Look at Yourself

~ Release by Uriah Heep (see all versions of this release, 20 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
percussion:
Loughty Amao, Teddy Osei and Mac Tontoh
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.55:08
2I Wanna Be Free
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Wanna Be Free (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
34:00
3July Morning
engineer:
Peter Gallen
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
July Morning (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4.7510:25
4Tears in My Eyes
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Tears in My Eyes (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
54:58
5Shadows of Grief
producer:
Gerry Bron
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Shadows of Grief (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
48:36
6What Should Be Done
producer:
Gerry Bron
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
What Should Be Done (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
34:11
7Love Machine
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Love Machine (in 1971-07)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
33:37
8I Wanna Be Free (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
I Wanna Be Free (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:19
9Tears in My Eyes (alternative mix extended)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
slide guitar:
Ken Hensley
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Tears in My Eyes (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:55
10What Should Be Done (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
What Should Be Done (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:35
11Shadows of Grief (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Shadows of Grief (from 1970 until 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
9:33
12Look at Yourself (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Look at Yourself (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:14
13July Morning (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
synthesizer [minimoog]:
Manfred Mann (the person)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
July Morning (from 1970 until 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
11:18
14Why Fourteen Minutes (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Why Fourteen Minutes (from 1970 until 1971)
writer:
Mick Box, David Byron, Ken Hensley and Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
14:16
15Love Machine (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Love Machine (from 1970 until 1971)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:55
16What’s Within My Heart (alternative mix)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
What's Within My Heart (from 1970 until 1971)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:34
17July Morning (alternative mix; live)
recorded in:
London (Greater London), England, United Kingdom (in 1971)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
live recording of:
July Morning (in 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
11:28
18Look at Yourself (alternative single version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995), Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995, from 1994 until 2002) and Ian Herron (from 1994 until 2002)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1993, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Look at Yourself (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
recording of:
Look at Yourself (in 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:18

Credits

Release

purchase for download:http://www.hdtracks.com/look-at-yourself [info] (ended)
https://mora.jp/package/43000174/A10302B0003932302X_96/ [info] (ended)
https://www.highresaudio.com/en/album/view/uxfc38 [info] (ended)
Discogs:https://www.discogs.com/release/13051614 [info]