Gloria: Classical Music for Reflection and Meditation

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Gloria in D Major, RV 589: I. Gloria in excelsis Deo
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Jeremy Summerly (conductor) and Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (from 1993-12-03 until 1994-03-14)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi42:50
2Missa L'homme arme: Gloria
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Missa L'homme armé: Gloria
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "L’homme armé"
Guillaume Dufay8:53
3Mass for 4 Voices: Sanctus
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Mass for Four Voices, P. 31: Sanctus
composer:
Thomas Tallis (composer)
part of:
Mass for Four Voices, P. 31
Thomas Tallis2:50
4Fantasia no. 1 a 3, "great dooble basse"
viol consort:
Rose Consort of Viols
Orlando Gibbons4:35
5Masses, Book 13, Missa Hodie Christus natus est: Gloria
choir vocals:
Schola Cantorum of Oxford
conductor:
Jeremy Summerly (conductor)
recording of:
Missa "Hodie Christus natus est": II. Gloria
lyricist:
[traditional] (special purpose artist)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa "Hodie Christus natus est"
Giovanni Pierluigi da Palestrina5:37
6Missa Susanne un jour: Gloria
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Missa Susanne un jour: Gloria
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Susanne un jour
Orlande de Lassus5:59
7Ave Maria
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Missa O Quam Gloriosum
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
is based on:
Motet for 4 Voices "O quam gloriosum est regnum"
Tomás Luis de Victoria2:05
8Mass a 5: Gloria
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Mass for 5 Voices: II. Gloria in excelsis Deo
composer:
William Byrd (English composer)
part of:
Mass for 5 Voices
William Byrd5:37
9Gloria in excelsis Deo
organ:
Gary Cooper (conductor/keyboardist) (from 1995-01-03 until 1995-01-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1995-01-03 until 1995-01-04)
conductor:
Jeremy Summerly (conductor) (from 1995-01-03 until 1995-01-04)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-01-03 until 1995-01-04)
recording of:
Gloria in excelsis deo (from 1995-01-03 until 1995-01-04)
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
Thomas Weelkes3:24
10Messiah, HWV 56: Sinfonia
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:12
11Mass in B minor, BWV 232: Gloria
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
choir vocals:
Slovak Philharmonic Choir (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:06
12Magnificat: Gloria Patri
choir vocals:
Schola Cantorum of Oxford
conductor:
Jeremy Summerly (conductor)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:30
13Mass in B minor, BWV 232: Gloria. Cum Sancto Spiritu
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
choir vocals:
Slovak Philharmonic Choir (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
14Beatus vir in C major, RV 597: Beatus vir qui timet Dominum
choir vocals:
Schola Cantorum of Oxford
conductor:
Jeremy Summerly (conductor)
partial recording of:
Beatus Vir, RV 597
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 597)
Antonio Vivaldi3:02
15Church Sonata in E-flat major, K. 67
organ:
János Sebestyén (organist, harpsichordist and pianist)
orchestra:
Ferenc Erkel Chamber Orchestra
recording of:
Church Sonata no. 1 for 2 Violins, Bass & Organ in E-flat major, K. 41h/67
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 41h), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 67), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 67) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 41h)
Wolfgang Amadeus Mozart2:28
16Vesperae solennes de confessore, K. 339: No. 5, Laudate Dominum
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
choir vocals:
Košice Teachers’ Choir (from 1991-06-10 until 1991-06-15)
soprano vocals:
Priti Coles (coloratura soprano) (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
recording of:
Vesperae solennes de confessore, K. 339: III. Beatus vir
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:56
17Mass in C major, K. 317 "Krönungsmesse": Gloria
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
baritone vocals:
Andrea Martin (baritone) (from 1991-06-10 until 1991-06-15)
choir vocals:
Košice Teachers’ Choir (from 1991-06-10 until 1991-06-15)
mezzo-soprano vocals:
Anna di Mauro (from 1991-06-10 until 1991-06-15)
soprano vocals:
Anna di Mauro and Priti Coles (coloratura soprano) (from 1991-06-10 until 1991-06-15)
tenor vocals:
John Dickie (tenor) (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (Mass in C, K. 317 "Coronation Mass": II. Gloria) (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart4:14
18Pelléas et Mélisande Suite, op. 80: III. Sicilienne
engineer and producer:
Chris Craker (UK musician, producer, engineer and label manager) (in 1995-03)
editor:
Black Box Music and Bill Sykes (editor)
orchestra:
RTÉ Sinfonietta (from 1995-03-23 until 1995-03-24)
conductor:
John Georgiadis (from 1995-03-23 until 1995-03-24)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1998)
recorded at:
National Concert Hall (Dublin) in Dublin, County Dublin, Leinster, Ireland (from 1995-03-23 until 1995-03-24)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (from 1995-03-23 until 1995-03-24)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:21
19Requiem, op. 48: VII. In paradisum (From "Copycat")
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:25