La Divina: Maria Callas in All Her Roles 1

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

1▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13▶CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19▶CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20▶CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30▶CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38▶CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43▼CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
#TitleArtistRatingLength
1Aida: Preludio (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Aida
part of:
Aida (German lyrics)
Giuseppe Verdi3:48
2Aida: Act I, Scene 1. “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:33
3Aida: Act I, Scene 1. “Se quel guerriero io fossi!” (Radamès)
producer:
Walter Legge (British classical producer)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi1:00
4Aida: Act I, Scene 1. “Celeste Aida” (Radamès)
producer:
Walter Legge (British classical producer)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:29
5Aida: Act I, Scene 1. “Quale isolita gioia nel tuo sguardo!” (Amneris, Radamès)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals:
Richard Tucker (tenor)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:26
6Aida: Act I, Scene 1. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:56
7Aida: Act I, Scene 1. “Alta cagion v'aduna” (Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
producer:
Walter Legge (British classical producer)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:16
8Aida: Act I, Scene 1. “Su! del Nilo al sacro lida” (Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
producer:
Walter Legge (British classical producer)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:57
9Aida: Act I, Scene 1. “Ritorna vincitor!” (Aida)
producer:
Walter Legge (British classical producer)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:43
10Aida: Act I, Scene 2. “Possente Fthà…Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:09
11Aida: Act I, Scene 2. “Immenso Fthà!…Mortal, diletto ai numi” (Sacerdotesse, Ramfis, Sacerdoti)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:59
12Aida: Act I, Scene 2. “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)
producer:
Walter Legge (British classical producer)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:56
13Aida: Act II, Scene 1. “Chi mai fra gi'inni e i plausi” (Schiave, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:01
14Aida: Act II, Scene 1. Danza di piccoli schiavi mori (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:31
15Aida: Act II, Scene 1. “Vieni, sul crin ti piovano” (Schiave, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:40
16Aida: Act II, Scene 1. “Fu la sorte dell'armi a'tuoi funesta” (Amneris, Aida)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:33
17Aida: Act II, Scene 1. “Pietà ti prenda del mio dolor” (Coro, Aida, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:50
18Aida: Act II, Scene 1. “Su! del Nilo al sacro lido…Numi, pietà” (Coro, Aida, Amneris)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:36
19Aida: Act II, Scene 2. “Gloria, all'Egitto, ad Iside” (Papolo, Sacerdoti)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:24
20Aida: Act II, Scene 2. Marcia trionfale (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:39
21Aida: Act II, Scene 2. Ballabile (Orchestra)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:19
22Aida: Act II, Scene 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:12
23Aida: Act II, Scene 2. “Salvator della patria” (Re, Radamès, Ramfis, Sacerdoti)
producer:
Walter Legge (British classical producer)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:08
24Aida: Act II, Scene 2. “Che veggo! Egli? Mio padre!…Anch'io pugnai…Ma tu, Re, tu signore possente” (Aida, Schiave, Prigioineri, Ramfis, Sacerdoti, Amneris, Amonasro, Re, Popolo)
producer:
Walter Legge (British classical producer)
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
chorus master:
Norberto Mola (chorus master) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:25
25Aida: Act II, Scene 2. “Il dolor che in quel volto favella” (Tutti)
producer:
Walter Legge (British classical producer)
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro dell’Opera di Roma and Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:13
26Aida: Act II, Scene 2. “O Re, pei sacri numi…Gloria all'Egitto” (Tutti)
producer:
Walter Legge (British classical producer)
baritone vocals [Amonasro]:
Tito Gobbi (baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Il re d'Egitto]:
Nicola Zaccaria (operatic bass) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
bass vocals [Ramfis]:
Giuseppe Modesti (operatic bass-baritone) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
mezzo-soprano vocals [Amneris]:
Fedora Barbieri (mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
soprano vocals [Una sacerdotessa]:
Elvira Galassi (soprano / mezzo-soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Radamès]:
Richard Tucker (tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
tenor vocals [Un messaggero]:
Franco Ricciardi (Italian tenor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:15
44▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)