Total 80s Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Ai No Corrida
cover recording of:
Ai no corrida
writer:
Chaz Jankel (English musician and songwriter) and Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones4:12
2Funkytown
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown (12″ version) by Lipps, Inc.
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:59
3Never Knew Love Like This Before
producer:
Reggie Lucas and James Mtume (jazz/funk musician)
strings arranger and wind instruments [Horn Arrangements] arranger:
Wade Marcus
vocals arranger:
Tawatha Agee, Reggie Lucas and James Mtume (jazz/funk musician)
phonographic copyright (℗) by:
20th Century-Fox Record Corporation (in 1977)
recorded at and mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
recording of:
Never Knew Love Like This Before
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills5:30
4Another Step (Closer to You)
recorded in:
England, United Kingdom
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
bass guitar:
Gary Twigg
drums (drum set):
Matthew Letley
guitar:
Steve Byrd
keyboard:
Ricky Wilde
additional guest vocals:
Junior (Norman Washington Giscombe, Jr.)
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
produced for:
Big M (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Another Step (Closer to You)
writer:
Steve Byrd and Kim Wilde
Kim Wilde3:24
5Walls Come Tumbling Down
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
12 string guitar, bass guitar, guitar, synthesizer [synth] and lead vocals:
Paul Weller (English singer‐songwriter and musician) (from 1984-12 until 1985-03)
drums (drum set) [drums] and percussion:
Steve White (Style Council drummer) (from 1984-12 until 1985-03)
fortepiano [piano forte], Hammond organ and keyboard [electronic keyboards]:
Mick Talbot (from 1984-12 until 1985-03)
piano:
Helen Turner (from 1984-12 until 1985-03)
saxophone:
Mike Mower (from 1984-12 until 1985-03)
trombone:
Chris Lawrence (from 1984-12 until 1985-03)
trumpet:
David DeFries (from 1984-12 until 1985-03) and Stewart Prosser (from 1984-12 until 1985-03)
vocals:
D.C. Lee (from 1984-12 until 1985-03)
strings arranger:
John Mealing (British keyboards player, composer and arranger.)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1984-12 until 1985-03)
recording of:
Walls Come Tumbling Down (from 1984-12 until 1985-03)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Co. Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council33:25
6Sweetest Smile
recording of:
Sweetest Smile
lyricist and composer:
Colin Vearncombe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1987)
Black4:21
7Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1987)
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.353:53
8No More the Fool
recording of:
No More the Fool
lyricist and composer:
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd and Virgin Music (Publishers) Ltd.
Elkie Brooks4:57
9Magic Smile
Rosie Vela4:24
10Wedding Bells
recorded by:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
recording of:
Wedding Bells
writer:
Lol Creme and Kevin Godley
publisher:
St. Anne’s Music Ltd.
Godley & Creme4.353:25
11I Can Dream About You
additional recording engineer:
Shelly Yakus
recording engineer:
Dan Hartman
additional engineer:
Gabe Veltri
assistant mixer:
Steve Krause (Steven A Krause)
mixer:
Humberto Gatica
additional drums (drum set):
Art Wood (US session drummer/percussionist)
additional guitar:
Richie Zito
electric bass guitar:
Eddie N. Watkins Jr.
percussion:
Bobbye Hall
piano:
Bill Payne
background vocals:
Winston Ford, Dan Hartman and Joe Pizzullo
lead vocals:
Dan Hartman
phonographic copyright (℗) by:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) and Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
12Hold On to My LoveJimmy Ruffin3:33
13The Lover in Me
assistant engineer:
Andy "Opie" Batwinas (task: mixing), Don Sullivan (engineer), Toni Greene (engineer) and Fred Howard (engineer)
engineer:
Jon Gass and Jon Gass (task: mixing)
producer:
L.A. & Babyface (US R&B songwriting/production duo)
mixer:
Babyface (R&B musician Kenny Edmonds) and L.A. Reid
drums (drum set) [drums] and percussion:
L.A. Reid
keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds) and Kayo (Kevin Roberson)
solo saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
background vocals:
Babyface (R&B musician Kenny Edmonds), Sheena Easton, Daryl Simmons and Karyn White
produced for:
La'Face, Inc. (production company)
recorded at:
Elumba Recording Studio in Hollywood, Los Angeles, California, United States and Galaxy Sound in Hollywood, Los Angeles, California, United States
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
remixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California, United States
instrumental versions:
The Lover in Me (instrumental) by Sheena Easton, The Lover in Me (instrumental) by Sheena Easton and The Lover in Me (instrumental) by Sheena Easton
recording of:
The Lover in Me
writer:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) and Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip Music (publisher) and Kear Music (publisher)
Sheena Easton5:03
14Too Good to Be Forgotten
cover recording of:
Too Good to Be Forgotten
writer:
Barbara Acklin (singer and songwriter) and Eugene Record
Amazulu3:06
15New Beginning (Mamba Seyra)
recording of:
New Beginning
writer:
Tony Gibber and Mike Myers (UK producer/songwriter)
Bucks Fizz4:08
16Candy Girl
recording of:
Candy Girl
composer:
Michael Jonzun and Maurice Starr
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs Australia Pty. Ltd. and Universal‐MCA Music Publishing (US)
New Edition3:54
17Don’t Stop (’89)
L.A. Mix3:49
18Right on Track
producer:
Jimmy Iovine
recording of:
Right on Track
writer:
Stephen Bray and Dan Gilroy
Breakfast Club4:18
19Downtown ’88
recording of:
Downtown
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark3:05
20Axel F
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:02
5CD

Credits

Release

ASIN:UK: B002WHQAJY [info]