| # | Title | Artist | Rating | Length |
|---|
| 1 | You’re the First, the Last, My Everything- engineer:
- Frank Kejmar
- producer:
- Barry White
- arranger:
- Gene Page and Barry White
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1974)
- recording of:
- You’re the First, the Last, My Everything
- writer:
- Peter Sterling Radcliffe, Tony Sepe and Barry White
- publisher:
- Chappell & Co., Inc. , January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
| Barry White | 3.75 | 3:26 |
| 2 | Have You Ever Really Loved a Woman- recorded in:
- Jamaica (in 1995-02) and Wisconsin, United States (from 1995-02-23 until 1995-03-04)
- mixed in:
- France (in 1996-03)
- miscellaneous support:
- Bryan Adams (task: vocal harmony), Mickey Curry (task: brushes) and Olle "Sven" Romo (task: pads)
- programming:
- Olle "Sven" Romo
- engineer:
- Olle "Sven" Romo and Ron Vermeulen
- producer:
- Bryan Adams and Robert John “Mutt” Lange
- mixer:
- Bob Clearmountain (on 1995-03-08)
- acoustic guitar and handclaps:
- BA (from 1995-02-23 until 1995-03-04)
- bass:
- Mutt Lange (from 1995-02-23 until 1995-03-04)
- brushes and drums (drum set):
- Mickey Curry (from 1995-02-23 until 1995-03-04)
- castanets:
- Olle Romo (from 1995-02-23 until 1995-03-04)
- classical guitar [Spanish guitar]:
- Paco de Lucía (from 1995-02-23 until 1995-03-04)
- guitar [spanish]:
- Paco de Lucía
- vocals:
- BA (from 1995-02-23 until 1995-03-04)
- phonographic copyright (℗) by:
- A&M Records (in 1995), A&M Records, Inc. (in 1995, in 1999) and Badman Ltd. (in 1995, in 1999)
- recorded at:
- The Warehouse Studio Mobile Unit (from 1995-02-23 until 1995-03-04)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1995-03-08)
- part of:
- The Downloader’s Music Source Book (number: 163)
- recording of:
- Have You Ever Really Loved a Woman? (from 1995-02-23 until 1995-03-04)
- writer:
- Bryan Adams , Michael Kamen and Robert John “Mutt” Lange
- publisher:
- Out-of-Pocket Productions Ltd., Sony Songs Inc., Zomba Enterprises Inc., Badams Music Limited (in 1995), K‐Man Corp. (in 1995), New Line Music Co. (in 1995), Sony/ATV Songs LLC (in 1995) and Zomba Music Publishing Ltd. (in 1995)
- part of:
- The 68th Academy Award for Best Original Song (number: 2)
| Bryan Adams | 3.55 | 4:51 |
| 3 | Put Your Head on My Shoulder | Paul Anka | | 2:38 |
| 4 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis, Percy Sledge and Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |
| 5 | Bright Eyes | Art Garfunkel | | 3:58 |
| 6 | Heartbreaker- recording of:
- Heartbreaker
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. and Universal Music Publishing International MGB Ltd.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Dionne Warwick | | 4:17 |
| 7 | All I Have to Do Is Dream | The Everly Brothers | | 2:24 |
| 8 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:37 |
| 9 | The Air That I Breathe- engineer:
- Mike Jarratt and Alan Parsons
- producer:
- The Hollies and Ron Richards
- vocals:
- Allan Clarke (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
- phonographic copyright (℗) by:
- EMI Records Ltd. , Sony BMG Music Entertainment (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1973-11-15 until 1973-11-22)
- cover recording of:
- The Air That I Breathe (from 1973-11-15 until 1973-11-22)
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd.
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Hollies | 3.8 | 4:03 |
| 10 | I’d Love You to Want Me | Lobo | | 4:00 |
| 11 | I Got You Babe | Sonny & Cher | 4 | 3:07 |
| 12 | Wonderful World | Sam Cooke | | 2:08 |
| 13 | Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:59 |
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