydor Ireland (in 1998)
- recorded at:
- FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios in London , England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
- engineered at:
- Barking Dog Studios in New York, New York, United States
- music videos:
- No Matter What by Boyzone
- cover recording of:
- No Matter What
- lyricist:
- Jim Steinman
- composer:
- Andrew Lloyd Webber
- publisher:
- Universal Music Publishing Ltd. (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. and The Really Useful Group Limited
- part of:
- Whistle Down the Wind
- recording of:
- No Matter What
- lyricist:
- Jim Steinman
- composer:
- Andrew Lloyd Webber
- publisher:
- Universal Music Publishing Ltd. (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. and The Really Useful Group Limited
- part of:
- Whistle Down the Wind
| Boyzone | 2 | 4:33 |
| 56 | (I Just) Died in Your Arms | Cutting Crew | 4 | 4:29 |
| 57 | Still Falling for You | Ellie Goulding | 4.5 | 4:01 |
| 58 | Patience- assistant recording engineer:
- Robin Baynton (strings), Andrew Dudman (strings), Mike Horner and Lewis Jones (strings)
- recording engineer and mixer:
- Jeff Rothschild
- miscellaneous support:
- Shari Sutcliffe (task: production coordinator)
- producer:
- John Shanks
- bass, guitar [guitars] and keyboard [keyboards]:
- John Shanks
- drums (drum set) [drums]:
- Jeff Rothschild
- piano and lead vocals:
- Gary Barlow
- vocals:
- Howard Donald, Jason Orange and Mark Owen
- orchestra:
- London Session Orchestra
- strings arranger:
- Wil Malone
- concertmaster:
- Gavyn Wright
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 2006)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (strings), Henson Recording Studios in Hollywood, Los Angeles, California, United States and RAK Recording Studios in London , England, United Kingdom
- mixed at:
- Henson Recording Studios in Hollywood, Los Angeles, California, United States
- music videos:
- Patience by Take That
- recording of:
- Patience
- writer:
- Gary Barlow, Howard Donald, Jason Orange, Mark Owen and John Shanks
- publisher:
- BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp.
- live recording of:
- Patience
- writer:
- Gary Barlow, Howard Donald, Jason Orange, Mark Owen and John Shanks
- publisher:
- BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp.
| Take That | 4 | 3:22 |
| 59 | Sowing the Seeds of Love | Tears for Fears | 4.05 | 6:18 |
| 60 | Dedicated to the One I Love | The Mamas & the Papas | 4.2 | 2:59 |
| 61 | Just Another Day | Jon Secada | 4 | 5:24 |
| 62 | Be Without You | Mary J. Blige | 3.5 | 4:11 |
| 63 | All Good Things (Come to an End)- additional recording engineer:
- Marcella "Ms. Lago" Araica
- recording engineer and mixer:
- Demacio "Demo" Castellon
- engineer:
- Vadim Chislov, Demacio "Demo" Castellon, Ben Jost , James Roach and Kobla Tetey
- producer:
- Jim Beanz, Danja and Timbaland
- drums (drum set) [drums]:
- Timbaland
- guitar:
- Dan Warner
- keyboard [keyboards]:
- Danja
- background vocals:
- Jim Beanz and Nelly Furtado
- mixed for:
- Storm Circle Entertainment
- produced for:
- Danja Handz Productions, Pettaway Music, Sunset Entertainment and Timbaland Productions
- recorded at:
- The Hit Factory Miami in Miami, Florida, United States
- mixed at:
- Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, United States
- recording of:
- All Good Things (Come to an End)
- lyricist:
- Nelly Furtado
- composer:
- Nelly Furtado, Chris Martin , Nate Hills and Timothy Mosley
| Nelly Furtado | 4.45 | 5:12 |
| 64 | If You’re Not the One | Daniel Bedingfield | 1 | 4:17 |
| 65 | Next to Me- programming and producer:
- Craze & Hoax, James Murray and Mustafa Omer
- assistant mixer:
- Ben Baptie
- mixer:
- Tom Elmhirst
- electric bass guitar:
- Anup Paul
- instruments:
- Craze & Hoax, James Murray and Mustafa Omer
- piano:
- Neil Cowley
- background vocals:
- Abeeku "Beyku" Ribeiro
- choir vocals:
- Lorraine Barnes, Awsa Bergstrom, Crystal Jones, John Gibbons , Charlene Jones, Jenny La Touche, Patsy McKay, Rebecca Jones , Roxy Harris and Jack Vasiliou
- lead vocals:
- Emeli Sandé
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 88)
- recording of:
- Next to Me
- additional writer:
- Kendrick Lamar
- writer:
- A. K. Paul , Hugo Chegwin, Harry Craze and Emeli Sandé
- publisher:
- Stellar Songs Limited
| Emeli Sandé | 2.85 | 3:18 |
| 66 | Again | Janet Jackson | 4.35 | 3:47 |
| 67 | Jessie | Joshua Kadison | 3 | 5:19 |
| 68 | Show Me Heaven | Maria McKee | 3 | 3:48 |
| 69 | Get Here | Oleta Adams | 4 | 4:38 |
| 70 | Save the Best for Last- producer:
- Keith Thomas
- additional arranger:
- Vanessa Williams
- arranger:
- Keith Thomas
- recording of:
- Save the Best for Last
- writer:
- Phil Galdston, Jon Lind and Wendy Waldman
- publisher:
- Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. , Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
| Vanessa Williams | 3.35 | 3:40 |
| 71 | Other Side of the World | KT Tunstall | 3.65 | 3:35 |
| 72 | Human (edit) | The Human League | 3.5 | 3:49 |
| 73 | Eternal Flame- music videos:
- Eternal Flame by Atomic Kitten
- cover recording of:
- Eternal Flame
- writer:
- Susanna Hoffs, Tom Kelly and Billy Steinberg
- publisher:
- Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. , Denise Barry Music, EMI Songs, Mushroom Music , SBK Blackwood Music Inc. , Songs of Universal, Inc. , Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC and Universal/MCA Music Ltd.
- sub-publisher:
- EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. , Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan and Warner Chappell Music Ltd.
| Atomic Kitten | 2.65 | 3:14 |
| 74 | Close to You | Maxi Priest | | 5:31 |
| 75 | Only You | The Flying Pickets | 4 | 3:23 |
| 76 | Indigo Girl | Watershed | 2 | 3:02 |
| 77 | Let Me | Matthew Mole | | 3:50 |
| 78 | Save Me | TiMO ODV & Sarah Jackson | | 3:33 |
| 79 | The Day Before You Came | ABBA | 3.5 | 5:50 |
| 80 | Darling | Majozi | | 3:45 |
| 81 | Smother | Craig Lucas ft. Paxton | | 3:24 |
| 82 | Unforgettable | Nat King Cole | | 3:28 |
| 83 | Dream a Little Dream | The Beautiful South | | 3:34 |
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