Süddeutsche Zeitung | Diskothek: 1957: Ein Jahr und seine 20 Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Young Man’s Blues
recording of:
Young Man Blues
lyricist and composer:
Mose Allison
publisher:
Andre Mae Music Co., Bug Music Ltd. and Jazz Editions (in 2006)
Mose Allison1:25
2Blue Monday
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Frank Music (in 1956), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 12)
cover recording of:
Blue Monday (on 1955-03-30)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Chappell Music (UK) and Chappell Music Ltd.
Fats Domino52:16
3Little Bitty Pretty One
recording of:
Little Bitty Pretty One
lyricist and composer:
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Bobby Day & the Satellites2:18
4Short Fat Fannie
bass:
Ted Brinson (on 1957-04-26)
drums (drum set):
Earl Palmer (on 1957-04-26)
guitar:
Rene Hall (on 1957-04-26)
piano:
Leon M. Silby (on 1957-04-26)
tenor saxophone:
Jesse James Jones (on 1957-04-26)
vocals:
Larry Williams (1950s rocker) (on 1957-04-26)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-04-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 39)
recording of:
Short Fat Fannie (on 1957-04-26)
lyricist and composer:
Lawrence Eugene Williams (1950s rocker) (in 1957)
Larry Williams22:23
5Whole Lot of Shakin’ Going On
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-02-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1957-02-05)
writer:
Sunny David (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Sunny David (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:52
6Red Cadillac and a Black Moustache
producer:
Sam Phillips (founder of Sun Records)
guitar:
Warren Smith (US rockabilly vocalist/guitarist) (in 1957)
vocals:
Warren Smith (US rockabilly vocalist/guitarist) (in 1957)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1957)
recording of:
Red Cadillac and a Black Moustache (in 1957)
lyricist and composer:
Lillian May and Willie B. Thompson,
publisher:
Unart Music Corp.
Warren Smith2:38
7Louie Louie
Richard Berry & The Pharaohs2:11
8What Is This Generation Coming To?
recording of:
What Is This Generation Coming To?
lyricist and composer:
Joseph Francis Burke (producer, songwriter and Big Band leader) and Don Raye
Robert Mitchum2:39
9Island in the SunHarry Belafonte2:47
10Rocking Pneumonia and the Boogie Woogie FluHuey Smith & the Clowns2:14
11Cruisin’
recording of:
Cruisin'
writer:
Bill Davis and Gene Vincent
Gene Vincent & His Blue Caps2:12
12Don’t You Rock Me Daddy‐O
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957)
recording of:
Don't You Rock Me Daddy-O
composer:
Bill Varley and Wally Whyton
The Vipers Skiffle Group2:15
13Der Mann Mit Dem Rock ’n’ Roll‐Pullover
recording of:
Der Mann mit dem Rock’n Roll Pullover
lyricist and composer:
Hans Hubberten
Evelyn Künneke2:50
14Farther Up the Road
Bobby “Blue” Bland2:57
15Three Times a Fool
recording of:
Three Times a Fool
lyricist and composer:
Otis Rush
Otis Rush2:48
16Flyin’ Saucers Rock & Roll
producer:
Sam Phillips (founder of Sun Records)
bass:
Marvin Pepper (on 1956-12-11)
drums (drum set):
Jimmy Van Eaton (on 1956-12-11)
guitar:
Roland Janes (on 1956-12-11) and Billy Lee Riley (on 1956-12-11)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1956-12-11)
vocals:
Billy Lee Riley (on 1956-12-11)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1956-12-11)
remix of:
Flying Saucer Rock & Roll (undubbed master take) by Billy Riley
recording of:
Flyin’ Saucers Rock ’n’ Roll (on 1956-12-11)
lyricist and composer:
Ray Scott (Rockabilly artist: Harold Raymond Scott)
Billy Lee Riley & His Little Green Men2:02
17That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Gary Tollett (on 1957-02-25), Niki Sullivan (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:15
18Bye Bye LoveThe Everly Brothers2:22
19Happy New Year
recording of:
Happy New Year
lyricist and composer:
Gordon Jenkins
Judy Garland3:10
20Young and Beautiful
cover recording of:
Young and Beautiful (on 1957-04-30)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) and Rachel’s Own Music
Elvis Presley42:07

Credits

Release

rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
copyrighted (©) by:Süddeutsche Zeitung GmbH (in 2006)
part of:Süddeutsche Zeitung | Diskothek (1955-2004) (number: 3) (order: 3)
Discogs:https://www.discogs.com/release/2120670 [info]