Superhits: The Mid-'60s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Where Did Our Love Go
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-04-08)
Bass:
James Jamerson (am 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (am 1964-04-08)
Gitarre:
Robert White (US funk/soul guitarist) (am 1964-04-08) und Eddie Willis (am 1964-04-08)
Instrumente:
The Funk Brothers (am 1964-04-08)
Klavier:
Earl Van Dyke (am 1964-04-08)
Schlagzeug:
Richard "Pistol" Allen (am 1964-04-08)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-04-08)
Hintergrundgesang:
Florence Ballard (am 1964-04-08) und Mary Wilson (am 1964-04-08)
Sologesang:
Diana Ross (am 1964-04-08)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-04-08)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 29) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 472)
recording of:
Where Did Our Love Go (am 1964-04-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Supremes52:34
2Dawn (Go Away)The 4 Seasons52:45
3I Know a Place
vocals:
Petula Clark (English singer & actress) (in 1965)
recording of:
I Know a Place (in 1965)
Texter und Komponist(in):
Tony Hatch
publisher:
Welbeck Music Ltd.
Petula Clark52:46
4My Boy Lollipop
Produzent(in):
Chris Blackwell (Island Records)
cover recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small4.651:59
5Last Kiss
cover recording of:
Last Kiss
Texter und Komponist(in):
Wayne Cochran
publisher:
Boblo Music, Fort Knox Music Inc. und Trio Music Co., Inc.
J. Frank Wilson and the Cavaliers2:28
6There! I've Said It Again
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
conductor:
Stan Applebaum (US composer, arranger and conductor)
arranger:
Stan Applebaum (US composer, arranger and conductor)
cover recording of:
There I’ve Said it Again
Verfasser(in):
Redd Evans und David Mann (American songwriter)
publisher:
Campbell Connelly und Music Sales Corporation (American copyright holder in both popular and classical music)
Bobby Vinton2:22
7Love Potion Number NineThe Searchers2:07
8Lady Godiva
recording of:
Lady Godiva
Verfasser(in):
Charles Mills (songwriter/lyricist, co-composed with Mike Leander) und Mike Leander
publisher:
Dean Street Music Co., EMI (EMI Records, or EMI Music only if there is no other imprint), J. Albert & Son P/L und J. Albert & Son Pty. Ltd.
Peter and Gordon2:27
9Ooh Baby Baby
recording of:
Ooo Baby Baby
Verfasser(in):
Warren “Pete” Moore und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Miracles2:47
10Monday, Monday
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Interpret(in):
The Mamas & the Papas (American folk rock vocal group) (am 1965-12-16)
phonographisches Urheberrecht (℗) von:
Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-12-16)
recording of:
Monday, Monday (am 1965-12-16)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music und Universal/MCA Music Ltd. (not for release label use!)
The Mamas and the Papas4.13:20
11Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:38
12Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
adaptations:
バス ストップ (Angels' Japanese version)
The Hollies4.752:54
13Five O'Clock World
recording of:
Five O’Clock World
Texter und Komponist(in):
Allen Reynolds
The Vogues2:09
14Turn! Turn! Turn! (To Everything There Is a Season)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds3:39
15Along Comes Mary
aufgenommen bei:
Monterey International Pop Music Festival (1967-06-16 – 1967-06-18)
aufgenommen bei:
Monterey County Fairgrounds in Monterey, California (Kalifornien), Vereinigte Staaten (am 1967-06-16)
live recording of:
Along Comes Mary (am 1967-06-16)
Texter und Komponist(in):
Tandyn Almer
The Association2:51
16Save Your Heart for Me
cover recording of:
Save Your Heart for Me
Verfasser(in):
Gary Geld und Peter Udell
Gary Lewis and the Playboys1:59
17Let's Hang On
recording of:
Let’s Hang On!
Verfasser(in):
Bob Crewe, Denny Randell und Sandy Linzer
publisher:
Saturday Music, Inc. (beendet), EMI Longitude Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seasons’ Four Music Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The 4 Seasons3:16
18How Sweet It Is (To Be Loved by You)
Produzent(in):
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) und William Stevenson (Motown songwriter)
recording of:
How Sweet It Is (to Be Loved by You) (am 1964-07-10)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye32:59
19Did You Ever Have to Make Up Your Mind?
recording of:
Did You Ever Have to Make Up Your Mind
Texter und Komponist(in):
John Sebastian
The Lovin’ Spoonful52:00
20Red Rubber Ball
recording of:
Red Rubber Ball
Verfasser(in):
Paul Simon (of Simon & Garfunkel) und Bruce Woodley
publisher:
Paul Simon Music
The Cyrkle2:20
21Dang Me
recorded in:
Tennessee, Vereinigte Staaten
Produzent(in):
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
recording of:
Dang Me (am 1964-01-11)
Texter und Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Roger Miller1:52
22Ferry Cross the Mersey
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Ferry Cross the Mersey
Texter und Komponist(in):
Gerry Marsden
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Gerry and the Pacemakers2:22

Nennungen

Veröffentlichungsgruppe

Teil von:Superhits (Time-Life Music) (Reihenfolge: 11)