| # | Title | Artist | Rating | Length |
|---|
| 1 | Hey Laura | Gregory Porter | | 3:19 |
| 2 | Carnival Town- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Jesse Harris (from 2003 until 2004)
- cello:
- Jane Scarpantoni (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- viola:
- David Gold (from 2003 until 2004)
- strings arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Carnival Town (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
| Norah Jones | 3.25 | 3:12 |
| 3 | Love Is Here to Stay | Curtis Stigers | | 4:20 |
| 4 | Black Coffee | Harry Edison, Mary Stallings | | 5:19 |
| 5 | Don’t Let the Sun Catch You Cryin’ | Shirley Horn | | 6:00 |
| 6 | I’m Afraid the Masquerade Is Over | Cannonball Adderley, Nancy Wilson | | 4:19 |
| 7 | I Get a Kick Out of You | Ella Fitzgerald | 3.65 | 4:00 |
| 8 | These Foolish Things | Johnny Hartman | | 4:17 |
| 9 | ’Deed I Do | Blossom Dearie | | 2:12 |
| 10 | To Love You All Over Again | Madeleine Peyroux | | 3:57 |
| 11 | Baby I’m a Fool- bass:
- Ken Pendergast
- cello:
- Larry Corbett, Christina Soule and Cécilia Tsan
- double bass:
- Nico Abandolo and Drew Dembowski
- drums (drum set):
- Charlie Patterno
- harp:
- Amy Shulma
- viola:
- Alma Fernandez, Samuel Formicola , Roland Kato and Dave Walther
- violin:
- Darius Campo, Roberto Cani , Kevin Connolly , Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov and Audrey Solomon
- vocals:
- Melody Gardot
- recording of:
- Baby I'm a Fool
- lyricist and composer:
- Melody Gardot
- publisher:
- WC Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Melody Gardot | 3.65 | 3:30 |
| 12 | I Idolize You | Lizz Wright | | 4:53 |
| 13 | Water Under Bridges | Gregory Porter | | 3:51 |
| 14 | Make You Happy | Erin Boheme | | 4:26 |
| 15 | Tragedy- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- drums (drum set):
- Brian Blade
- electric bass guitar [electric bass]:
- Chris Thomas
- electric guitar:
- Tony Scherr
- Hammond organ [Hammond B-3 organ]:
- Pete Remm
- percussion:
- Danny Sadownick
- piano:
- Norah Jones
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Tragedy
- writer:
- Norah Jones and Sarah Oda
- publisher:
- EMI Blackwood Music Inc. (in 2016), Muthajones Music (in 2016) and One Eye Oda Music (in 2016)
| Norah Jones | 3 | 4:14 |
| 16 | We Just Couldn’t Say Goodbye | Diana Krall | | 3:07 |
| 17 | Paris in the Rain | Sarah McKenzie | | 3:47 |
| 18 | Fever | Jaimee Paul | | 4:40 |
| 19 | Let’s Fall in Love | Diana Krall | | 4:19 |
| 20 | In the Night | George Shearing, Dakota Staton | | 2:01 |
| 21 | I’m All Right | Madeleine Peyroux | 5 | 3:26 |
| 22 | My Kinda Love | Kay Starr | | 2:39 |
| 23 | Take Me to the Alley | Gregory Porter | | 5:17 |
| 24 | The Very Thought of You | Nnenna Freelon | | 6:01 |
| 25 | Sweet Lorraine | Nat King Cole | | 3:08 |
| 26 | Carry On- additional recording engineer:
- Ted Tuthill
- recording engineer and engineer:
- Ted Tuthill
- assistant engineer:
- Cameron Alexander , Brandon Bost, Jeff Citron, Owen Mulholland and Adam Tilzer
- co-producer:
- Sarah Oda
- producer:
- Norah Jones and Eli Wolf
- assistant mixer:
- Joe Visciano
- mixer:
- Tom Elmhirst
- acoustic bass guitar [acoustic bass]:
- Chris Thomas
- drums (drum set):
- Brian Blade
- Hammond organ [Hammond B-3 organ]:
- Jon Cowherd
- piano:
- Norah Jones
- background vocals:
- Dr. Lonnie Smith
- vocals:
- Norah Jones
- phonographic copyright (℗) by:
- Blue Note Records (in 2016)
- additionally recorded at:
- Brooklyn Recording in Brooklyn, New York, New York, United States
- recorded at and engineered at:
- Sear Sound in New York, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Carry On
- lyricist and composer:
- Norah Jones
- publisher:
- EMI Blackwood Music Inc. (in 2016) and Muthajones Music (in 2016)
| Norah Jones | 3 | 2:48 |
| 27 | Bienvenue dans ma vie | Nikki Yanofsky | | 3:49 |
| 28 | That Old Feeling | Chet Baker | 3 | 3:02 |
| 29 | Moonlight Saving Time | Blossom Dearie | | 2:01 |
| 30 | You’re Nobody ’til Somebody Loves You- producer:
- Lee Gillette
- bass:
- Joe Comfort (on 1960-05-10)
- cello:
- Jacques Gasselin (on 1960-05-10), Edgar Lustgarten (on 1960-05-10) and Eleanor Slatkin (on 1960-05-10)
- drums (drum set):
- Alvin Stoller (on 1960-05-10)
- guitar:
- Al Hendrickson (on 1960-05-10)
- piano:
- Bill Miller (on 1960-05-10)
- saxophone:
- Buddy Collette (on 1960-05-10), Plas Johnson (on 1960-05-10), Harry Klee (on 1960-05-10), Joe Koch (on 1960-05-10) and Wilbur Schwartz (on 1960-05-10)
- trombone:
- Russell Brown (on 1960-05-10), Dick Noel (on 1960-05-10), Tom Pederson (on 1960-05-10) and Thomas Shepard (on 1960-05-10)
- trumpet:
- Pete Candoli (on 1960-05-10), Conrad Gozzo (on 1960-05-10), Carroll Lewis (on 1960-05-10) and Shorty Sherock (on 1960-05-10)
- viola:
- Alvin Dinkin (on 1960-05-10) and Paul Robyn (on 1960-05-10)
- violin:
- Victor Bay (on 1960-05-10), Alex Beller (on 1960-05-10), Dan Lube (on 1960-05-10), Felix Slatkin (on 1960-05-10), Marshall Sosson (on 1960-05-10) and Gerald Vinci (on 1960-05-10)
- vocals:
- Dean Martin (on 1960-05-10)
- orchestra:
- Nelson Riddle and His Orchestra (on 1960-05-10)
- conductor:
- Nelson Riddle (on 1960-05-10)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-05-10)
- cover recording of:
- You’re Nobody Till Somebody Loves You (on 1960-05-10)
- writer:
- James Cavanaugh, Russ Morgan and Larry Stock
- publisher:
- Capitol Records , Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc.
- part of:
- The Real Book
| Dean Martin | 4.35 | 2:12 |
| 31 | Hit the Ground | Lizz Wright | | 3:30 |
| 32 | The Best Is Yet to Come | Matt Dusk | | 3:06 |
| 33 | Don’t Wait Too Long | Madeleine Peyroux | 4.05 | 3:10 |
| 34 | L‐O‐V‐E- additional recording engineer:
- Al Schmitt (in 2017-07)
- assistant recording engineer:
- Chris Barratt (in 2017-05) and Alex Ferguson (in 2017-05)
- recording engineer:
- Misha Kachkachischvili and Geoff Foster (in 2017-05)
- producer:
- Vince Mendoza
- mixer:
- Al Schmitt (in 2017-07)
- guest trumpet:
- Terence Blanchard
- vocals:
- Gregory Porter
- orchestra:
- London Studio Orchestra (in 2017-05)
- conductor:
- Vince Mendoza
- arranger:
- Vince Mendoza
- phonographic copyright (℗) by:
- Gregory Porter (in 2017)
- additionally recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (in 2017-07)
- recorded at:
- Esplanade Studios in New Orleans, Louisiana, United States and AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 2017-05)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (in 2017-07)
- cover recording of:
- L‐O‐V‐E
- lyricist:
- Milton Gabler
- composer:
- Bert Kaempfert
- publisher:
- Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert and Screen Gems–EMI Music, Inc.
- sub-publisher:
- イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Gregory Porter | | 2:08 |
| 35 | The Look of Love- assistant recording engineer:
- Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
- recording engineer and mixer:
- Al Schmitt
- producer:
- Tommy LiPuma
- assistant mixer:
- John Hendrickson
- bass:
- Christian McBride
- drums (drum set):
- Peter Erskine (in 2001)
- guitar:
- Romero Lubambo (in 2001)
- percussion:
- Luis Conte (in 2001)
- piano:
- Diana Krall (in 2001)
- vocals:
- Diana Krall (in 2001)
- orchestra:
- London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
- conductor:
- Claus Ogerman (in 2001)
- arranger:
- Claus Ogerman
- recorded at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 2001-03-09 until 2001-03-11)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
- cover recording of:
- The Look of Love (in 2001)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc.
- sub-publisher:
- Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- part of:
- The 40th Academy Award for Best Original Song (number: 2)
| Diana Krall | | 4:41 |
| 36 | I’m Gonna Sit Right Down and Write Myself a Letter- arranger:
- Nelson Riddle
- cover recording of:
- I’m Gonna Sit Right Down and Write Myself a Letter
- lyricist:
- Joe Young
- composer:
- Fred Ahlert and Joe Young
- publisher:
- Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC , Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music and Rytvoc, Inc.
| George Benson | | 3:05 |
| 37 | Don’t Know Why | Norah Jones | 3.15 | 3:06 |
| 38 | Be Still My Heart | Silje Nergaard | | 4:59 |
| 39 | L’Excessive | Carla Bruni | | 3:04 |
| 40 | One Night With Frank | Erin Boheme | | 4:14 |
| 41 | Your Heart Is as Black as Night | Melody Gardot | 5 | 2:42 |
| 42 | Dance Me to the End of Love | Madeleine Peyroux | 4.35 | 3:55 |
| 43 | Goin’ to Chicago- recording engineer:
- Tristan Powell
- assistant engineer:
- Poppy Kavanagh , Rowan McIntosh and Patrick Phillips
- mixer:
- Tristan Powell and Will Purton
- double bass:
- Chris Hill
- drums (drum set):
- James Powell
- electric guitar, harmonica and lead vocals:
- Van Morrison
- guest Hammond organ and guest lead vocals:
- Georgie Fame
- phonographic copyright (℗) by:
- Exile Productions Ltd. (in 2017)
- additionally recorded at:
- Real World Studios in Box, Wiltshire, England, United Kingdom
- recorded at:
- Brittania Grove
- mixed at:
- RAK Studios in London , England, United Kingdom and The Distillery in Bath, Somerset, England, United Kingdom
- cover recording of:
- Goin’ to Chicago
- writer:
- Count Basie and Jimmy Rushing
- publisher:
- WB Music Corp.
| Van Morrison | | 5:21 |
| 44 | Manhattan | Blossom Dearie | | 4:18 |
| 45 | Unforgettable | Nat King Cole & Natalie Cole | | 3:32 |
| 46 | Pick Yourself Up- additional recording engineer:
- Al Schmitt (in 2017-07)
- assistant recording engineer:
- Chris Barratt (in 2017-05) and Alex Ferguson (in 2017-05)
- recording engineer:
- Geoff Foster (in 2017-05)
- producer:
- Vince Mendoza
- mixer:
- Al Schmitt (in 2017-07)
- vocals:
- Gregory Porter
- orchestra:
- London Studio Orchestra (in 2017-05) and Los Angeles Studio Orchestra/Musicians (in 2017-07)
- conductor:
- Vince Mendoza
- arranger:
- Vince Mendoza
- phonographic copyright (℗) by:
- Gregory Porter (in 2017)
- additionally recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (in 2017-07)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 2017-05)
- mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (in 2017-07)
- recording of:
- Pick Yourself Up
- lyricist:
- Dorothy Fields
- composer:
- Jerome Kern
- part of:
- Swing Time
| Gregory Porter | | 3:11 |
| 47 | Little Girl Blue- producer:
- Diana Krall and Tommy LiPuma
- mixer:
- Al Schmitt
- double bass [bass]:
- John Clayton (in 2006)
- drums (drum set):
- Jeff Hamilton (in 2006)
- guitar:
- Anthony Wilson
- piano:
- Diana Krall (in 2006)
- vocals:
- Diana Krall (in 2006)
- arranger:
- Diana Krall
- recording of:
- Little Girl Blue (in 2006)
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| Diana Krall | | 5:37 |
| 48 | Lush Life | John Coltrane, Johnny Hartman | | 5:27 |
| 49 | Come Away With Me | Norah Jones | 3.75 | 3:17 |
| 50 | I Got It Bad and That Ain’t Good | The Oscar Peterson Trio | | 5:06 |
| 51 | Worrisome Heart | Melody Gardot | 5 | 4:21 |
| 52 | Bare Bones- recording engineer and mixer:
- Helik Hadar
- assistant engineer:
- Nicolas Essig
- producer:
- Larry Klein
- acoustic guitar:
- Madeleine Peyroux
- bass:
- Larry Klein
- drums (drum set):
- Vinnie Colaiuta
- electric guitar, mandolin and pedal steel guitar:
- Dean Parks
- Hammond organ:
- Larry Goldings
- Wurlitzer electric piano [Wurlitzer piano]:
- Jim Beard
- vocals:
- Madeleine Peyroux
- recorded at:
- Henson Recording Studios in Hollywood, Los Angeles, California, United States and Market Street in Los Angeles, California, United States
- mixed at:
- Market Street in Los Angeles, California, United States
- recording of:
- Bare Bones
- writer:
- Walter Becker, Larry Klein and Madeleine Peyroux
- publisher:
- Chrysalis Music , Exegesis Music, Pennywell Publishing and Zeon Music
| Madeleine Peyroux | | 3:25 |
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