101 BBQ Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:08
2The Whole of the Moon
Produzent(in):
Mike Scott (The Waterboys)
Mix:
Mick Glossop (producer & engineer)
Bass-Synthesizer und Synthesizer:
Karl Wallinger (in 1985-05)
Gitarre und Klavier:
Mike Scott (The Waterboys) (in 1985-05)
Perkussion:
Martin Ditcham (in 1985-05)
Saxophon:
Anthony Thistlethwaite (in 1985-05)
Schlagzeug:
Chris Whitten (in 1985-05)
Trompete:
Roddy Lorimer (in 1985-05)
Hintergrundgesang:
Max Edie (in 1985-05) und Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographisches Urheberrecht (℗) von:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
Texter und Komponist(in):
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.454:59
3Joyride
Programmierung:
Anders Herrlin (in 1990-07) und Clarence Öfwerman (in 1990-07)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1990-07)
E-Gitarre und Gitarre:
Jonas Isacsson (in 1990-07)
Keyboard:
Clarence Öfwerman (in 1990-07)
Trillerpfeife:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07) und Per Gessle (Swedish singer and guitarist) (in 1990-07)
remixer:
Brian Malouf
phonographisches Urheberrecht (℗) von:
Roxette Recordings und EMI Svenska AB (not for release label use!) (in 1991)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1990-07)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Joyride (in 1990-07)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.353:59
4Life Is a Highway
Techniker(in) und Mix:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
Produzent(in):
Tom Cochrane (of Red Rider) (Aufgabe: pre-production), Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) und John Webster (Canadian keyboardist) (Aufgabe: pre-production)
Bassgitarre [bass]:
Spider Sinneave
E-Gitarre und Mundharmonika:
Tom Cochrane (of Red Rider)
Orgel und Perkussion:
John Webster (Canadian keyboardist)
Schlagzeug [drums]:
Mickey Curry
Hintergrundgesang:
Tom Cochrane (of Red Rider), John Cody (Canadian-born singer/songwriter/producer) und Molly Johnson (Canadian jazz chanteuse)
vocals:
Tom Cochrane (of Red Rider)
Schlagzeug [drums] arranger:
John Webster (Canadian keyboardist)
arranger:
Tom Cochrane (of Red Rider)
recording of:
Life Is a Highway
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
publisher:
PW Arrangements und Universal Music Publishing Canada
Tom Cochrane54:24
5Love Is (LP version)
leitende(r) Produzent(in):
Christopher Ward (Canadian songwriter & veejay)
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Love Is
Texter und Komponist(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1989)
Alannah Myles33:37
6Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:06
7Always the Last to Know (single mix)
recording of:
Always the Last to Know
Verfasser(in):
Justin Currie
Del Amitri1.654:15
8When Tomorrow Comes
Techniker(in):
Jon Bavin und Emmanuel Guiot (sound engineer)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Remaster von:
When Tomorrow Comes von Eurythmics
recording of:
When Tomorrow Comes
Orchestrator(in):
Michael Kamen (American score composer)
Texter und Komponist(in):
Dave Stewart (UK guitarist/singer for Eurythmics), Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und RCA Music Ltd. (publisher)
Eurythmics44:14
9In a Big Country (radio edit)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3:49
10If This Is It
recording engineer:
Jim Gaines
Produzent(in):
Huey Lewis and the News (American pop rock band)
Mix:
Bob Clearmountain
Bassgitarre:
Mario Cipollina
Gitarre [lead]:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Sologesang:
Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1999) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
If This Is It
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Huey Lewis
publisher:
Hulex Music (publisher)
Huey Lewis and the News3.83:49
11Ship of Fools
recording of:
Ship of Fools
Texter und Komponist(in):
Karl Wallinger
publisher:
Polygram Music, PolyGram Music Publishing Ltd. und Welk Music Ltd.
World Party4.354:28
12To Be With You
assistierende(r) Techniker(in):
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick und Andy Udoff
Techniker(in) und Mix:
Kevin Elson und Tom Size (US audio engineer)
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
Billy Sheehan
Gitarre:
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
Schlagzeug [drums]:
Pat Torpey
Sologesang [vocals]:
Eric Martin (vocalist for Mr. Big)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991), Warner Music International (trademark of Warner Music International the company) (in 1991) und Warner Music H.K. Ltd. (in 1997)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
To Be With You von Mr. Big (American hard rock band)
recording of:
To Be With You
Verfasser(in):
David Grahame und Eric Martin (vocalist for Mr. Big)
publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Dog Turner Music (vom 1991 bis heute), EMI April Music Inc. (vom 1991 bis heute), Eric Martin Songs (vom 1991 bis heute), Tasmanian Compositions (vom 1991 bis heute), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Mr. Big4.43:19
13Love Is a Battlefield
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984)
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar44:08
14Hot in the City
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Hot in the City (extended version) von Billy Idol (English rock singer‐songwriter)
Musikvideos:
Hot in the City (uncensored version) von Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) und Rare Blue Music Inc
Billy Idol3.83:30
15Talking in Your Sleep
Techniker(in):
Hal Hansford und Jim Sessody
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
Mix:
Neil Kernon und Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Nemperor Records, Inc. (in 1983)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Talking in Your Sleep
Verfasser(in):
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) und Peter Solley (English pianist, songwriter and producer)
publisher:
ForeverEndeavor Music, Inc. (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Romantics3.93:53
16Roam (album version)
sonstige Unterstützung:
Budd Tunick (Aufgabe: Production Manager)
Programmierung:
Richard Hilton
Techniker(in):
Tom Durack
zusätzliche(r) Techniker(in):
Paul Angelli, Ed Brooks (audio engineer at RFI Mastering in Seattle), Patrick Dillett und Keith Freedman
Produzent(in):
Nile Rodgers
Mix:
Tom Durack und Nile Rodgers
Bassgitarre [bass]:
Sara Lee (UK bassist, singer & songwriter)
Gitarre:
Keith Strickland
Keyboard [keyboards]:
Richard Hilton
Schlagzeug:
Leroy Clouden
vocals:
Kate Pierson und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei und mixed at:
Skyline Studios in New York, Vereinigte Staaten
recording of:
Roam
Texter:
Robert Waldrop
Komponist(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s3.94:53
17Get a Haircut
recording of:
Get a Haircut
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
George Thorogood & the Destroyers4:02
18Leave a Light On
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1989)
recording of:
Leave a Light On
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) und Virgin Songs, Inc. (in 1989)
Belinda Carlisle24:14
19Walking in Memphis (LP version)
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:13
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Nennungen

Veröffentlichungsgruppe

Teil von:101 Hits (Australian compilation series) (Nummer: BBQ Songs) (Reihenfolge: 8)