Masterworks: The 1954-61 Albums (de-luxe edition box-set)

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

This is a fabulous collection of 9 CDS comprising 227 tracks of 15 classic LPs plus bonus tracks, all wonderfully 24 Bit digtally remastered.
Each CD is housed in a cardboard sleeve with the original release artwork. The outer box is thick cardboard (clamshell style).

Anmerkung zuletzt geändert am 2016-06-01 19:57 UTC.

Titelliste

1CD: Swing Easy / Songs for Young Lovers
2CD: In the Wee Small Hours
3CD: Songs for Swingin' Lovers!
4CD: Only the Lonely
5CD: Come Dance With Me! / Come Fly With Me
6CD: Nice 'n' Easy / Look to Your Heart
7CD: Sinatra's Swingin' Session!!! / A Swingin' Affair
8CD: Come Swing With Me! / Swing Along With Me
9CD: Ring-A-Ding Ding! / I Remember Tommy...
Nr.TitelBewertungLänge
1Ring-A-Ding-Ding
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
recording of:
Ring-a-Ding Ding (am 1960-12-19)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
22:46
2Let's Fall in Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
Let’s Fall in Love (am 1960-12-19)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
2.52:13
3Be Careful, It's My Heart
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Skip Martin
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Be Careful, It’s My Heart (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company und Irving Berlin Music Corp.
12:06
4A Foggy Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
A Foggy Day (in London Town) (am 1960-12-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
12:18
5A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
A Fine Romance (from “Swing Time”) (am 1960-12-20)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
12:13
6In the Still of the Night
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
Techniker(in):
Bill Putnam (am 1960-12-19)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-19)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-19)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-19)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-19) und Don Fagerquist (am 1960-12-19)
Vibraphon:
Emil Richards (am 1960-12-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-19)
cover recording of:
In the Still of the Night (Cole Porter song) (am 1960-12-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
13:26
7The Coffee Song
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
The Coffee Song (1946 song) (am 1960-12-20)
Texter:
Bob Hilliard
Komponist(in):
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
3.352:53
8When I Take My Sugar to Tea
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
When I Take My Sugar to Tea (am 1960-12-21)
Komponist(in):
Pierre Norman Connor, Sammy Fain und Irving Kahal
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
12:06
9Let's Face the Music and Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
3.52:59
10You'd Be So Easy to Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-20)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-20)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Easy to Love (am 1960-12-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
12:25
11You and the Night and the Music
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
You and the Night and the Music (am 1960-12-21)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
The Band Wagon (1953 film)
1.152:37
12I've Got My Love to Keep Me Warm
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
Techniker(in):
Bill Putnam (am 1960-12-21)
Bass:
Joe Comfort und Joe Mondragon
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
flute:
Bud Shank (am 1960-12-21)
Geige / Violine:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee und Joe Maini
Klavier:
Bill Miller (pianist) (am 1960-12-21)
Perkussion:
Larry Bunker und Emil Richards
Posaune:
Dick Nash, Stu Williamson und Frank Rosolino (am 1960-12-21)
Schlagzeug:
Irv Cottler
Trompete:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (am 1960-12-21) und Don Fagerquist (am 1960-12-21)
Vibraphon:
Emil Richards (am 1960-12-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-21)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-21)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1960-12-21)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
22:54
13I'm Getting Sentimental Over You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
I’m Getting Sentimental Over You (am 1961-05-01)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
13:45
14Imagination
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
Imagination (am 1961-05-01)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:07
15There Are Such Things
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
There Are Such Things (am 1961-05-03)
Verfasser(in):
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (songwriter) (in 1942) und George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:15
16East of the Sun (And West of the Moon)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
East of the Sun (and West of the Moon) (am 1961-05-03)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
13:25
17Daybreak
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Daybreak (am 1961-05-02)
Texter:
Harold Adamson
Komponist(in):
Ferde Grofé (pianist, arranger, conductor and composer)
publisher:
EMI Feist Catalog Inc.
basiert auf:
Mississippi Suite: IV. Mardi Gras. Allegro – Andantino (espressivo e sostenuto) – Assai maestoso e appassionato
2:45
18Without a Song
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Without a Song (am 1961-05-02)
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
Teil von:
Great Day!
3:41
19I'll Be Seeing You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
I’ll Be Seeing You (am 1961-05-01)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
12:51
20Take Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Nash, Dick Noel (trombone) und Bobby Pring
Saxophon:
Jules Jacob (US jazz woodwind player), Plas Johnson, Joe Koch und Abe Most
Schlagzeug:
John Markham
Trompete:
Pete Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-01)
conductor:
Sy Oliver (am 1961-05-01)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-01)
cover recording of:
Take Me (am 1961-05-01)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Mack David (American lyricist and songwriter)
publisher:
Bregman, Vocco & Conn, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und WB Music Corp. (1929–2019)
2:21
21It's Always You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn und Al Porcino
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
It’s Always You (am 1961-05-03)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
12:51
22Polka Dots and Moonbeams
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Dick Noel (trombone), Pullman “Tommy” Pederson und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most und Ted Nash (40s-80s US swing reedman, uncle of the other)
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo, Al Porcino und Jimmy Zito
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-02)
conductor:
Sy Oliver (am 1961-05-02)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-02)
cover recording of:
Polka Dots and Moonbeams (am 1961-05-02)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
2.53:45
23It Started All Over Again
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (von 1961-03-20 bis 1961-03-21)
conductor:
Sy Oliver (von 1961-03-20 bis 1961-03-21)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
recording of:
It Started All Over Again (am 1961-05-03)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Embassy Music Corporation
2:34
24The One I Love Belongs to Somebody Else
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) und Paul Robyn
Cello:
Justin Ditullio, Ray Kramer und Edgar Lustgarten
Geige / Violine:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Joseph Stepansky, Arnold Sukonick (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente:
Plas Johnson und Abe Most
Klavier:
Bill Miller (pianist)
Posaune:
Milt Bernhart, Dick Noel (trombone) und Bobby Pring
Saxophon:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz und Billy Usselton
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Ray Linn, Al Porcino und Jimmy Zito
Waldhorn:
George Price
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-05-03)
conductor:
Sy Oliver (am 1961-05-03)
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-05-03)
cover recording of:
The One I Love (Belongs to Somebody Else) (am 1961-05-03)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild und Milton Weil Music Co. (am 1924-01-07)
2:49
25Reprise: I'm Getting Sentimental Over You
Bass:
Joe Comfort
Bassposaune:
Ken Shroyer (trombonist)
Bratsche / Viola:
Stanley Harris (US big band viola player) und Alexander Neiman (violist)
Cello:
Harold Schneier (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Arnold Belnick, James Getzoff (American concertmaster and violinist), Leonard Malarsky und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Posaune:
Dick Gould, Dick Nash, Dick Noel (trombone) und Pullman “Tommy” Pederson
Saxophon:
Jules Jacob (US jazz woodwind player), Harry Klee, Joe Koch und Irving “Babe” Russin
Schlagzeug:
John Markham
Trompete:
Conte Candoli, Conrad Gozzo und Al Porcino
Waldhorn:
James Decker (French hornist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Sy Oliver
arranger:
Sy Oliver
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1961-03-20 bis 1961-03-21, von 1961-05-02 bis 1961-05-03)
recording of:
I’m Getting Sentimental Over You (am 1961-05-01)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
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Nennungen

Veröffentlichung

hergestellt in:EU (Europa)
Fotografie:Getty Images
Michael Ochs Archives
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Masterworks Series (in 2013)
ASIN:UK: B00PO4ZCSW [Info]