Unfinished Life, An (Music Inspired by the film)

~ Veröffentlichung von Christopher Young (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Limited Collector's Edition of 1000 copies

Anmerkung zuletzt geändert am 2013-01-23 11:38 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Unfinished Life
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Unfinished Life
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:27
2Are there Really Cowgirls?
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Are there Really Cowgirls?
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:16
3Speak Softly
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Speak Softly
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:28
4Butte, Montana
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Butte, Montana
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:08
5Cats with No Names
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Cats with No Names
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:32
6Pain Undisguised
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Pain Undisguised
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:12
7Sea Dreams
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Sea Dreams
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:06
8Letters to the Dead
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Letters to the Dead
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:03
9A Father's Greatest Loss
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
A Father's Greatest Loss
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:20
10Bittersweet Sorrow
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Bittersweet Sorrow
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:14
11Kick the Bucket
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Kick the Bucket
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:41
12Grave Chat
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Grave Chat
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:02
13A Subtle Shift
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
A Subtle Shift
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:35
14Accidents
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Accidents
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:11
15Everybody needs Love
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Everybody needs Love
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:40
16Scars on Scars
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Scars on Scars
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
1:56
17Thoughts of M'lady
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Thoughts of M'lady
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:21
18Signs of Happiness
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Signs of Happiness
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
2:09
19We begin at the End Again
recording engineer und Mix:
Robert Fernandez (engineer)
assistierende(r) Techniker(in):
Andrew Dudman (UK recording engineer and mixer, early 21c), Sam Okell (drummer) und Mirek Stiles
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
Editing:
Thomas Milano (soundtrack composer, editor)
conductor:
Allan Wilson (conductor, orchestrator & arranger)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
We begin at the End Again
Orchestrator(in):
Tom Calderaro und Christopher Young (American score composer)
Komponist(in):
Christopher Young (American score composer)
3:19
20Movement 1
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 1
Komponist(in):
Christopher Young (American score composer)
2:22
21Movement 2
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 2
Komponist(in):
Christopher Young (American score composer)
1:45
22Movement 3
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 3
Komponist(in):
Christopher Young (American score composer)
2:02
23Movement 4
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 4
Komponist(in):
Christopher Young (American score composer)
3:02
24Movement 5
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 5
Komponist(in):
Christopher Young (American score composer)
1:05
25Movement 6
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 6
Komponist(in):
Christopher Young (American score composer)
2:32
26Movement 7
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 7
Komponist(in):
Christopher Young (American score composer)
2:02
27Movement 8
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 8
Komponist(in):
Christopher Young (American score composer)
1:44
28Movement 9
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 9
Komponist(in):
Christopher Young (American score composer)
2:15
29Movement 10
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 10
Komponist(in):
Christopher Young (American score composer)
1:33
30Movement 11
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 11
Komponist(in):
Christopher Young (American score composer)
1:45
31Movement 12
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 12
Komponist(in):
Christopher Young (American score composer)
2:01
32Movement 13
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 13
Komponist(in):
Christopher Young (American score composer)
1:13
33Movement 14
Produzent(in):
Flavio Motalla und Christopher Young (American score composer)
phonographisches Urheberrecht (℗) von:
Miramax Film Corp. (film company, restrict use to film/album artwork copyrights only)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Movement 14
Komponist(in):
Christopher Young (American score composer)
1:41