Rise of the Masters: 100 Supreme Classical Masterpieces

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
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1Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
orchestra:
Bach Collegium Japan (from 2000-05-28 until 2000-06-02)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2000-05-28 until 2000-06-02)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2000-05-28 until 2000-06-02)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 2000-05-28 until 2000-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach?:??
2Orchestral Suite no. 3 in D major, BWV 1068: Air
instruments:
London Baroque (founded 1978 by Charles Medlam)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach?:??
3The Well-Tempered Clavier, Book 1: Prelude and Fugue no. 1 in C major, BWV 846: I. Prelude
harpsichord:
Masaaki Suzuki (keyboardist, conductor) (in 1996-05)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1996-05)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1996-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach?:??
4Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
conductor:
Penelope Evison (flautist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach?:??
5Toccata and Fugue in D minor for Organ, BWV 565
pipe organ:
Klemens Schnorr (organist) (in 1988)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1988)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1988)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach?:??
6Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: X. Chorale: "Jesu bleibet meine Freude" (Jesu, Joy of Man's Desiring)
sound engineer:
Dirk Lüdemann (in 1999-06)
producer:
Jens Braun (classical engineer)
editor:
Dirk Lüdemann
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan (in 1999-06)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 1999-06)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1999-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach?:??
7Suite no. 1 in G major for Solo Cello, BWV 1007: I. Prelude
producer and balance engineer:
Hans Kipfer
editor:
Rita Hermeyer and Martin Nagorni
cello:
Torleif Thedéen (Swedish cellist) (in 1996-05)
recorded at:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Sweden (in 1996-05)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1996-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach?:??
8Double Concerto in D minor for Two Violins and Strings, BWV 1043: I. Vivace
instruments:
寺神戸亮 (Ryo Terakado, violinist)
violin:
Natsumi Wakamatsu and 寺神戸亮 (Ryo Terakado, violinist)
orchestra:
Bach Collegium Japan
conductor and performer:
Masaaki Suzuki (keyboardist, conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach?:??
9Aria and 30 Variations, BWV 988, "Goldberg Variations": I. Aria
harpsichord:
Christiane Jaccottet (harpsichord) (in 1990)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1995 to present)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Uri Caine
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach?:??
10Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 1 in E major, RV 269, "La primavera" (Spring): I. Allegro
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (Swedish viol(in)ist) (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble) (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi?:??
11Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 2 in G minor, RV 315, "L'estate" (Summer): III. Presto: Tempo impetuoso d'Estate
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (Swedish viol(in)ist) (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble) (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi?:??
12Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 3 in F major, RV 293, "L'autunno" (Autumn): I. Ballo e canto de villanelli: Allegro
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (Swedish viol(in)ist) (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble) (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi?:??
13Le quattro stagioni (The Four Seasons), op. 8 - Concerto no. 4 in F minor, RV 297, "L'inverno" (Winter): II. Largo
recording engineer:
Robert von Bahr (from 1984-06-07 until 1984-06-11)
producer:
Robert von Bahr
violin:
Nils‐Erik Sparf (Swedish viol(in)ist) (from 1984-06-07 until 1984-06-11)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble) (from 1984-06-07 until 1984-06-11)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1984-06-07 until 1984-06-11)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1984-06-07 until 1984-06-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi?:??
14Concerto in C major for Flautino and Strings, RV 443: II. Largo
instruments:
Bach Collegium Japan
piccolo:
Dan Laurin (recorder player)
recording of:
Flautino Concerto in C major, RV 443: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Flautino Concerto in C major, RV 443
Antonio Vivaldi?:??
15Concerto in D major for Lute, Two Violins and B.C, RV 93: II. Largo
sound engineer, producer and editor:
Robert von Bahr
bassoon:
Michael McCraw (bassoonist) (from 1984 until 1985)
cello:
Kari Ottesen (Swedish cellist) (from 1984-12 until 1985-01)
lute:
Jakob Lindberg (lutenist) (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
organ:
Maria Wieslander (Swedish organist / harpsichordist) (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
violin:
Tullo Galli (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17) and Nils‐Erik Sparf (Swedish viol(in)ist) (from 1984-12 until 1985-01)
violoncello piccolo:
Kari Ottesen (Swedish cellist) (from 1984-12-06 until 1985-01-17)
violone:
Alf Petersén (Swedish violone player) (from 1984-12 until 1985-01, from 1984-12-06 until 1985-01-17)
orchestra:
Drottningholm Baroque Ensemble (from 1984 until 1985)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1984-12 until 1985-01)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (from 1984-12 until 1985-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi?:??
16Stabat Mater, RV 621: I. Stabat mater dolorosa
sound engineer:
Marian Czarnecki (engineer)
producer:
Jakub Burzyński
editor:
Michał Muzyka (engineer)
cello:
Tomasz Frycz (cellist) (from 2004-01-11 until 2004-01-14)
chamber organ:
Barbara Świderska (organist) (from 2004-01-11 until 2004-01-14)
double bass:
Grzegorz Zimak (from 2004-01-11 until 2004-01-14)
harpsichord:
Piotr Wilczyński (from 2004-01-11 until 2004-01-14)
percussion:
Robert Siwak (percussionist) (from 2004-01-11 until 2004-01-14)
theorbo:
Anton Birula (from 2004-01-11 until 2004-01-14)
viola:
Michał Druś (from 2004-01-11 until 2004-01-14)
violin:
Grzegorz Lalek (violinist) (from 2004-01-11 until 2004-01-14) and Maria Papuzinska-Uss (violinist) (from 2004-01-11 until 2004-01-14)
alto vocals:
Jakub Burzyński (from 2004-01-11 until 2004-01-14)
orchestra:
La Tempesta (Polish early music ensemble) (from 2004-01-11 until 2004-01-14)
conductor:
Jakub Burzyński (from 2004-01-11 until 2004-01-14)
recorded at:
Evangelical-Reformed Church in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 2004-01-11 until 2004-01-14)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (from 2004-01-11 until 2004-01-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi?:??
17Concerto in G minor for Recorder and Strings, RV 439, "La notte": VI. Allegro
instruments:
Drottningholm Baroque Ensemble
recorder:
Dan Laurin (recorder player)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: VI. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi?:??
18Solomon, HWV 67: The Arrival of the Queen of Sheba
orchestra:
Ensemble Collegium Musicum (German orchestra)
conductor:
Arnold Kaz (Arnold Katz)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel?:??
19The Messiah, HWV 56 - Part 2, "The Passion": Chorus: "Hallelujah!"
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel?:??
20Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga"
countertenor vocals and solo countertenor vocals:
米良美一 (Yoshikazu Mera, Japanese countertenor)
vocals:
米良美一 (Yoshikazu Mera, Japanese countertenor)
orchestra:
Japan Philharmonic Orchestra
conductor:
Shigeo Genda
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel?:??
21Concerto grosso no. 12 in B minor, HWV 330: I. Largo
orchestra:
Arte dei Suonatori (in 2007-11)
conductor:
Martin Gester (in 2007-11)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo (in 2007-11)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel?:??
22Water Music Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
orchestra:
Slovak Chamber Orchestra
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel?:??
23Xerxes, HWV 40, Act 1: "Ombra mai fu": Largo
countertenor vocals:
米良美一 (Yoshikazu Mera, Japanese countertenor)
orchestra:
Japan Philharmonic Orchestra
conductor:
Shigeo Genda
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel?:??
24Concerto no. 1 in G minor for Organ and Orchestra, HWV 289, op. 4: III. Adagio
organ:
Ivan Sokol (organist)
orchestra:
Slovak Chamber Orchestra
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio (for organ, Dupré)
part of:
Organ Concerto in G minor, op. 4 no. 1, HWV 289
George Frideric Handel?:??
25Music for the Royal Fireworks, HWV 351: III. La réjouissance
orchestra:
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006)
conductor:
Isaiah Jackson (conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel?:??
26Serenade no. 13 in G major, K. 525, "Eine kleine Nachtmusik": I. Allegro
instruments:
Drottningholm Baroque Ensemble
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart?:??
27Concerto in A major for Clarinet and Orchestra, K. 622: II. Adagio
producer:
Ingo Petry
basset clarinet:
Martin Fröst (Swedish clarinetist) (in 2002-04)
clarinet:
Martin Fröst (Swedish clarinetist)
orchestra:
Amsterdam Sinfonietta (in 2002-04)
conductor:
Peter Oundjian (violinist and conductor) (in 2002-04)
balance engineer:
Thore Brinkmann (in 2002-04)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 2002-04)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 2002-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart?:??
28Symphony no. 40 in G minor, K. 550: Allegro molto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart?:??
29Serenade no. 13 in G major, K. 525, "Eine kleine Nachtmusik": II. Romance: Andante
instruments:
Drottningholm Baroque Ensemble
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart?:??
30Die Zauberflöte (The Magic Flute), K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen" (Queen of the Night's Aria)
soprano vocals:
Maszella Holzapfel
orchestra:
Südwestfunk Symphony Orchestra Baden-Baden (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Klaus Arp (conductor and composer)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart?:??
31Concerto no. 21 in C major for Piano and Orchestra, K. 467: Andante
piano:
Finghin Collins (pianist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart?:??
32Sonata no. 11 in A major for Piano, K. 331, "Turkish March": III. Rondo alla Turca: Allegretto
producer:
Ingo Petry
fortepiano:
Ronald Brautigam (pianist) (from 1996-08-11 until 1996-08-12)
instruments technician:
Paul McNulty (piano technician)
recorded at:
Länna Kyrka in Norrtälje municipality, Stockholms län (Stockholm county), Sweden
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (from 1996-08-11 until 1996-08-12)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart?:??
33Requiem Mass in D minor, K. 626: VI Lacrimosa dies illa
choir vocals:
London Philharmonic Choir
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart?:??
34Concerto in C major for Flute, Harp and Orchestra, K. 299: II. Andantino
flute:
Sharon Bezaly (flutist) (in 2007-10)
harp:
Julie Palloc (in 2007-10)
orchestra:
Ostrobothnian Chamber Orchestra (Ostrobothnian Chamber Orchestra) (in 2007-10)
conductor:
Juha Kangas (in 2007-10)
recorded at:
Kaustisen kirkko in Kaustinen, Keski-Pohjanmaa (Central Ostrobothnia), Finland (in 2007-10)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 2007-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart?:??
35Egmont, op. 84: Overture in F minor
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven?:??
36Sonata no. 8 in C minor for Fortepiano, op. 13, "Pathètique": II. Adagio cantabile
sound engineer:
Ingo Petry (in 2003-08)
producer and editor:
Ingo Petry
fortepiano:
Ronald Brautigam (pianist) (in 2003-08)
recorded at:
Österåkers kyrka (Uppland) in Österåker municipality (Österåker Municipality), Stockholms län (Stockholm county), Sweden (in 2003-08)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 2003-08)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven?:??
37Symphony no. 5 in C minor, op. 67, "Fate": Allegro con brio
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5?:??
38Bagatelle in A minor, WoO 59, "Für Elise"
piano:
Roland Pöntinen (pianist and composer)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven?:??
39Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Moscow Radio Symphony Orchestra (Tchaikovsky Symphony Orchestra, bso.ru, founded 1930, not Mikhailov's 1978 orch.)
conductor:
Vladimir Fedoseyev (conductor)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven?:??
40Concerto in D major for Violin and Orchestra, op. 61: II. Larghetto
violin:
Christian Tetzlaff (violinist)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Michael Gielen (Austrian conductor and composer)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven?:??
41Sonata no. 14 in C-sharp minor for Piano, op. 27:2, "Moonlight": I. Adagio sostenuto
sound engineer and producer:
Ingo Petry
editor:
Bastian Schick
fortepiano:
Ronald Brautigam (pianist) (in 2005-08)
recorded at:
Österåkers kyrka (Uppland) in Österåker municipality (Österåker Municipality), Stockholms län (Stockholm county), Sweden (in 2005-08)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 2005-08)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven?:??
42Symphony no. 9 in D minor, op. 125, "Choral": An die Freude
choir vocals:
The London Chorus (until Oct 2000, was known as the London Choral Society) and London Philharmonic Choir
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven2.5?:??
43Piano Quintet in A major, D. 667, "The Trout": IV. Thema con variazioni: Andantino - Allegretto (Die Forelle)
cello:
Andreas Cincera
instruments:
Arion Trio (Canadian classical quartet)
viola:
Claudio Veress
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert?:??
44String Quartet no. 13 in A minor, D. 804, "Rosamunde": II. Andante
string quartet:
Caspar da Salo Quartet (string quartet, Alfred Scholz related) and Quartetto Pressenda (an Alfred Scholz pseudonym)
recording of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”: II. Andante
composer:
Franz Schubert (composer) (from 1824-02 until 1824-03)
part of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”
Franz Schubert?:??
45Impromptus, D. 899, op. 90: No. 3 in G-flat major: Andante
piano:
Vladimir Shakin (classical pianist)
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
composer:
Franz Schubert (composer) (in 1827)
part of:
Classic 100: Piano (2004) (number: 6)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert?:??
46Symphony no. 8 in B minor, D. 759, "The Unfinished": I. Allegro moderato
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert?:??
47Trio no. 2 in E-flat major for Violin, Cello and Piano, D. 929: II. Andante con moto
instruments:
Arion Trio (Canadian classical quartet)
recording of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto
composer:
Franz Schubert (composer) (in 1827-11)
part of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929
Franz Schubert?:??
48Ellen's Chants, D. 839, op. 56: III. Ave Maria
orchestra:
Musica Antiqua New York (founded 1989 by Mary Jane Newman)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert?:??
49String Quartet no. 14 in D minor, D. 810, "Death and the Maiden": I. Allegro
cello:
Per Nyström (cellist)
viola:
Robert Westlund (Swedish violist)
violin:
Per Öman (Swedish violinist) and Fredrik Paulsson (Swedish violinist and violist)
recorded at:
Nybrokajen 11 in Stockholm, Stockholms län (Stockholm county), Sweden (in 2000-12)
recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: I. Allegro
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert?:??
50Symphony no. 9 in C major, D. 944, "The Great.": IV. Finale: Allegro vivace
orchestra:
Tbilisi Symphony Orchestra
conductor:
Jansug Kakhidze (conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert?:??
51Nocturnes, op. 9: No. 2 in E-flat major
piano:
Finghin Collins (pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin?:??
52Fantaisie Impromptu in C-sharp major, op. 66: Allegro agitato
piano:
Freddy Kempf (pianist)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 46), Chopin National Edition: WN Catalogue (number: WN 46), Works of Fryderyk Chopin by opus number (number: op. 66) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 87)
Frédéric Chopin?:??
53Mazurkas, op. 17: No. 4 in A minor
piano:
Roland Pöntinen (pianist and composer)
recording of:
Mazurka no. 13 in A minor, op. 17 no. 4
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 63)
part of:
Mazurkas, op. 17
Frédéric Chopin?:??
54Concerto no. 1 in E minor for Piano and Orchestra, op. 11: II. Romance: Larghetto
piano:
Ida Czernecka (pianist)
orchestra:
Slovak National Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Libor Pesek (conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin?:??
55Waltzes, op. 64: No. 1 in D-flat major, "Minute Waltz"
Frédéric Chopin?:??
56Sonata no. 2 in B-flat minor for Piano, op. 35: III. Marche Funébre (Funeral March): Lento
piano:
Mitsuko Uchida (pianist)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin?:??
57Préludes, op. 28: No. 15 in D-flat major, "Raindrops"
piano:
Roland Pöntinen (pianist and composer)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 180)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin?:??
58Polonaise in A-flat major, op. 53, "Heroic": Maestoso
piano:
Peter Schmalfuss (pianist)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique” (ended)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)
Frédéric Chopin?:??
59Manfred, op. 115: Overture in E-flat minor
orchestra:
Swedish Chamber Orchestra
conductor:
Thomas Dausgaard
recording of:
Manfred: Dramatisches Gedicht nach Lord Byron op. 115: Ouvertüre
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1852-03-14)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Manfred: Dramatisches Gedicht nach Lord Byron op. 115
Robert Schumann?:??
60Kinderszenen (Childhood Scenes), op. 15: VII. Träumerei (Dreaming)
piano:
Roland Pöntinen (pianist and composer)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann?:??
61Concerto in A minor for Cello and Orchestra, op. 129: I. Nicht zu schnell (attacca)
cello:
Torleif Thedéen (Swedish cellist)
orchestra:
Malmö Symphony Orchestra
conductor:
Lev Markiz (Russian conductor and violinist)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann?:??
62Kreisleriana, op. 16: VII. Sehr Rasch
piano:
Jurgis Karnavičius (pianist, born 1957)
recording of:
Kreisleriana, op. 16: VII. Sehr rasch
composer:
Robert Schumann (German classical composer) (in 1838-04)
part of:
Kreisleriana, op. 16
Robert Schumann?:??
63Symphony no. 4 in D minor, op. 120: II. Romance: Andante
recording engineer:
Arne Akselberg (from 1987-09-04 until 1988-01-30)
producer:
Robert von Bahr
orchestra:
Bergen Philharmonic Orchestra (from 1987-09-04 until 1988-01-30)
conductor:
Aldo Ceccato (conductor) (from 1987-09-04 until 1988-01-30)
recorded at:
Grieghallen (Grieg Hall) in Bergen, Hordaland, Norway (from 1987-09-04 until 1988-01-30)
partial recording of:
Symphony no. 4 in D minor, op. 120 (arr. Mahler) (from 1987-09-04 until 1988-01-30)
composer:
Robert Schumann (German classical composer)
arranger:
Gustav Mahler (composer)
publisher:
Universal Edition (publisher; do NOT use as release label)
arrangement of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann?:??
64Concerto in A minor for Piano and Orchestra, op. 54: I. Allegro affetuoso
piano:
Shoko Sugitani (pianist)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Gerard Oskamp (conductor)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (from 1992-03-24 until 1992-03-25)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
revision of:
Phantasie in A minor
Robert Schumann?:??
65Carnaval, op. 9, "Scènes mignonnes sur quartre notes": Chopin
piano:
Freddy Kempf (pianist)
recording of:
Carnaval, op. 9: XII. Chopin
composer:
Robert Schumann (German classical composer) (from 1834 until 1835)
part of:
Carnaval, op. 9 (for piano)
Robert Schumann?:??
66Symphony no. 3 in E-flat major, op. 97, "The Rhine": V. Lebhaft
recording engineer:
Arne Akselberg (from 1987-09-04 until 1988-01-30)
producer:
Robert von Bahr
orchestra:
Bergen Philharmonic Orchestra (from 1987-09-04 until 1988-01-30)
conductor:
Aldo Ceccato (conductor) (from 1987-09-04 until 1988-01-30)
recorded at:
Grieghallen (Grieg Hall) in Bergen, Hordaland, Norway (from 1987-09-04 until 1988-01-30)
partial recording of:
Symphony no. 3 in E-flat major, op. 97 “Rhenish” (arr. Mahler) (from 1987-09-04 until 1988-01-30)
composer:
Robert Schumann (German classical composer)
arranger:
Gustav Mahler (composer)
publisher:
Universal Edition (publisher; do NOT use as release label)
arrangement of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann?:??
67Swan Lake Suite, op. 20: Scène (Lake in the Moonlight)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky5?:??
68Concerto no. 1 in B-flat minor for Piano and Orchestra, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
solo piano:
John Lill (pianist)
orchestra:
London Symphony Orchestra
conductor:
James Judd (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky?:??
69The Nutcracker, op. 71a: III. March
orchestra:
Klassische Philharmonie Bonn
conductor:
Heribert Beissel (conductor)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Pyotr Ilyich Tchaikovsky?:??
70The Nutcracker, op. 71a: XIV. Waltz of the Flowers
orchestra:
Klassische Philharmonie Bonn
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky?:??
71Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 2003-05)
conductor:
Neeme Järvi (Estonian conductor) (in 2003-05)
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (in 2003-05)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky?:??
72Romeo and Juliet: Fantasy Overture
orchestra:
Bamberg Symphony Orchestra (Bamberg Symphony)
conductor:
José Serebrier (Uruguayan conductor and composer)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky?:??
73Eugen Onegin, op. 24: Polonaise
orchestra:
Kosice Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice)
conductor:
Christian Ehwald (conductor)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Pyotr Ilyich Tchaikovsky?:??
74Symphony no. 6 in B minor, op. 74, "Pathétique": I. Adagio - Allegro non troppo
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (from 2004-01-23 until 2004-01-24)
conductor:
Neeme Järvi (Estonian conductor) (from 2004-01-23 until 2004-01-24)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (from 2004-01-23 until 2004-01-24)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (from 2004-01-23 until 2004-01-24)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky?:??
75Festival Overture in E-flat major, "The Year 1812", op. 49: Ouverture solennelle
orchestra:
Bamberger Symphoniker (Bamberg Symphony) (in 2000-02)
conductor:
José Serebrier (Uruguayan conductor and composer) (in 2000-02)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 2000-02)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky?:??
76Piano Trio no. 1 in B major, op. 8: I. Allegro con brio
instruments:
Trio Pro Arte (Danish piano trio, Westenholz / Vitek / Honnens)
recording of:
Trio for Piano, Violin, and Cello no. 1 in B major, op. 8: I. Allegro con brio (Unspecified revision)
composer:
Johannes Brahms (German composer) (in 1854)
part of:
Trio for Piano, Violin, and Cello no. 1 in B major, op. 8 (Unspecified revision)
Johannes Brahms?:??
77Hungarian Dance no. 5 in G minor
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
composer:
Johannes Brahms (German composer) (from 1858 until 1868)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms3.5?:??
78Symphony no. 3 in F major, op. 90: III. Poco allegretto
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Eduardo Marturet (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms?:??
79Sonata no. 1 in E minor for Cello and Piano, op. 38: I. Allegro non troppo
cello:
Christoph Henkel (cellist)
piano:
Elisabeth Westenholz (pianist)
recording of:
Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo
composer:
Johannes Brahms (German composer) (from 1862 until 1865)
part of:
Sonata for Piano and Cello no. 1 in E minor, op. 38 (Cello Sonata no. 1 in E minor, op. 38)
Johannes Brahms?:??
80Concerto in D major for Violin and Orchestra, op. 77: II. Adagio
violin:
Borika van den Booren
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) and Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006)
conductor:
Eduardo Marturet (conductor)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms?:??
81Piano Quintet in F minor, op. 34: I. Allegro non troppo
cello:
Kaamel Salah-El-Din
piano:
Irina Edelstein
viola:
Martin Janecke
violin:
Peter Agoston (violinist) and Yaakov Rubinstein
recording of:
Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34: I. Allegro non troppo
composer:
Johannes Brahms (German composer) (from 1862 until 1864)
part of:
Quintet for Piano, 2 Violins, Viola, and Cello in F minor, op. 34
Johannes Brahms?:??
82Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Piu allegro
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Eduardo Marturet (conductor)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: IV. Allegro energico e passionato
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms?:??
83Lullaby (Guten Abend, gute Nacht), op. 49
orchestra:
Slovak Chamber Orchestra
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms?:??
84Peer Gynt Suite no. 1, op. 46: Morning Mood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg?:??
85Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
David Parry (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4?:??
86Two Elegiac Melodies, op. 34:2: Last Spring
orchestra:
Royal Stockholm Philharmonic Orchestra
conductor:
Magnus Ericsson (conductor)
recording of:
To elegiske melodier, op. 34: No. 2. Våren (Two Elegiac Melodies, op. 34: No. 2. The Last Spring, for strings)
orchestrator and composer:
Edvard Grieg (composer)
orchestration of:
To elegiske melodier, op. 34: No. 2. Våren (for piano)
part of:
To elegiske melodier, op. 34 (Two Elegiac Melodies, op. 34, for strings)
Edvard Grieg?:??
87Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato
piano:
Eva Knardahl (pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Kjell Ingebretsen
Edvard Grieg?:??
88Lyric Suite, op. 54: IV. Troldtog (March of the Trolls): Allegretto moderato
orchestra:
Bergen Philharmonic Orchestra (in 2003-02)
conductor:
Ole Kristian Ruud (conductor) (in 2003-02)
recording of:
Lyric Suite, op. 54: IV. March of the Dwarfs. Allegro marcato (orch. Seidl, revised Grieg) (in 2003-02)
orchestrator:
Anton Seidl
composer:
Edvard Grieg (composer)
revised by:
Edvard Grieg (composer) (in 1905)
orchestration of:
Lyriske stykker, hefte V, op. 54: No. 3: Troldtog (Lyric Pieces, Book V, op. 54 no. 3: March of the Dwarfs)
part of:
Lyric Suite, op. 54 (pt 1 orch. Grieg; pts 2-4 orch. Seidl, revised Grieg)
Edvard Grieg?:??
89Lyric Pieces Book 8, op. 65: VI. Bryllupsdag på Troldhaugen (Wedding Day at Troldhaugen)
piano:
Eva Knardahl (pianist)
recording of:
Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano)
composer:
Edvard Grieg (composer)
part of:
Classic 100: Piano (2004) (number: 19)
part of:
Lyriske stykker, hefte VIII, op. 65 (Lyric pieces, book VIII, op. 65)
Edvard Grieg?:??
90Holberg Suite in G major, op. 40: I. Prelude
orchestra:
Norwegian Chamber Orchestra
conductor:
Terje Tønnesen (violinist and conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg?:??
91Peer Gynt, op. 23: Solveig's Song
sound engineer:
Thore Brinkmann (in 2003-06)
producer:
Jens Braun (classical engineer)
editor:
Thore Brinkmann
soprano vocals [Solveig]:
Marita Kvarving Sølberg (Norwegian soprano) (in 2003-06)
orchestra:
Bergen Philharmonic Orchestra (in 2003-06)
conductor:
Ole Kristian Ruud (conductor) (in 2003-06)
recorded at:
Grieghallen (Grieg Hall) in Bergen, Hordaland, Norway (in 2003-06)
recording of:
Six Orchestral Songs, EG 177 no. 1: Solveigs sang (Solveig’s Song) (in 2003-06)
composer:
Edvard Grieg (composer)
is based on:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Seks sanger med orkester (Six Songs for voice and orchestra, EG 177)
Edvard Grieg?:??
92Prélude à l'après-midi d'un faune (Prelude to A Faun's Afternoon), L 86
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Orchestre philharmonique de l’ORTF and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy?:??
93Suite bergamasque, L 75: Clair de lune
piano:
Finghin Collins (pianist)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy?:??
94String Quartet in G minor, op. 10, L 85: I. Animé et trè décidé
string quartet:
Trávníček Quartet
recording of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 : I. Animé et très décidé (String Quartet in G minor, op. 10: I. Animé et très décidé)
composer:
Claude Debussy (French composer) (from 1892 until 1893)
arrangement of:
Animé et très décidé
part of:
Quatuor à cordes en sol mineur, op. 10, L. 85, CD 91 (String Quartet in G minor, Op. 10, L. 85, CD 91)
Claude Debussy?:??
95Préludes for Piano, L 117: VIII. La fille aux cheveux de lin (The Girl with the Flaxen Hair): Très calme et doucement expressif
solo piano:
小川典子 (Noriko Ogawa, pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy?:??
96Dances for Harp and Strings, L 103: II. Danse profane: Modere
solo concert harp:
Marie-Claire Jamet (harpist)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
Paul Kuentz (conductor)
recording of:
Deux danses pour Harpe et Orchestre, L. 103: Danse profane
composer:
Claude Debussy (French composer) (from 1904-04 until 1904-05)
part of:
Deux danses pour Harpe et Orchestre, L. 103, CD 113
Claude Debussy?:??
97Deux arabesques (Two Arabesques), L 66: No. 1
piano:
Peter Schmalfuss (pianist)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
Claude Debussy?:??
98Syrinx for Solo Flute, L 129
flute:
Jadwiga Kotnowska (flutist)
recording of:
Syrinx, L. 129, CD 137 (for solo flute)
composer:
Claude Debussy (French composer) (in 1913)
dedicated to:
Louis Fleury (French flutist)
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
Claude Debussy?:??
99Préludes for Piano, L 117: X. La Cathédrale engloutie (The Sunken Cathedral): Profondément calme
solo piano:
小川典子 (Noriko Ogawa, pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy?:??
100La Mer - Trois Esquisses Symphoniques (The Sea - Three Symphonic Sketches), L 109: I. De l'aube à midi sur la mer (From Dawn to Noon on the Sea): Très lent
sound engineer:
Thore Brinkmann (in 2004-08)
executive producer:
Robert Suff
producer:
Robert Suff (in 2004-08)
editor:
Nora Brandenburg and Elisabeth Kemper
orchestra:
Singapore Symphony Orchestra (in 2004-08)
conductor:
Lan Shui (in 2004-08)
phonographic copyright (℗) by:
BIS Records AB (not for release label use!) (in 2007)
recorded at:
Esplanade – Theatres on the Bay: Concert Hall in Central Singapore (Central Singapore Community Development Council), Singapore (in 2004-08)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 2004-08)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy?:??

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