The Very Best of Julie London

~ Pubblicazione di Julie London (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: Disc One
2▼CD: Disc Two
#TitoloValutazioneDurata
1Can’t Get Used to Losing You
tecnico:
Eddie Brackett
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
Can’t Get Used to Losing You
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
2:23
2September in the Rain
produttore:
Bobby Troup
direttore d'orchestra:
Pete King (composer/arranger)
arrangiatore:
Pete King (composer/arranger)
registrazione di:
September in the Rain (nel 1956)
paroliere:
Al Dubin (nel 1937)
compositore:
Harry Warren (US composer and lyricist) (nel 1937)
editore:
Henrees Music co. (nel 1937) e Peermusic (UK) Limited (nel 1937)
41:42
3Mad About the Boy
tecnico:
Ted Keep
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Pete King and His Orchestra
registrazione cover di:
Mad About the Boy
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
42:13
4Love Letters
registrazione cover di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
2:52
5I Left My Heart in San Francisco
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
I Left My Heart in San Francisco
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
2:49
6Diamonds Are a Girl’s Best Friend
produttore:
Felix Slatkin
voce:
Julie London
registrazione di:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Leo Robin (US composer, lyricist & songwriter) e Jule Styne
editore:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
2:01
7Goody Goody
2:20
8Days of Wine and Roses
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione di:
Days of Wine and Roses
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
parte di:
The 35th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1964 winner) e Academy Award for Best Original Song (numero: 1962 winner)
2:54
9You’d Be So Nice to Come Home To
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
batteria :
Earl Palmer (il 1960-03-04)
chitarra :
Al Viola (il 1960-03-04)
contrabbasso :
Don Bagley (il 1960-03-04)
pianoforte :
Jimmy Rowles (il 1960-03-04)
tromba :
Bob Flanigan (il 1960-03-04)
vibrafono :
Emil Richards (il 1960-03-04)
voce:
Julie London (il 1960-03-04)
orchestra:
The Jimmy Rowles Orchestra (il 1960-03-04)
registrata presso:
Julie London’s living room (il 1960-03-04)
registrazione cover di:
You’d Be So Nice to Come Home To (il 1960-03-04)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
42:15
10Light My Fire
produttore:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
voce:
Julie London
direttore d'orchestra:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
arrangiatore:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
registrazione cover di:
Light My Fire
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
3:20
11Here’s That Rainy Day
registrazione di:
Here’s That Rainy Day
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:16
12Body and Soul
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:26
13God Bless the Child
registrazione di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:17
14They Can’t Take That Away From Me
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
43:09
15Our Day Will Come
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
Our Day Will Come
paroliere:
Bob Hilliard
compositore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:21
16I’ve Got You Under My Skin
tecnico e produttore:
Richard Bock (record producer)
basso :
Monty Budwig (dal 1965-07-12 al 1965-07-16)
batteria e membranofono :
Colin Bailey (drummer) (dal 1965-07-12 al 1965-07-16)
chitarra :
Joe Pass (jazz guitarist) (dal 1965-07-12 al 1965-07-16)
legni :
Bud Shank (dal 1965-07-12 al 1965-07-16)
pianoforte :
Russ Freeman (pianist) (dal 1965-07-12 al 1965-07-16)
strumenti:
The Bud Shank Quintet (dal 1965-07-12 al 1965-07-16)
voce:
Julie London (dal 1965-07-12 al 1965-07-16)
arrangiatore:
Russ Freeman (pianist)
registrata presso:
Pacific Jazz Studios in Los Angeles, California, Stati Uniti (dal 1965-07-12 al 1965-07-16)
registrazione cover di:
I’ve Got You Under My Skin (dal 1965-07-12 al 1965-07-16)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
3:05
17The End of the World
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
The End of the World
paroliere:
Sylvia Dee (American lyricist)
compositore:
Arthur Kent
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Summit Music Corp, (ASCAP-affiliated)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:47
18One for My Baby
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
One for My Baby (and One More for the Road)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
44:09
19Love for Sale
registrazione di:
Love for Sale
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
2:40
20Sentimental Journey
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
registrata presso:
Julie London’s living room
registrazione di:
Sentimental Journey
paroliere:
Bud Green (nel 1944)
compositore:
Les Brown (American big band & jazz musician) (nel 1944) e Ben Homer (nel 1944)
editore:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. e Morley Music Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:27
21I’ve Got a Crush on You
tecnico:
Chuck Britz e Joe Sidore
produttore:
Calvin Carter
voce:
Julie London
arrangiatore:
Don Bagley
registrazione di:
I’ve Got a Crush on You
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
New World Music Corp. (conclusa), Warner Bros. Music Corp. (conclusa), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Treasure Girl (1928 musical)
2:14
22Call Me Irresponsible
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
registrazione di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
2:49
23You Made Me Love You
tecnico:
Chuck Britz e Joe Sidore
produttore:
Calvin Carter
voce:
Julie London
arrangiatore:
Don Bagley
registrazione di:
You Made Me Love You (I Didn’t Want to Do It)
paroliere:
Joseph McCarthy (lyricist, 1885–1943)
compositore:
James V. Monaco
editore:
Broadway Music Corp.
parte di:
Irene (the musical)
2:19
24Nice Girls Don’t Stay for Breakfast
2:31
25Ev’ry Time We Say Goodbye
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:24

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