41 Original Hits From the Sound Track of American Graffiti (European reissue, IFPI codes, BMG Ariola)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1(We’re Gonna) Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and The Comets4.352:10
2Sixteen Candles
recording of:
16 Candles
Verfasser(in):
Luther Dixon und Allyson R. Khent
publisher:
January Music Corp., Little A Music, Mijac Music und Unichappell Music, Inc.
The Crests3.52:52
3Runaway
Solo-Clavioline [musitron]:
Max Crook
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 466)
recording of:
Runaway (am 1961-01-24)
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon4.42:19
4Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:18
5That’ll Be the Day
Sprecher:
Wolfman Jack (US disc jockey)
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:16
6Fanny Mae
Sprecher [Dialogue]:
Wolfman Jack (US disc jockey)
recording of:
Fannie Mae
Texter und Komponist(in):
Morris Levy (in 1959), Clarence Lewis (in 1959) und Waymon Glasco (1911-1976 blues musician) (in 1959)
Verfasser(in):
Buster Brown (1911-1976 blues musician)
publisher:
EMI Longitude Music, FROST Music Corp, Jonware Music Co. (US publisher) und Olivia Pub. Co. (BMI-affiliated)
Buster Brown2:53
7At the Hop
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Flash Cadillac & The Continental Kids2:27
8She’s So Fine
recording of:
She’s So Fine
Verfasser(in):
Kris Moe und Linn Phillips
publisher:
Lotsa Music
Flash Cadillac & The Continental Kids2:23
9The Stroll
recording of:
The Stroll
Verfasser(in):
Nancy Lee (US 1950/60s songwriter & singer) und Clyde Otis (American songwriter and record producer)
publisher:
Vogue Music
The Diamonds2:28
10See You in September
recording of:
See You in September
Verfasser(in):
Sherman Edwards und Sid Wayne
publisher:
Vibar Music
The Tempos2:10
11Surfin’ Safari
Techniker(in):
Chuck Britz
Produzent(in):
Nick Venet und Murry Wilson
Sologesang:
Mike Love (Beach Boys) (in 1962-06, am 1962-06-13)
recording of:
Surfin’ Safari (am 1962-06-13)
Verfasser(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Guild Music Company
The Beach Boys42:07
12He’s The Great Imposter
recording of:
(He’s) The Great Imposter
Verfasser(in):
Jackie DeShannon und Sharon Sheeley
publisher:
Metric Music Co (publisher)
The Fleetwoods1:34
13Almost Grown
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Bass und Kontrabass:
Willie Dixon (am 1959-02-17)
Gitarre:
Chuck Berry (am 1959-02-17) und Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1959-02-17)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1959-02-17)
Schlagzeug:
Jasper Thomas (am 1959-02-17)
Hintergrundgesang:
Chuck Barksdale (am 1959-02-17), Harvey Fuqua (am 1959-02-17), Marvin Gaye (am 1959-02-17), Etta James (am 1959-02-17), The Marquees (am 1959-02-17), The Moonglows (1950s Cleveland R&B group) (am 1959-02-17), James Nolan (Second Tenor, Baritone singer) (am 1959-02-17), Reese Palmer (First Tenor singer) (am 1959-02-17) und Chester Simmons (am 1959-02-17)
Sologesang:
Chuck Berry (am 1959-02-17)
vocals:
Chuck Berry (am 1959-02-17)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1959-02-17)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 6)
recording of:
Almost Grown (am 1959-02-17)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:21
14Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:39
15Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:06
16Peppermint Twist
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Peppermint Twist
Verfasser(in):
Joey Dee und Henry Glover
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und FROST Music Corp
Joey Dee & The Starliters2:00
17Barbara Anne
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
recording of:
Barbara‐Ann
Texter und Komponist(in):
Fred Fassert
publisher:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. und Windswept Pacific Music Ltd.
adaptations:
Bomb Iran (Vince Vance & the Valiants parody)
adaptations:
Bomb Iran (Paul Shanklin parody)
adaptations:
Bomb Iraq
The Regents2:12
18Book of Love
recording of:
Book of Love
Verfasser(in):
Warren Davis, George Malone und Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Nom Music, Inc.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones2:21
19Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly3.752:03
20Ya Ya
recording of:
Ya, Ya
Verfasser(in):
Lee Dorsey, Morris Levy, Clarence Lewis und Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey2:24
21The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:36
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