That Loving Feeling, Volume III

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶Kassette
2▼Kassette
Nr.TitelKünstlerBewertungLänge
C1Careless Whisper
Produzent(in):
George Michael
Bass:
Deon Estus (in 1984)
Gitarre:
Hugh Burns (in 1984)
Keyboard:
Chris Parren (in 1984)
Perkussion:
Danny Cummings (British drummer and percussionist) (in 1984)
Schlagzeug:
Trevor Murrell (in 1984)
vocals:
George Michael (in 1984)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Careless Whisper (in 1984)
Verfasser(in):
George Michael und Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Limited (2019–present) und Wham! Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael4.354:54
C2Anything for You
recording of:
Anything for You
Texter und Komponist(in):
Gloria M. Estefan
Gloria Estefan3:38
C3Sorry Seems to Be the Hardest Word
Techniker(in):
Gus Dudgeon und Mark Howlett
Produzent(in):
Gus Dudgeon und John Stewart (UK music producer/recording engineer)
accordion:
Carl Fortina
E-Bass:
Kenny Passarelli (Bass, piano)
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Vibraphon:
Ray Cooper (percussionist)
conductor:
James Newton Howard (American score composer)
accordion und Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Happenstance Limited (record and publishing company) (in 1976)
aufgenommen bei:
Eastern Sound in Toronto, Ontario, Kanada und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976-03)
recording of:
Sorry Seems to Be the Hardest Word
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.353:44
C4Stay With Me Till Dawn
recording of:
Stay With Me Till Dawn
Verfasser(in):
Mike Paxman (multi-instrumentalist & record producer) und Judie Tzuke
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Rocket Music Ltd.
Judie Tzuke3:52
C5You Wear It Well
recording of:
You Wear It Well
Verfasser(in):
Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4:22
C6How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace3.653:21
C7Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:55
D1Your Love Is King
Produzent(in):
Robin Millar
Bassgitarre:
Paul S. Denman (von 1983-10 bis 1983-11)
Gitarre und Saxophon:
Stuart Matthewman (von 1983-10 bis 1983-11)
Keyboard:
Andrew Hale (keyboardist/composer) (von 1983-10 bis 1983-11)
vocals:
Sade Adu (von 1983-10 bis 1983-11)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
aufgenommen bei:
Power Plant in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1983-11)
recording of:
Your Love Is King (von 1983-10 bis 1983-11)
Texter:
Sade Adu
Komponist(in):
Sade Adu und Stuart Matthewman
publisher:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sade33:58
D2Dance Away
Techniker(in):
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) und Randy Mason
Produzent(in):
Roxy Music
Mix:
Bob Clearmountain
Interpret(in):
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) und Gary Tibbs
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Dance Away (in 1979)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:45
D3Silly Games
recording of:
Silly Games
Texter und Komponist(in):
Dennis Bovell (reggae guitarist, bass player and record producer)
Janet Kay3:57
D4Everybody’s Got to Learn Sometime
phonographisches Urheberrecht (℗) von:
Action Replay Records (in 1990)
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:12
D5When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:55
D6Tell It Like It Is
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 381)
recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville3:08
D7Drift Away
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
cover recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray3:33
D8My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:36

Nennungen

Veröffentlichungsgruppe

Teil von:That Loving Feeling (Nummer: 3) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/326140 [Info]