Tracklist

1Digital Media
#TitleArtistRatingLength
1Tosca, Atto I: “Ah! Finalmente!” (Angelotti, Sagrestano, Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass vocals [Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
bass-baritone vocals [Sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Angelus Domini nuntiavit Mariae” (Sagrestano, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:33
2Tosca, Atto I: “Dammi i colori… Recondita armonia” (Cavaradossi, Sagrestano)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass-baritone vocals [Sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:22
3Tosca, Atto I: “Gente là dentro!” (Cavaradossi, Angelotti, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass vocals [Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:10
4Tosca, Atto I: “Mario! Mario! Mario!” (Tosca, Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini6:57
5Tosca, Atto I: “Ah, quegli occhi” – “Quale occhio al mondo può star di paro” (Tosca, Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:09
6Tosca, Atto I: “È buona la mia Tosca” (Cavaradossi, Angelotti)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass vocals [Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
partial recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:08
7Tosca, Atto I: “Il cannon del castello!” (Cavaradossi, Angelotti, Sagrestano, Coro)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass vocals [Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
bass-baritone vocals [Sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
partial recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:43
8Tosca, Atto I: “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass-baritone vocals [Sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:28
9Tosca, Act 1: Tosca, Atto I: Tutto è chiaro” – “Tosca? Che non mi veda” – “Mario! Mario!” (Scarpia, Tosca, Sagrestano)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass-baritone vocals [Sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:03
10Tosca, Atto I: “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:45
11Tosca, Atto I: “Tre sbirri, una carrozza” (Scarpia, Spoletta, Coro)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:35
12Tosca, Atto II: “Tosca è un buon falco!” (Scarpia, Sciarrone)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:06
13Tosca, Atto II: “Ha più forte” (Scarpia, Sciarrone, Spoletta)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:17
14Tosca, Atto II: “Meno male!” (Scarpia, Spoletta, Coro, Cavaradossi, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:16
15Tosca, Atto II: “Dov’è dunque Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:00
16Tosca, Atto II: “Ed or fra noi parliam da buoni amici” – “Sciarrone, che dice il Cavalier?” (Scarpia, Tosca, Sciarrone, Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:59
17Tosca, Atto II: “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:55
18Tosca, Atto II: “Nel pozzo… nel giardino” (Scarpia, Sciarrone, Tosca, Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini5:22
19Tosca, Atto II: “Se la giurata fede debbo tradir” (Scarpia, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:36
20Tosca, Atto II: “Vissi d’arte” (Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:13
21Tosca, Atto II: “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia, Spoletta)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:40
22Tosca, Atto II: “E qual via scegliete?” (Scarpia, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:38
23Tosca, Atto II: “È morto! Or gli perdono” (Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “È morto! Or gli perdono!” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:54
24Tosca, Atto III: “Io de’ sospiri” (Voce del pastore)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
treble vocals [Voce del pastore]:
Alvaro Cordova (Italian boy soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:38
25Tosca, Atto III: “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass vocals [Carceriere]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:03
26Tosca, Atto III: “E lucevan le stelle” (Cavaradossi)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:47
27Tosca, Atto III: “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:33
28Tosca, Atto III: “O dolci mani mansuete e pure” (Cavaradossi, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:58
29Tosca, Atto III: “Amaro sol per te m’era morire” (Cavaradossi, Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:53
30Tosca, Atto III: “E non giungono” (Tosca, Cavaradossi, Carceriere)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass vocals [Carceriere]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:25
31Tosca, Atto III: “Com’è lunga l’attesa!” (Tosca)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:15
32Tosca, Atto III: “Presto! Su, Mario! Mario! Su! Presto! Andiam!” (Tosca, Voci, Sciarrone, Spoletta)
sound engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical producer)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:18