Dies Irae: The Essential Choral Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Carmina Burana : O Fortuna
Produzent(in):
Hans Hirsch (producer at Deutsche Grammophon)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968)
aufgenommen bei:
UFA-Tonstudio in Berlin, Deutschland (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:39
2Aida : Grand March
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
recording of:
Aida: Grand March (catch-all for arrangements)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Arrangement von:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Giuseppe Verdi5:11
3Vespers of the Virgin Mary
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Karl-August Naegler (balance engineer)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
Tenor-Gesang:
Nigel Robson (tenor) (in 1989-05)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) und His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
Tonmeister(in):
Ulrich Vette (engineer)
aufgenommen bei:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italien (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Arrangement von:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Claudio Monteverdi2:10
4Judas Maccabaeus
Chorgesang:
Wandsworth School Boys’ Choir
Orchester:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Russell Burgess
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1746)
Librettist:
Thomas Morell
Teil von:
Judas Maccabaeus, HWV 63: Act III
Georg Friedrich Händel2:53
5Peer Gynt Suite : In the Hall of the Mountain King
Chorgesang:
Gösta Ohlin's Vocal Ensemble (in 1987-06) und Pro Musica Chamber Choir (Swedish choir) (in 1987-06)
Sprecher:
Tor Stokke (in 1987-06)
vocals:
Tor Stokke (in 1987-06)
Orchester:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
chorus master:
Gösta Ohlin (in 1987-06)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (in 1987-06)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg52:53
6Magnificat : Magnificat
leitende(r) Produzent(in):
Prof. Dr. Hans Hickmann
Produzent(in):
Karl-Heinz Schneider (producer)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
Tonmeister(in):
Walter Alfred Wettler
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:06
7Requiem : Agnus Dei
recording engineer:
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:05
8Madam Butterfly : Humming Chorus
Produzent(in):
Wolfgang Stengel
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1987-04)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1987-04)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:08
9St Matthew Passion : 'Ich Will Hier' Chorale
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Gerd Ploebsch (engineer)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cello:
Fritz Kiskalt (cellist) (von 1979-06 bis 1979-08)
Cembalo:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (von 1979-06 bis 1979-08)
Fagott:
Karl Kolbinger (bassoonist) (von 1979-06 bis 1979-08)
Geige / Violine:
Gerhart Hetzel (violinist) (von 1979-06 bis 1979-08)
Kontrabass:
Herbert Duft (double bass player) (von 1979-06 bis 1979-08)
Oboe [oboe I] und Oboe d’amore [oboe d'amore I]:
Manfred Clement (oboist) (von 1979-06 bis 1979-08)
Oboe [oboe II] und Oboe d’amore [oboe d'amore II]:
Robert Eliscú (von 1979-06 bis 1979-08)
oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (von 1979-06 bis 1979-08)
oboe da caccia [oboe da caccia II]:
Andreas Schwinn (oboist) (von 1979-06 bis 1979-08)
Orgel:
Friedemann Winkelhofer (organist) (von 1979-06 bis 1979-08) und Elmar Schloter (organist) (von 1979-06 bis 1979-08)
Querflöten (alle Arten) [transverse flute I]:
Aurèle Nicolet (flutist) (von 1979-06 bis 1979-08)
Querflöten (alle Arten) [transverse flute II]:
Wolfgang Haag (flautist) (von 1979-06 bis 1979-08)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (von 1979-06 bis 1979-08)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (von 1979-06 bis 1979-08) und Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (von 1979-06 bis 1979-08)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (von 1979-06 bis 1979-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (von 1979-06 bis 1979-08)
chorus master:
Georg Ratzinger (German choir conductor and composer) (von 1979-06 bis 1979-08)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1980)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (von 1979-06 bis 1979-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (von 1979-06 bis 1979-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:12
10Tannhauser : The Entry of the Guests
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
Richard Wagner7:09
11Don Carlos : 'Auto da fe' Chorus
Chorgesang:
Coro del Teatro alla Scala di Milano
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Gabriele Santini (conductor)
teilweise recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1867)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto II (III)
Giuseppe Verdi3:34
12Prince Igor : Polovtsian Dances
Bass-Gesang:
Torgny Sporsén (bass)
Chorgesang:
Göteborgs Symfoniska Kör (Gothenburg Symphony Chorus)
Orchester:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
chorus master:
Ove Gotting (chorus master)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) und Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Александр Порфирьевич Бородин8:36
13Il Travatore : Anvil Chorus
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:46
14Land of Hope and Glory
recording engineer:
Jean‐Marie Geijsen (in 1996-01) und Cees Heijkoop (recording engineer) (in 1996-01)
Produzent(in):
Anna Barry (classical producer) (in 1996-01)
Chorgesang:
Royal Choral Society (The Royal Choral Society) (in 1996-01)
Orchester:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1996-01)
recording of:
Land of Hope and Glory (in 1996-01)
Nationalhymne von:
England, Vereinigtes Königreich (beendet)
Texter:
Arthur Christopher Benson
Komponist(in):
Edward Elgar (composer) (in 1902)
basiert auf:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
Sir Edward Elgar5:54
15Messiah :Hallelujah Chorus
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
Orchester:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/859339 [Info]