Complete Mozart Edition

~ Uitgave van Wolfgang Amadeus Mozart (Bekijk alle versies van deze uitgave, 17 beschikbaar)

Nummerlijst

1▶cd: Volume 1: Symphonies
2▶cd: Volume 1: Symphonies
3▶cd: Volume 1: Symphonies
4▶cd: Volume 1: Symphonies
5▶cd: Volume 1: Symphonies
6▶cd: Volume 1: Symphonies
7▶cd: Volume 1: Symphonies
8▶cd: Volume 1: Symphonies
9▶cd: Volume 1: Symphonies
10▶cd: Volume 1: Symphonies
11▶cd: Volume 1: Symphonies
12▶cd: Volume 1: Symphonies
13▶cd: Volume 2: Serenades / Dances / Marches
14▶cd: Volume 2: Serenades / Dances / Marches
15▶cd: Volume 2: Serenades / Dances / Marches
16▶cd: Volume 2: Serenades / Dances / Marches
17▶cd: Volume 2: Serenades / Dances / Marches
18▶cd: Volume 2: Serenades / Dances / Marches
19▶cd: Volume 2: Serenades / Dances / Marches
20▶cd: Volume 2: Serenades / Dances / Marches
21▶cd: Volume 2: Serenades / Dances / Marches
22▶cd: Volume 2: Serenades / Dances / Marches
23▶cd: Volume 2: Serenades / Dances / Marches
24▶cd: Volume 2: Serenades / Dances / Marches
25▶cd: Volume 2: Serenades / Dances / Marches
26▶cd: Volume 3: Divertimenti / Serenades
27▶cd: Volume 3: Divertimenti / Serenades
28▶cd: Volume 3: Divertimenti / Serenades
29▶cd: Volume 3: Divertimenti / Serenades
30▶cd: Volume 3: Divertimenti / Serenades
31▶cd: Volume 3: Divertimenti / Serenades
32▶cd: Volume 3: Divertimenti / Serenades
33▶cd: Volume 3: Divertimenti / Serenades
34▶cd: Volume 3: Divertimenti / Serenades
35▶cd: Volume 3: Divertimenti / Serenades
36▶cd: Volume 3: Divertimenti / Serenades
37▶cd: Volume 4: Piano Concertos
38▶cd: Volume 4: Piano Concertos
39▶cd: Volume 4: Piano Concertos
40▶cd: Volume 4: Piano Concertos
41▶cd: Volume 4: Piano Concertos
42▶cd: Volume 4: Piano Concertos
43▶cd: Volume 4: Piano Concertos
44▶cd: Volume 4: Piano Concertos
45▶cd: Volume 4: Piano Concertos
46▶cd: Volume 4: Piano Concertos
47▶cd: Volume 4: Piano Concertos
48▶cd: Volume 4: Piano Concertos
49▶cd: Volume 5: Violin Concertos / Wind Concertos
50▶cd: Volume 5: Violin Concertos / Wind Concertos
51▶cd: Volume 5: Violin Concertos / Wind Concertos
52▶cd: Volume 5: Violin Concertos / Wind Concertos
53▶cd: Volume 5: Violin Concertos / Wind Concertos
54▶cd: Volume 5: Violin Concertos / Wind Concertos
55▶cd: Volume 5: Violin Concertos / Wind Concertos
56▶cd: Volume 5: Violin Concertos / Wind Concertos
57▶cd: Volume 5: Violin Concertos / Wind Concertos
58▶cd: Volume 6: Quintets, Quartets, Trios, etc.
59▶cd: Volume 6: Quintets, Quartets, Trios, etc.
60▶cd: Volume 6: Quintets, Quartets, Trios, etc.
61▶cd: Volume 6: Quintets, Quartets, Trios, etc.
62▶cd: Volume 6: Quintets, Quartets, Trios, etc.
63▶cd: Volume 6: Quintets, Quartets, Trios, etc.
64▶cd: Volume 6: Quintets, Quartets, Trios, etc.
65▶cd: Volume 6: Quintets, Quartets, Trios, etc.
66▶cd: Volume 7: String Quartets / String Quintets
67▶cd: Volume 7: String Quartets / String Quintets
68▶cd: Volume 7: String Quartets / String Quintets
69▶cd: Volume 7: String Quartets / String Quintets
70▶cd: Volume 7: String Quartets / String Quintets
71▶cd: Volume 7: String Quartets / String Quintets
72▶cd: Volume 7: String Quartets / String Quintets
73▶cd: Volume 7: String Quartets / String Quintets
74▶cd: Volume 7: String Quartets / String Quintets
75▶cd: Volume 7: String Quartets / String Quintets
76▶cd: Volume 7: String Quartets / String Quintets
77▶cd: Volume 8: Violin Sonatas / String Duos & Trios
78▶cd: Volume 8: Violin Sonatas / String Duos & Trios
79▶cd: Volume 8: Violin Sonatas / String Duos & Trios
80▶cd: Volume 8: Violin Sonatas / String Duos & Trios
81▶cd: Volume 8: Violin Sonatas / String Duos & Trios
82▶cd: Volume 8: Violin Sonatas / String Duos & Trios
83▶cd: Volume 8: Violin Sonatas / String Duos & Trios
84▶cd: Volume 8: Violin Sonatas / String Duos & Trios
85▶cd: Volume 8: Violin Sonatas / String Duos & Trios
86▶cd: Volume 9: Piano Music
87▶cd: Volume 9: Piano Music
88▶cd: Volume 9: Piano Music
89▶cd: Volume 9: Piano Music
90▶cd: Volume 9: Piano Music
91▶cd: Volume 9: Piano Music
92▶cd: Volume 9: Piano Music
93▶cd: Volume 9: Piano Music
94▶cd: Volume 9: Piano Music
95▶cd: Volume 9: Piano Music
96▶cd: Volume 9: Piano Music
97▶cd: Volume 9: Piano Music
98▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▼cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
#TitelWaarderingDuur
1Oratorio in F major, K. 74c/118 "La Betulia liberata": I. Parte prima: Overtura
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Overtura (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
La Betulia liberata, K. 74c/118
3:56
2Oratorio in F major, K. 74c/118 "La Betulia liberata": II. Parte prima: Recitativo "Popoli di Betulia" (Ozia)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Popoli di Betulia" (Ozia) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
0:58
3Oratorio in F major, K. 74c/118 "La Betulia liberata": III. Parte prima: No. 1 Aria "D’ogni colpa la colpa maggiore" (Ozia)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 1. Aria "D’ogni colpa la colpa maggiore" (Ozia) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
6:54
4Oratorio in F major, K. 74c/118 "La Betulia liberata": IV. Parte prima: Recitativo "E in che sperar?" (Cabri, Amital)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello [cello, continuo]:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
sopraanvocalen [Amital]:
Ileana Cotrubaș (Romanian soprano) (in 1978-02)
sopraanvocalen [Cabri]:
Gabriele Fuchs (soprano) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "E in che sperar?" (Cabri, Amital) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
1:41
5Oratorio in F major, K. 74c/118 "La Betulia liberata": V. Parte prima: No. 2 Aria "Ma qual virtù non cede" (Cabri)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
sopraanvocalen [Cabri]:
Gabriele Fuchs (soprano) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 2. Aria "Ma qual virtù non cede" (Cabri) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
3:34
6Oratorio in F major, K. 74c/118 "La Betulia liberata": VI. Parte prima: Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
sopraanvocalen [Amital]:
Ileana Cotrubaș (Romanian soprano) (in 1978-02)
sopraanvocalen [Cabri]:
Gabriele Fuchs (soprano) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
3:17
7Oratorio in F major, K. 74c/118 "La Betulia liberata": VII. Parte prima: No. 3 Aria "Non hai cor" (Amital)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
sopraanvocalen [Amital]:
Ileana Cotrubaș (Romanian soprano) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 3. Aria "Non hai cor" (Amital) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
4:58
8Oratorio in F major, K. 74c/118 "La Betulia liberata": VIII. Parte prima: Recitativo "E qual pace sperate" (Ozia, Amital, Coro)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
koor:
Salzburger Kammerchor (Austrian chamber choir) (in 1978-02)
sopraanvocalen [Amital]:
Ileana Cotrubaș (Romanian soprano) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "E qual pace sperate" (Ozia, Amital, Coro) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
2:29
9Oratorio in F major, K. 74c/118 "La Betulia liberata": IX. Parte prima: No. 4 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
koor:
Salzburger Kammerchor (Austrian chamber choir) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 4. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
3:57
10Oratorio in F major, K. 74c/118 "La Betulia liberata": X. Parte prima: Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
contraltovocalen [Giuditta]:
Hanna Schwarz (mezzo soprano) (in 1978-02)
sopraanvocalen [Amital]:
Ileana Cotrubaș (Romanian soprano) (in 1978-02)
sopraanvocalen [Cabri]:
Gabriele Fuchs (soprano) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
3:54
11Oratorio in F major, K. 74c/118 "La Betulia liberata": XI. Parte prima: No. 5 Aria "Del pari infeconda" (Giuditta)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
contraltovocalen [Giuditta]:
Hanna Schwarz (mezzo soprano) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 5. Aria "Del pari infeconda" (Giuditta) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
5:59
12Oratorio in F major, K. 74c/118 "La Betulia liberata": XII. Parte prima: Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
contraltovocalen [Giuditta]:
Hanna Schwarz (mezzo soprano) (in 1978-02)
sopraanvocalen [Cabri]:
Gabriele Fuchs (soprano) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
2:22
13Oratorio in F major, K. 74c/118 "La Betulia liberata": XIII. Parte prima: No. 6 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
koor:
Salzburger Kammerchor (Austrian chamber choir) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 6. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
3:57
14Oratorio in F major, K. 74c/118 "La Betulia liberata": XIV. Parte prima: Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
basvocalen [Achior]:
Walter Berry (bass‐baritone) (in 1978-02)
sopraanvocalen [Amital]:
Ileana Cotrubaș (Romanian soprano) (in 1978-02)
sopraanvocalen [Cabri]:
Gabriele Fuchs (soprano) (in 1978-02)
sopraanvocalen [Carmi]:
Margarita Zimmermann (mezzo-soprano) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
2:56
15Oratorio in F major, K. 74c/118 "La Betulia liberata": XV. Parte prima: No. 7 Aria "Terribile d’aspetto" (Achior)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
basvocalen [Achior]:
Walter Berry (bass‐baritone) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 7. Aria "Terribile d’aspetto" (Achior) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
3:57
16Oratorio in F major, K. 74c/118 "La Betulia liberata": XVI. Parte prima: Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
cello:
Cornelius Hermann (in 1978-02)
klavecimbel:
Jean‐Pierre Faber (harpsichordist) (in 1978-02)
basvocalen [Achior]:
Walter Berry (bass‐baritone) (in 1978-02)
contraltovocalen [Giuditta]:
Hanna Schwarz (mezzo soprano) (in 1978-02)
sopraanvocalen [Cabri]:
Gabriele Fuchs (soprano) (in 1978-02)
tenorvocalen [Ozia]:
Peter Schreier (German tenor and conductor) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
2:51
17Oratorio in F major, K. 74c/118 "La Betulia liberata": XVII. Parte prima: No. 8 Aria "Parto inerme, e non pavento" (Giuditta)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
contraltovocalen [Giuditta]:
Hanna Schwarz (mezzo soprano) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 8. Aria "Parto inerme, e non pavento" (Giuditta) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
6:56
18Oratorio in F major, K. 74c/118 "La Betulia liberata": XVIII. Parte prima: No. 9 Coro "Oh prodigio! Oh stupor!" (Coro)
producent:
Gottfried Kraus (writer, critic, producer, radio host) en Rudolf Werner (producer at Deutsche Grammophon)
koor:
Salzburger Kammerchor (Austrian chamber choir) (in 1978-02)
orkest:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) (in 1978-02)
was dirigent:
Leopold Hager (conductor) (in 1978-02)
balanstechnicus:
Josef Sladko (engineer) (in 1978-02)
opgenomen bij:
Große Aula der Universität Salzburg in Salzburg, Salzburg, Oostenrijk (in 1978-02)
is een opname van:
La Betulia liberata, K. 74c/118: Parte I. No. 9. Coro "Oh prodigio! Oh stupor!" (Coro) (in 1978-02)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Pietro Metastasio
deel van:
La Betulia liberata, K. 74c/118: Parte I
2:26
117▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
118▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶cd: Volume 13: Early Italian Operas
133▶cd: Volume 13: Early Italian Operas
134▶cd: Volume 13: Early Italian Operas
135▶cd: Volume 13: Early Italian Operas
136▶cd: Volume 13: Early Italian Operas
137▶cd: Volume 13: Early Italian Operas
138▶cd: Volume 13: Early Italian Operas
139▶cd: Volume 13: Early Italian Operas
140▶cd: Volume 13: Early Italian Operas
141▶cd: Volume 13: Early Italian Operas
142▶cd: Volume 13: Early Italian Operas
143▶cd: Volume 13: Early Italian Operas
144▶cd: Volume 13: Early Italian Operas
145▶cd: Volume 14: Middle Italian Operas
146▶cd: Volume 14: Middle Italian Operas
147▶cd: Volume 14: Middle Italian Operas
148▶cd: Volume 14: Middle Italian Operas
149▶cd: Volume 14: Middle Italian Operas
150▶cd: Volume 14: Middle Italian Operas
151▶cd: Volume 14: Middle Italian Operas
152▶cd: Volume 14: Middle Italian Operas
153▶cd: Volume 14: Middle Italian Operas
154▶cd: Volume 15: Late Italian Operas
155▶cd: Volume 15: Late Italian Operas
156▶cd: Volume 15: Late Italian Operas
157▶cd: Volume 15: Late Italian Operas
158▶cd: Volume 15: Late Italian Operas
159▶cd: Volume 15: Late Italian Operas
160▶cd: Volume 15: Late Italian Operas
161▶cd: Volume 15: Late Italian Operas
162▶cd: Volume 15: Late Italian Operas
163▶cd: Volume 15: Late Italian Operas
164▶cd: Volume 15: Late Italian Operas
165▶cd: Volume 16: German Operas
166▶cd: Volume 16: German Operas
167▶cd: Volume 16: German Operas
168▶cd: Volume 16: German Operas
169▶cd: Volume 16: German Operas
170▶cd: Volume 16: German Operas
171▶cd: Volume 16: German Operas
172▶cd: Volume 16: German Operas
173▶cd: Volume 16: German Operas
174▶cd: Volume 16: German Operas
175▶cd: Volume 16: German Operas
176▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
178▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises