Dreamboats and Petticoats Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
2C’mon Everybody
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-10-10)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1958-10-10)
Schlagzeug:
Earl Palmer (am 1958-10-10)
Tamburin:
Jerry Capehart (am 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 403)
recording of:
C’mon Everybody (am 1958-10-09)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:54
3The Night Has a Thousand Eyes
recording of:
The Night Has a Thousand Eyes
Verfasser(in):
Marilyn Garrett, Dottie Wayne und Ben Weisman
publisher:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America und Shelby Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:34
4Hats Off to Larry
recording of:
Hats Off to Larry
Texter und Komponist(in):
Del Shannon
Del Shannon2.52:00
5It’s My Party
Produzent(in):
Quincy Jones
arranger:
Claus Ogerman
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 353)
recording of:
It’s My Party (am 1963-03-30)
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:14
6In Dreams
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-01-04)
Produzent(in):
Fred Foster
Sologesang:
Roy Orbison
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 312)
recording of:
In Dreams (am 1963-01-04)
Texter und Komponist(in):
Roy Orbison
publisher:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1963-02-13)
Roy Orbison42:50
7Poetry in Motion
cover recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson2:24
8Let’s Dance
Sologesang:
Chris Montez
recording of:
Let’s Dance
Texter und Komponist(in):
Jim Lee (“Let’s Dance” writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez32:25
9Poor Me
Produzent(in):
John Burgess (British record producer)
vocals:
Adam Faith
arranger:
John Barry (English score composer)
Adam Faith1:45
10You Don’t Know
recording of:
You Don’t Know
Orchestrator(in):
Martin Slavin
Texter:
Mike Hawker
Komponist(in):
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
publisher:
Lorna Music Co., Ltd.
Helen Shapiro42:40
11That’ll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly4.62:16
12Breaking Up Is Hard to Do
vocals:
Neil Sedaka
conductor:
Al Lorber
arranger:
Al Lorber
recording of:
Breaking Up Is Hard to Do
Texter und Komponist(in):
Howard Greenfield und Neil Sedaka
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers und Aldon (in 1962)
Neil Sedaka3.252:15
13It’s Almost Tomorrow
cover recording of:
It’s Almost Tomorrow
Texter:
Wade Buff (in 1953)
Komponist(in):
Gene Adkinson (in 1953)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.)
Mark Wynter2:25
14Roses Are Red (My Love)
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
Verfasser(in):
Al Byron und Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:37
15Sealed With a Kiss
vocals:
Brian Hyland
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
cover recording of:
Sealed With a Kiss
Verfasser(in):
Gary Geld und Peter Udell
uraufgeführt von:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) und Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:40
16Ain’t That a Shame
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1955) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
Ain’t That a Shame (am 1955-03-15)
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino4.52:25
17Shop Around
Gitarre:
Marvin Tarplin (in 1960)
Instrumente:
The Funk Brothers (in 1960)
Hintergrundgesang:
Claudette Rogers Robinson (in 1960), Warren “Pete” Moore (in 1960), Bobby Rogers (in 1960) und Ronnie White (soul singer, founding member of The Miracles) (in 1960)
Sologesang:
Smokey Robinson (in 1960)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 495)
recording of:
Shop Around (in 1960)
Verfasser(in):
Berry Gordy und Smokey Robinson
The Miracles2.752:50
18Sweet Nothin’s
Hintergrundgesang:
Anita Kerr Singers (mixed vocal group)
Sologesang:
Brenda Lee (1960s American singer)
vocals:
Brenda Lee (1960s American singer)
conductor:
Owen Bradley
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 19)
recording of:
Sweet Nothin’s
Texter und Komponist(in):
Ronnie Self (rockabilly singer and songwriter)
publisher:
Champion Music Co. und Leeds Music Ltd.
Brenda Lee32:23
19Shake, Rattle and Roll
E-Gitarre:
Danny Cedrone (am 1954-06-07)
Gitarre:
Bill Haley (am 1954-06-07)
Klavier:
Johnny Grande (am 1954-06-07)
Kontrabass:
Marshall Lytle (am 1954-06-07)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1954-06-07)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-06-07)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-06-07)
vocals:
Bill Haley (am 1954-06-07)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-06-07)
cover recording of:
Shake, Rattle and Roll (am 1954-06-07)
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
Bill Haley & His Comets42:30
20Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 56)
recording of:
Long Tall Sally (am 1956-02-07)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard42:09
21Shakin’ All Over
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd3.352:19
22Sleepwalk
The Shadows2:21
23Almost Grown
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Bass und Kontrabass:
Willie Dixon (am 1959-02-17)
Gitarre:
Chuck Berry (am 1959-02-17) und Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1959-02-17)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1959-02-17)
Schlagzeug:
Jasper Thomas (am 1959-02-17)
Hintergrundgesang:
Chuck Barksdale (am 1959-02-17), Harvey Fuqua (am 1959-02-17), Marvin Gaye (am 1959-02-17), Etta James (am 1959-02-17), The Marquees (am 1959-02-17), The Moonglows (1950s Cleveland R&B group) (am 1959-02-17), James Nolan (Second Tenor, Baritone singer) (am 1959-02-17), Reese Palmer (First Tenor singer) (am 1959-02-17) und Chester Simmons (am 1959-02-17)
Sologesang:
Chuck Berry (am 1959-02-17)
vocals:
Chuck Berry (am 1959-02-17)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1959-02-17)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 6)
recording of:
Almost Grown (am 1959-02-17)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:20
24Young Love
recording of:
Young Love
Verfasser(in):
Ric Cartey (US rockabilly singer and songwriter) und Carole Joyner
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Tab Hunter2:17
25To Know Him Is to Love Him
Techniker(in):
Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Phil Spector
Instrumente:
Phil Spector (in 1958-07)
membranophone:
Sandy Nelson (in 1958-07)
arranger:
Phil Spector
engineered at:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1958-07)
recording of:
To Know Him Is to Love Him (in 1958-07)
Texter und Komponist(in):
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. und Vogue Music
The Teddy Bears2:22
26Donna
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1959)
cover recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Marty Wilde42:13
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Dreamboats and Petticoats (Nummer: 2) (Reihenfolge: 14)
Allmusic:https://www.allmusic.com/album/mw0001243990 [Info]