Karajan A-Z: Adam - Bartók

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

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1Giselle: Act 1. Introduction
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Introduction (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam2:19
2Giselle: Act 1. No. 1, Les vendangeurs
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Entrée d’Hilarion (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam0:57
3Giselle: Act 1. No. 2, Entrée du Prince
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Entree de Loys (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam1:09
4Giselle: Act 1. No. 3, Loys seul - Entrée de Giselle
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Entree de Loys (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam4:34
5Giselle: Act 1. No. 4, Retour de la vendange - Valse
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Retour de la vendange (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam3:38
6Giselle: Act 1. Pas ds vendanges: d. Allegro un peu louré
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1986-04 until 1986-05)
conductor:
Richard Bonynge (conductor and pianist) (from 1986-04 until 1986-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1986-04 until 1986-05)
recording of:
Giselle: Act I. Pas des vendanges: a. Andante
part of:
Giselle: Act I. Pas des vendanges (interpolation)
Adolphe Adam2:14
7Giselle: Act 1. No. 5, La chasse
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. La chasse (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam1:53
8Giselle: Act 1. No. 7, Marche des vignerons
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Marche des vignerons (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam2:00
9Giselle: Act 1. Pas de suel. Variation de Giselle
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Pas seul (interpolation) (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam1:41
10Giselle: Act 1. No. 8, Galop général
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Galop générale (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam1:20
11Giselle: Act 1. No. 8a, Finale
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act I. Finale (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act I
Adolphe Adam6:35
12Giselle: Act 2. No. 10, Apparition de Myrthe et évocation magique. Andante - Andantino poco allegretto - No. 10a, Pas des premières Wilis
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Apparition et scène de Myrthe (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam11:41
13Giselle: Act 2. No. 11, Apparition de Giselle
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Apparition de Giselle (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam1:52
14Giselle: Act 2. No. 13, Entreé de Loys et Wilfrede
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Entrée de Loys / Pas de deux (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam5:59
15Giselle: Act 2. No. 14, Entrée d'Hilarion, scène et fugue des Wilis
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Scène des Wilis (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam0:39
16Giselle: Act 2. No. 15, Grand pas de deux: a. Adage. Andante
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Grand pas de deux (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam4:26
17Giselle: Act 2. No. 15, Grand pas de deux: b. Variation de Loys
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Variation de Loys (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam0:32
18Giselle: Act 2. No. 15, Grand pas de deux: c. Variation de Giselle. Andante
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Variation de Giselle (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam3:00
19Giselle: Act 2. No. 16, Finale
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-09)
conductor:
Herbert von Karajan (conductor) (in 1961-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1961-09)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-09)
recording of:
Giselle: Act II. Final (in 1961-09)
composer:
Adolphe Adam (French composer)
part of:
Giselle, ou les Wilis: Act II
Adolphe Adam3:37
20Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach8:52
21Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:42
22Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:59
23Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I-II
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:04
24Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise I-II
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:23
25Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:23
26Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:23
27Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach9:18
28Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String"
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach56:34
29Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I-II
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:46
30Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach11:18
31Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:04
32Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" (Recorded 1983)
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
organ:
David Bell (organist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1983-09-28 until 1983-09-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach56:00
33Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Allegro] (Recorded 1964)
producer:
Hans Weber (producer/engineer)
French horn:
Alan Civil (British horn player) (from 1964-08-17 until 1964-08-24) and Shirley Hopkins (British horn and Wagner tuba player) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Karl Steins (oboist) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:26
34Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio (Recorded 1964)
producer:
Hans Weber (producer/engineer)
French horn:
Alan Civil (British horn player) (from 1964-08-17 until 1964-08-24) and Shirley Hopkins (British horn and Wagner tuba player) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Karl Steins (oboist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach5:06
35Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro (Recorded 1964)
producer:
Hans Weber (producer/engineer)
French horn:
Alan Civil (British horn player) (from 1964-08-17 until 1964-08-24) and Shirley Hopkins (British horn and Wagner tuba player) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Karl Steins (oboist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:59
36Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II (Recorded 1964)
Johann Sebastian Bach12:06
37Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:26
38Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:11
39Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
trumpet:
Adolf Scherbaum (trumpeter) (in 1964-08)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:53
40Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] (Recorded 1964)
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:49
41Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio (Recorded 1964)
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Johann Sebastian Bach0:21
42Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro (Recorded 1964)
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:54
43Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach8:08
44Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:02
45Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Matthias Rütters (flautist) (from 1964-08-17 until 1964-08-24) and Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
oboe:
Lothar Koch (oboist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berlin Philharmonic (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:45
46Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach11:01
47Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affetuoso (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:00
48Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro (Recorded 1964)
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
violin:
Michel Schwalbé (Polish violinist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:42
49Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [Allegro] (Recorded 1965)
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (on 1965-02-22)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1965-02-22)
conductor:
Herbert von Karajan (conductor) (on 1965-02-22)
balance engineer:
Günter Hermanns (producer/engineer) (on 1965-02-22)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-02)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (on 1965-02-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach7:06
50Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto (Recorded 1965)
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (on 1965-02-22)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1965-02-22)
conductor:
Herbert von Karajan (conductor) (on 1965-02-22)
balance engineer:
Günter Hermanns (producer/engineer) (on 1965-02-22)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-02)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (on 1965-02-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:55
51Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (on 1965-02-22)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1965-02-22)
conductor:
Herbert von Karajan (conductor) (on 1965-02-22)
balance engineer:
Günter Hermanns (producer/engineer) (on 1965-02-22)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-02)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (on 1965-02-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:45
52Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Allegro] (Recorded 1978)
producer:
Michel Glotz
horn:
Norbert Hauptmann (horn player) (from 1978-07-01 until 1979-01-29) and Gerd Seifert (horn player) (from 1978-07-01 until 1979-01-29)
oboe:
Burkhard Rohde (oboist) (from 1978-07-01 until 1979-01-29), Hansjörg Schellenberger (oboist and conductor) (from 1978-07-01 until 1979-01-29) and Gerhard Stempnik (oboist) (from 1978-07-01 until 1979-01-29)
violino piccolo:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (from 1978-07-01 until 1979-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:02
53Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio (Recorded 1978)
producer:
Michel Glotz
horn:
Norbert Hauptmann (horn player) (from 1978-07-01 until 1979-01-29) and Gerd Seifert (horn player) (from 1978-07-01 until 1979-01-29)
oboe:
Burkhard Rohde (oboist) (from 1978-07-01 until 1979-01-29), Hansjörg Schellenberger (oboist and conductor) (from 1978-07-01 until 1979-01-29) and Gerhard Stempnik (oboist) (from 1978-07-01 until 1979-01-29)
violino piccolo:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:44
54Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro (Recorded 1978)
producer:
Michel Glotz
horn:
Norbert Hauptmann (horn player) (from 1978-07-01 until 1979-01-29) and Gerd Seifert (horn player) (from 1978-07-01 until 1979-01-29)
oboe:
Burkhard Rohde (oboist) (from 1978-07-01 until 1979-01-29), Hansjörg Schellenberger (oboist and conductor) (from 1978-07-01 until 1979-01-29) and Gerhard Stempnik (oboist) (from 1978-07-01 until 1979-01-29)
violino piccolo:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:22
55Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II (Recorded 1978)
producer:
Michel Glotz
horn:
Norbert Hauptmann (horn player) (from 1978-07-01 until 1979-01-29) and Gerd Seifert (horn player) (from 1978-07-01 until 1979-01-29)
oboe:
Burkhard Rohde (oboist) (from 1978-07-01 until 1979-01-29), Hansjörg Schellenberger (oboist and conductor) (from 1978-07-01 until 1979-01-29) and Gerhard Stempnik (oboist) (from 1978-07-01 until 1979-01-29)
violino piccolo:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach9:58
56Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] (Recorded 1978)
producer:
Michel Glotz
cello:
Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29)
flute:
Andreas Blau (flutist) (from 1978-07-01 until 1979-01-29)
oboe:
Hansjörg Schellenberger (oboist and conductor) (from 1978-07-01 until 1979-01-29)
trumpet:
Konradin Groth (trumpet player) (from 1978-07-01 until 1979-01-29)
viola:
Wilfried Strehle (violist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:27
57Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante (Recorded 1978)
producer:
Michel Glotz
cello:
Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29)
flute:
Andreas Blau (flutist) (from 1978-07-01 until 1979-01-29)
oboe:
Hansjörg Schellenberger (oboist and conductor) (from 1978-07-01 until 1979-01-29)
trumpet:
Konradin Groth (trumpet player) (from 1978-07-01 until 1979-01-29)
viola:
Wilfried Strehle (violist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:23
58Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai (Recorded 1978)
producer:
Michel Glotz
cello:
Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29)
flute:
Andreas Blau (flutist) (from 1978-07-01 until 1979-01-29)
oboe:
Hansjörg Schellenberger (oboist and conductor) (from 1978-07-01 until 1979-01-29)
trumpet:
Konradin Groth (trumpet player) (from 1978-07-01 until 1979-01-29)
viola:
Wilfried Strehle (violist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:39
59Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] (Recorded 1978)
producer:
Michel Glotz
bass:
Friedrich Witt (contra bass player) (from 1978-07-01 until 1979-01-29)
cello:
Jörg Baumann (cellist) (from 1978-07-01 until 1979-01-29), Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29) and Götz Teutsch (cellist) (from 1978-07-01 until 1979-01-29)
viola:
Giusto Cappone (violist) (from 1978-07-01 until 1979-01-29), Wilfried Strehle (violist) (from 1978-07-01 until 1979-01-29) and Siegbert Ueberschaer (violist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29), Leon Spierer (violinist) (from 1978-07-01 until 1979-01-29) and Hanns-Joachim Westphal (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1978-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:31
60Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Andante (Recorded 1978)
producer:
Michel Glotz
bass:
Friedrich Witt (contra bass player) (from 1978-07-01 until 1979-01-29)
cello:
Jörg Baumann (cellist) (from 1978-07-01 until 1979-01-29), Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29) and Götz Teutsch (cellist) (from 1978-07-01 until 1979-01-29)
viola:
Giusto Cappone (violist) (from 1978-07-01 until 1979-01-29), Wilfried Strehle (violist) (from 1978-07-01 until 1979-01-29) and Siegbert Ueberschaer (violist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29), Leon Spierer (violinist) (from 1978-07-01 until 1979-01-29) and Hanns-Joachim Westphal (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part) (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Johann Sebastian Bach0:14
61Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro assai (Recorded 1978)
producer:
Michel Glotz
bass:
Friedrich Witt (contra bass player) (from 1978-07-01 until 1979-01-29)
cello:
Jörg Baumann (cellist) (from 1978-07-01 until 1979-01-29), Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29) and Götz Teutsch (cellist) (from 1978-07-01 until 1979-01-29)
viola:
Giusto Cappone (violist) (from 1978-07-01 until 1979-01-29), Wilfried Strehle (violist) (from 1978-07-01 until 1979-01-29) and Siegbert Ueberschaer (violist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29), Leon Spierer (violinist) (from 1978-07-01 until 1979-01-29) and Hanns-Joachim Westphal (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:11
62Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (Recorded 1978)
producer:
Michel Glotz
cello:
Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29)
flute:
Karlheinz Zöller (flutist) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:19
63Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante (Recorded 1978)
producer:
Michel Glotz
cello:
Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29)
flute:
Karlheinz Zöller (flutist) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:34
64Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (Recorded 1978)
producer:
Michel Glotz
cello:
Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29)
flute:
Karlheinz Zöller (flutist) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:48
65Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro (Recorded 1978)
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
arranger:
Jacques Loussier
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:51
66Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affetuoso (Recorded 1978)
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
arranger:
Jacques Loussier
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:10
67Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro (Recorded 1978)
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
violin:
Thomas Brandis (violinist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
arranger:
Jacques Loussier
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:52
68Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. [Allegro] (Recorded 1978)
producer:
Michel Glotz
cello:
Jörg Baumann (cellist) (from 1978-07-01 until 1979-01-29), Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29) and Götz Teutsch (cellist) (from 1978-07-01 until 1979-01-29)
double bass:
Friedrich Witt (contra bass player) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
viola:
Giusto Cappone (violist) (from 1978-07-01 until 1979-01-29), Wolfram Christ (violist and conductor) (from 1978-07-01 until 1979-01-29) and Neithard Resa (violist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach7:02
69Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto (Recorded 1978)
producer:
Michel Glotz
cello:
Jörg Baumann (cellist) (from 1978-07-01 until 1979-01-29), Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29) and Götz Teutsch (cellist) (from 1978-07-01 until 1979-01-29)
double bass:
Friedrich Witt (contra bass player) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
viola:
Giusto Cappone (violist) (from 1978-07-01 until 1979-01-29), Wolfram Christ (violist and conductor) (from 1978-07-01 until 1979-01-29) and Neithard Resa (violist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:43
70Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro (Recorded 1978)
producer:
Michel Glotz
cello:
Jörg Baumann (cellist) (from 1978-07-01 until 1979-01-29), Ottomar Borwitzky (cellist) (from 1978-07-01 until 1979-01-29) and Götz Teutsch (cellist) (from 1978-07-01 until 1979-01-29)
double bass:
Friedrich Witt (contra bass player) (from 1978-07-01 until 1979-01-29)
harpsichord:
William Tim Read (harpsichordist) (from 1978-07-01 until 1979-01-29)
viola:
Giusto Cappone (violist) (from 1978-07-01 until 1979-01-29), Wolfram Christ (violist and conductor) (from 1978-07-01 until 1979-01-29) and Neithard Resa (violist) (from 1978-07-01 until 1979-01-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-07-01 until 1979-01-29)
conductor:
Herbert von Karajan (conductor) (from 1978-07-01 until 1979-01-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1978-07-01 until 1979-01-29)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-07-01 until 1979-01-29)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (from 1978-07-01 until 1979-01-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:19
71Violin Concerto No. 1 in A Minor, BWV 1041: I. [Allegro moderato]
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach4:11
72Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach7:20
73Violin Concerto No. 1 in A Minor, BWV 1041: III. Allegro assai
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach4:44
74Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro) (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach9:01
75Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach7:36
76Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach3:19
77Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08) and Michel Schwalbé (Polish violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach4:07
78Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (in 1966-08)
violin:
Christian Ferras (violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:59
79Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro
producer:
Hans Weber (producer/engineer)
violin:
Christian Ferras (violinist) (in 1966-08) and Michel Schwalbé (Polish violinist) (in 1966-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-08)
conductor:
Herbert von Karajan (conductor) (in 1966-08)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-08)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (in 1966-08)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro (in 1966-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:21
80St. Matthew Passion, BWV 244: Part One: No. 1, Chorus. Kommt, ihr Töchter, helft mir klagen
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-01), Staats‐ und Domchor Berlin (in 1972-01) and Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01), Walter Hagen-Groll (chorus master) (in 1972-01) and Karl-Heinz Kaiser (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach59:20
81St. Matthew Passion, BWV 244: Part One: No. 2, Recit. Da Jesus diese Rede vollendet hatte (Evangelist, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
82St. Matthew Passion, BWV 244: Part One: No. 3, Chorale. Herzliebster Jesu, was hast du verbrochen
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1971-12-14 until 1972-11-01)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
83St. Matthew Passion, BWV 244: Part One: No. 4a-b, Recit. & Chorus. Da versammelten sich die Hohenpriester - Ja nicht auf das Fest (Evangelist, Chorus I/II)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:41
84St. Matthew Passion, BWV 244: Part One: No. 4c, Recit. Da nun Jesus war zu Bethanien (Evangelist) - No. 4d, Chorus. Wozu dienet dieser Unrat (Chorus I)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:59
85St. Matthew Passion, BWV 244: Part One: No. 4e, Recit. Da das Jesus merkete (Evangelist, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:56
86St. Matthew Passion, BWV 244: Part One: No. 5, Recit. Du lieber Heiland du (Alto)
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
87St. Matthew Passion, BWV 244: Part One: No. 6, Aria. Buss und Reu (Alto)
producer:
Hans Weber (producer/engineer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:24
88St. Matthew Passion, BWV 244: Part One: No. 7, Recit. Da ging hin der Zwölfen einer (Evangelist, Judas)
producer:
Hans Weber (producer/engineer)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:35
89St. Matthew Passion, BWV 244: Part One: No. 8, Aria. Blute nur, du liebes Herz (Soprano)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:03
90St. Matthew Passion, BWV 244: Part One: No. 9a-b, Recit. & Chorus. Aber am ersten Tage der süssen Brot - Wo willst du? (Evangelist, Chorus I, Jesus)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:40
91St. Matthew Passion, BWV 244: Part One: No. 9c, Er sprach. Gehet hin in die Stadt (Evangelist, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
choir vocals:
Wiener Singverein (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach1:57
92St. Matthew Passion, BWV 244: Part One: No. 10, Chorale. Ich bin's, ich sollte büssen
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:11
93St. Matthew Passion, BWV 244: Part One: No. 11, Recit. Er antwortete und sprach (Evangelist, Jesus, Judas)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
94St. Matthew Passion, BWV 244: Part One: No. 12, Recit. Wiewohl mein Herz in Tränen schwimmt (Soprano)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
95St. Matthew Passion, BWV 244: Part One: No. 13, Aria. Ich will dir mein Herz schenken (Soprano)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
96St. Matthew Passion, BWV 244: Part One: No. 14, Recit. Und da sie den Lobgesang gesprochen hatten (Evengelist, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
97St. Matthew Passion, BWV 244: Part One: No. 15, Chorale. Erkenne mich, mein Hüter
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1971-12-14 until 1972-11-01)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
98St. Matthew Passion, BWV 244: Part One: No. 16, Recit. Petrus aber antwortete (Evangelist, Jesus, Petrus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
bass vocals:
Anton Diakov (Bulgarian operatic bass) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
99St. Matthew Passion, BWV 244: Part One: No. 17, Chorale. Ich will hier bei dir stehen
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1972-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
100St. Matthew Passion, BWV 244: Part One: No. 18, Recit. Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus)
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1972-01)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-12-14 until 1972-11-01)
conductor:
Herbert von Karajan (conductor) (from 1971-12-14 until 1972-11-01)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-12-14 until 1972-11-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-12-14 until 1972-11-01)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1971-12-14 until 1972-11-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach?:??
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