Movie930

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:59
2When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:15
3She
recording engineer:
Gareth Cousins und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Paul Hicks
Produzent(in):
Trevor Jones (South African score composer)
Mix:
Gareth Cousins
Bassgitarre:
Trevor Barry
Instrumente:
Clem Clempson
Klavier:
Dave Hartley (pianist)
Schlagzeug:
Paul Clarvis (percussionist)
Vibraphon:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
Orchester:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
She (Seven Faces of Woman)
Texter:
Herbert Kretzmer
Komponist(in):
Charles Aznavour
publisher:
Essex Music International, Inc. und Standard Music Publishing Ltd.
übersetzte Version von:
Tous les visages de l’amour
Elvis Costello2.53:09
4Dream a Little Dream
Techniker(in):
John Brough
Produzent(in):
Jon Kelly (engineer at Air London Studios) und The Magic Pumpkin (Producer)
Mix:
John Brough, Jon Kelly (engineer at Air London Studios) und The Magic Pumpkin (Producer)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Beautiful South3:35
5Caramel
Assistent recording engineer:
Joe Warda
recording engineer und Mix:
Tchad Blake
Produzent(in):
Mitchell Froom
assistierende(r) Mix:
S. “Husky” Höskulds und John Paterno
Bassgitarre:
Bruce Thomas
E-Gitarre:
Steve Donnelly
flute:
Cecilia Sparacio (flautist)
Keyboard:
Mitchell Froom
Klarinette:
Don Byron
Schlagzeug und Perkussion:
Jerry Marotta (drummer and composer) und Pete Thomas (drummer)
Trompete:
Dave Douglass
Sologesang:
Suzanne Vega (American singer-songwriter)
Blechblasinstrumente arranger:
Mitchell Froom
recording of:
Caramel
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
Suzanne Vega3.52:55
6No Matter What
recorded in:
London (Greater London), England, Vereinigtes Königreich und Los Angeles, California (Kalifornien), Vereinigte Staaten
Keyboard-Programmierung:
Lee McCutcheon
Programmierung:
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
Alex Black (engineer) und Tom (assistant engineeer)
Techniker(in):
Simon Franglen (English score composer), Steve Rinkoff und Robin Sellars (British recording engineer)
leitende(r) Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Jim Steinman
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman und Nigel Wright (British producer, orchestrator and songwriter)
zusätzliche(r) Produzent(in):
Simon Franglen (English score composer) und Lupino
Mix:
Mick Guzauski und Steve Rinkoff
Akustikgitarre [acoustic guitars] und E-Gitarre [electric guitars]:
Michael Thompson (session guitarist)
Bass:
Angela Lupino
Gitarre:
Fridrik Karlsson
Keyboard [keyboards]:
Simon Franglen (English score composer) und Nigel Wright (British producer, orchestrator and songwriter)
Hintergrundgesang [backing vocals]:
Tracy Ackerman und Andy Caine
Sologesang:
Stephen Gately und Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham und Shane Lynch
arranger:
Simon Franglen (English score composer) und Lupino
phonographisches Urheberrecht (℗) von:
Polydor Ireland (in 1998)
aufgenommen bei:
FLM Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Skratch Studios in Surrey, England, Vereinigtes Königreich
engineered at:
Barking Dog Studios in New York, New York, Vereinigte Staaten
Musikvideos:
No Matter What von Boyzone
cover recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal–Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal–Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:35
7Someone Like You
cover recording of:
Someone Like You
Texter und Komponist(in):
Van Morrison
publisher:
Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Dina Carroll3.53:23
8All by Myself
cover recording of:
All by Myself
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Jamie O’Neal4:38
9Turn Back Time
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group)
recording of:
Turn Back Time
Verfasser(in):
Claus Norreen und Søren Rasted
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.554:07
10Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:17
11Pretty
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
zusätzliche(r) Techniker(in):
Aiden McGovern
Akustikgitarre und E-Gitarre:
Noel Hogan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Perkussion und Schlagzeug:
Fergal Lawler
Hintergrundgesang:
Noel Hogan und Mike Mahoney
Sologesang:
Dolores O’Riordan
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1993)
aufgenommen bei:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
mixed at:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich
recording of:
Pretty
Texter:
Dolores O’Riordan
Komponist(in):
Noel Hogan und Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries42:19
12The Look of Love
recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Dusty Springfield3:44
13Out of Reach
Sologesang:
Gabrielle (British singer‐songwriter)
Orchester:
The London Session Orchestra
phonographisches Urheberrecht (℗) von:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (in 2001)
Musikvideos:
Out of Reach von Gabrielle (British singer‐songwriter)
recording of:
Out of Reach (in 2001)
Verfasser(in):
Louise Gabrielle Bobb (British singer‐songwriter) und Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:18
14How Do I Live
Assistent recording engineer:
Glenn Spinner (engineer)
recording engineer:
Jeff Balding
Produzent(in):
Tony Brown (US producer, pianist and keyboardist) und Trisha Yearwood
Mix:
Chuck Ainlay
Akustikgitarre:
Larry Byrom
Bassgitarre:
Michael Rhodes
E-Gitarre:
Steve Gibson (US country vocalist and guitarist)
Keyboard:
Steve Nathan und Matt Rollings (American composer, musician and record producer)
Lap-Steel-Gitarre:
Paul Franklin (steel guitarist)
Saiteninstrumente:
Nashville String Machine
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist)
Schlagzeug:
Paul Leim
Hintergrundgesang [harmony vocals]:
Carrie McDowell und Judson Spence
conductor:
Ronn Huff
Saiteninstrumente arranger:
Ronn Huff
phonographisches Urheberrecht (℗) von:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1997)
aufgenommen bei:
Ocean Way Studios in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Sound Kitchen Studios in Franklin, Tennessee, Vereinigte Staaten
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
Trisha Yearwood34:03
15Your Eyes
recording of:
Your Eyes (la boum 2)
Texter:
Jeff Jordan (Vladimir Cosma)
Komponist(in):
Vladimir Cosma (French-Romanian composer, conductor and violinist)
publisher:
Laghetto
Cook Da Books34:43
16Reality
recording of:
Reality
Texter:
Jeff Jordan (Vladimir Cosma)
Komponist(in):
Vladimir Cosma (French-Romanian composer, conductor and violinist)
publisher:
Lam Larghetto Music (vom 1980 bis heute) und Sarabande (Publisher, likely NOT the label you want) (vom 1980 bis heute)
Richard Sanderson4:48
17What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:19
18Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.852:45
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