Unforgettable

~ Veröffentlichung von Boston Pops Orchestra (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Unforgettable
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Klavier:
Bob Winter (jazz pianist) (von 1992-12-16 bis 1992-12-18)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Angela Morley
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Unforgettable (von 1992-12-16 bis 1992-12-18)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
3:33
2My Funny Valentine
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Angela Morley
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (von 1992-12-16 bis 1992-12-18)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
3:55
3Lover
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Angela Morley
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Lover (von 1992-12-16 bis 1992-12-18)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:24
4The Way We Were
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Eric Knight (Alternative Rock)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
The Way We Were (von 1992-12-16 bis 1992-12-18)
Texter:
Alan Bergman (American lyricist) (in 1973) und Marilyn Bergman (in 1973)
Komponist(in):
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. und Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1973 winner)
Teil von:
The Way We Were
2:40
5The Song Is You
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Richard Hayman
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
The Song Is You (von 1992-12-16 bis 1992-12-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
4:34
6Long Ago and Far Away
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Alexander Courage
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Long Ago (and Far Away) (von 1992-12-16 bis 1992-12-18)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
3:23
7Satin Doll
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Klavier:
Bob Winter (jazz pianist) (von 1992-12-16 bis 1992-12-18)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Richard Hayman
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Satin Doll (von 1992-12-16 bis 1992-12-18)
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
3:32
8Sophisticated Lady
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Richard Hayman
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Sophisticated Lady (von 1992-12-16 bis 1992-12-18)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:18
9Begin the Beguine
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Billy May
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Begin the Beguine (von 1992-12-16 bis 1992-12-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
3:40
10Stella by Starlight
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Jack Mason (classical arranger)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Stella by Starlight (von 1992-12-16 bis 1992-12-18)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:50
11Laura
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
David Raksin
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Laura (original 1944 film theme) (von 1992-12-16 bis 1992-12-18)
Komponist(in):
David Raksin (in 1944)
5:07
12Moonlight Serenade
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Richard Hayman
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
recording of:
Moonlight Serenade (original instrumental version) (von 1992-12-16 bis 1992-12-18)
Komponist(in) und arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
4:02
13'S Wonderful
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Sid Ramin
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
’S Wonderful (von 1992-12-16 bis 1992-12-18)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:05
14Evergreen
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Richard Hayman
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Evergreen (love theme from “A Star Is Born”) (von 1992-12-16 bis 1992-12-18)
Texter:
Paul Williams (US songwriter/soft rock vocalist) (in 1976)
Komponist(in):
Barbra Streisand (in 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28), Emmanuel Music Corp (in 1976) und First Artists Music Co. (in 1976)
Teil von:
Academy Award for Best Original Song (Nummer: 1976 winner)
3:44
15Through the Eyes of Love
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Billy Byers
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Through the Eyes of Love (Ice Castles, theme) (von 1992-12-16 bis 1992-12-18)
Texter:
Carole Bayer Sager
Komponist(in):
Marvin Hamlisch
publisher:
EMI Gold Horizon Music Corp. und EMI Golden Torch Music Corp.
Teil von:
The 52nd Academy Award for Best Original Song (Nummer: 2)
4:00
16Smoke Gets in Your Eyes
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Peter Bodge
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Smoke Gets in Your Eyes (von 1992-12-16 bis 1992-12-18)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
4:10
17Star Dust
recording engineer:
Shawn Murphy (producer/engineer) (von 1992-12-16 bis 1992-12-18)
Produzent(in):
Shawn Murphy (producer/engineer) und John Williams (American score composer and conductor)
Orchester:
Boston Pops Orchestra (von 1992-12-16 bis 1992-12-18)
conductor:
John Williams (American score composer and conductor) (von 1992-12-16 bis 1992-12-18)
arranger:
Jack Mason (classical arranger)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1992-12-16 bis 1992-12-18)
instrumental recording of:
Stardust (the jazz standard) (von 1992-12-16 bis 1992-12-18)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:17

Nennungen

Veröffentlichungsgruppe

enthalten in:John Williams: Conductor von John Williams (American score composer and conductor)
Teil von:Boston Pops conducted by John Williams (Reihenfolge: 31)