Essential Baroque

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Te Deum, H. 146: Prélude
Chorgesang:
Choir of King’s College, Cambridge
recording of:
Te Deum, H. 146: Prélude
Komponist(in):
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
Te Deum, H. 146
Marc‐Antoine Charpentier1:46
2Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden
Produzent(in):
John Fraser (UK producer)
Orgel:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
arranger und Orchestrator(in):
Sir Neville Marriner (conductor)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (von 1983-06-27 bis 1983-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:33
3The Four Seasons, Violin Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:06
4Suite in D major: Prince of Denmark's March "Trumpet Voluntary"
Orgel:
Jane Parker‐Smith (organist) (in 1977-05)
Trompete:
Maurice André (French trumpeter) (in 1977-05)
arranger:
Jean‐Michel Defaye (French composer, conductor and pianist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
aufgenommen bei:
Église protestante Saint-Pierre-le-Jeune in Strasbourg, Bas-Rhin (Département Bas-Rhin), Grand Est (Großer Osten), Frankreich (in 1977-05)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1977-05)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist)
Arrangement von:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:49
5Partita for Solo Violin no. 3 in E major, BWV 1006: I. Preludio
Geige / Violine:
Josef Suk (violinist/conductor, 1929–2011)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:35
6Guitar Concerto in D major, RV 93: II. Largo
Gitarre:
Christopher Parkening (guitarist) (in 1993-05)
Orchester:
Academy of St Martin in the Fields (in 1993-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1993-05)
aufgenommen bei:
Blackheath Halls in London (Greater London), England, Vereinigtes Königreich (in 1993-05)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (in 1993-05)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Arrangement von:
Concerto for Lute in D major, RV 93: II. Largo
Teil von:
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
Antonio Vivaldi4:35
7Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto
Geige / Violine:
Christian Ferras (violinist) und Yehudi Menuhin (violinist)
Orchester:
Bath Festival Orchestra
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:40
8Vespro della Beata Vergine (1610): Psalm 112 - Laudate pueri
Instrumente:
Early Music Consort of London
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Philip Ledger
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:48
9Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Produzent(in):
John Fraser (UK producer)
Cembalo [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
Geige / Violine:
Kenneth Sillito (violinist) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
Oboe:
Celia Nicklin (oboist) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
recorder:
Philip Pickett (musician) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
Trompete:
Mark Bennett (trumpeter) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
Orchester:
Academy of St Martin in the Fields (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
Tonmeister(in):
Stuart Eltham (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Warner Classics UK (not for release label use! for copyrights use only)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1985-11-01 bis 1985-11-04, am 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (von 1985-11-01 bis 1985-11-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (am 1985-11-13)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:47
10Funeral Sentences and Funeral Music for Queen Mary: March, Z. 860i
Instrumente:
Philip Jones Brass Ensemble
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir Philip Ledger
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:38
11Funeral Sentences, and Funeral Music for Queen Mary: Thou know'st Lord, Z. 58B
Instrumente:
Philip Jones Brass Ensemble
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir Philip Ledger
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord"
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 58b)
Teil von:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:21
12Harpsichord Concerto no. 5 in F minor, BWV 1056: II. Largo
Cembalo:
George Malcolm (English harpsichordist, conductor)
Orchester:
Menuhin Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:17
13Ouverture-Suite for Flute and Strings in A minor, TWV 55:a2: V. Réjouissance. Viste
Produzent(in):
Christopher Bishop (conductor/producer)
Cello:
Kenneth Heath (cellist) (von 1973-10-01 bis 1973-10-04)
Cembalo:
Christopher Hogwood (conductor, harpsichordist) (von 1973-10-01 bis 1973-10-04)
Geige / Violine:
Carmel Kaine (violinist) (von 1973-10-01 bis 1973-10-04)
Kontrabass:
John Gray (double bass player) (von 1973-10-01 bis 1973-10-04)
recorder:
David Munrow (UK early music historian & musician) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Ouverture-Suite, TWV 55:a2: V. Réjouissance (for recorder or flute and strings) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Georg Philipp Telemann (composer)
Teil von:
Ouverture-Suite, TWV 55:a2
Georg Philipp Telemann2:19
14The Well-Tempered Clavier, Book I, Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Cembalo:
Bob van Asperen (harpsichordist and organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (von 1989 bis 1990)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:46
15Guitar Concerto in C major, RV 425: III. Allegro
Gitarre:
Christopher Parkening (guitarist)
Orchester:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro (Mandolinenkonzert C-Dur, RV 425: III. Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi4:16
16Brandenburg Concerto no. 3 in G major, BWV 1048: I. —
Orchester:
Linde Consort (Swiss ensemble led by Hans-Martin Linde)
conductor:
Hans-Martin Linde (flutist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:45
17Musette and Tambourin en rondeau from Les Fêtes d'Hébé
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet): 9. Tambourin en rondeau
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet)
recording of:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet): 13. Musette en rondeau
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet)
Jean‐Philippe Rameau2:59
18Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
Produzent(in):
John Fraser (UK producer)
Cello [cello continuo]:
Denis Vigay (cellist) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Cembalo [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
flute:
William Bennett (flautist) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Orchester:
Academy of St Martin in the Fields (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
Tonmeister(in):
Stuart Eltham (engineer)
phonographisches Urheberrecht (℗) von:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1984-11-03, von 1984-11-05 bis 1984-11-06, am 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (am 1984-11-03)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (von 1984-11-05 bis 1984-11-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (am 1984-11-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:24
19Keyboard Sonata in B-flat major, Kk. 202
Cembalo:
Bob van Asperen (harpsichordist and organist)
recording of:
Sonata in B-flat major, K 202, L 498: Allegro
Komponist(in):
Domenico Scarlatti (composer)
Teil von:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (Nummer: 202) und Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (Nummer: 498)
Domenico Scarlatti3:51
20Wachet auf, ruft uns die Stimme, BWV 140: No. 4. Choral. "Zion hört die Wächter singen"
Chorgesang:
Süddeutscher Madrigalchor
Orchester:
Consortium Musicum
conductor:
Wolfgang Gönnenwein (conductor)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:24
21Lute Concerto in D major, RV 93: I. Allegro
Instrumente:
Wim ten Have (Classical viola and viol player)
Laute:
Anthony Bailes (lutenist)
Saiteninstrumente:
Danske Strings
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:36
22Messiah, HWV 56: No. 44. Hallelujah
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1966-06-29 bis 1966-08-09)
Solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) und Robert Tear (tenor)
Soprangesang:
Elizabeth Harwood (soprano)
Orchester:
English Chamber Orchestra (von 1966-06-29 bis 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (von 1966-06-29 bis 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
Tonmeister(in):
Neville Boyling (engineer) (von 1966-06-29 bis 1966-08-09)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1966-06-29 bis 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (von 1966-06-29 bis 1966-08-09)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel4:00