The Complete Savoy & Dial Master Takes, Volume 2

~ Veröffentlichung von Erroll Garner (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Man I Love
Klavier:
Erroll Garner (in 1949)
Kontrabass:
John Simmons (bassist) (in 1949)
Schlagzeug:
Alvin Stoller (in 1949)
instrumental recording of:
The Man I Love (in 1949)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
2:39
2Moonglow
Klavier:
Erroll Garner (in 1949)
Kontrabass:
John Simmons (bassist) (in 1949)
Schlagzeug:
Alvin Stoller (in 1949)
instrumental recording of:
Moonglow (in 1949)
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
2:37
3I Want a Little Girl
Klavier:
Erroll Garner (in 1949)
Kontrabass:
John Simmons (bassist) (in 1949)
Schlagzeug:
Alvin Stoller (in 1949)
instrumental recording of:
I Want a Little Girl (in 1949)
Texter:
Billy Moll (songwriter)
Komponist(in):
Murray Mencher (pianist, lyricist and songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
2:47
4She's Funny That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-06-20)
Produzent(in):
Ralph Bass
Klavier:
Erroll Garner (am 1949-06-20)
Kontrabass:
John Simmons (bassist) (am 1949-06-20)
Schlagzeug:
Alvin Stoller (am 1949-06-20)
instrumental recording of:
She’s Funny That Way (am 1949-06-20)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
2:31
5Until the Real Thing Comes Along
Klavier:
Erroll Garner (in 1949)
Kontrabass:
John Simmons (bassist) (in 1949)
Schlagzeug:
Alvin Stoller (in 1949)
instrumental recording of:
Until the Real Thing Comes Along (in 1949)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:52
6Confessin'
Klavier:
Erroll Garner (in 1949)
Kontrabass:
John Simmons (bassist) (in 1949)
Schlagzeug:
Alvin Stoller (in 1949)
instrumental recording of:
I’m Confessin’ (That I Love You) (in 1949)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:01
7Stormy Weather
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1949-06-20)
Produzent(in):
Ralph Bass
Klavier:
Erroll Garner (am 1949-06-20)
Kontrabass:
John Simmons (bassist) (am 1949-06-20)
Schlagzeug:
Alvin Stoller (am 1949-06-20)
instrumental recording of:
Stormy Weather (am 1949-06-20)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
3:08
8On the Sunny Side of the Street
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1949)
Produzent(in):
Ralph Bass
Klavier:
Erroll Garner (in 1949-08)
Kontrabass:
John Simmons (bassist) (in 1949) und Leonard Gaskin (in 1949-08)
Schlagzeug:
Alvin Stoller (in 1949) und Charlie Smith (US jazz drummer) (in 1949-08)
instrumental recording of:
On the Sunny Side of the Street (in 1949-08)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:49
9Rosalie
Klavier:
Erroll Garner (in 1949-08)
Kontrabass:
Leonard Gaskin (in 1949-08)
Schlagzeug:
Charlie Smith (US jazz drummer) (in 1949-08)
instrumental recording of:
Rosalie (from “Rosalie”) (in 1949-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
3:05
10Everything Happens to Me
Klavier:
Erroll Garner (in 1949-08)
Kontrabass:
Leonard Gaskin (in 1949-08)
Schlagzeug:
Charlie Smith (US jazz drummer) (in 1949-08)
instrumental recording of:
Everything Happens to Me (in 1949-08)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:06
11A Stairway to the Stars
Klavier:
Erroll Garner (in 1949-08)
Kontrabass:
Leonard Gaskin (in 1949-08)
Schlagzeug:
Charlie Smith (US jazz drummer) (in 1949-08)
instrumental recording of:
Stairway to the Stars (in 1949-08)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:51
12Play, Fiddle, Play
Gitarre:
Mike Bryan (Musician - Guitar Player) (am 1945-01-30)
Klavier:
Erroll Garner (am 1945-01-30)
Kontrabass:
Slam Stewart (am 1945-01-30)
Schlagzeug:
‘Doc’ West (am 1945-01-30)
2:48
13Dark Eyes
recorded in:
New York, New York, Vereinigte Staaten (am 1945-01-30)
Gitarre:
Mike Bryan (Musician - Guitar Player) (am 1945-01-30)
Klavier:
Erroll Garner (am 1945-01-30)
Kontrabass:
Slam Stewart (am 1945-01-30)
Schlagzeug:
‘Doc’ West (am 1945-01-30)
instrumental recording of:
Очи чёрные ("Dark Eyes"; catch-all for arrangements and unknown versions) (am 1945-01-30)
Komponist(in):
Florian Hermann (composer)
Arrangement von:
Очи чёрные (Schwarze Augen, original version by Y. Hrebinka)
2:59
14Laff, Sam, Laff
Gitarre:
Mike Bryan (Musician - Guitar Player) (am 1945-01-30)
Klavier:
Erroll Garner (am 1945-01-30)
Kontrabass:
Slam Stewart (am 1945-01-30)
Schlagzeug:
‘Doc’ West (am 1945-01-30)
recording of:
Laff, Slam, Laff (am 1945-01-30)
Komponist(in):
Slam Stewart
2:58
15Jumpin' at the Deuces
Gitarre:
Mike Bryan (Musician - Guitar Player) (am 1945-01-30)
Klavier:
Erroll Garner (am 1945-01-30)
Kontrabass:
Slam Stewart (am 1945-01-30)
Schlagzeug:
‘Doc’ West (am 1945-01-30)
2:57
16Pastel
Klavier:
Erroll Garner (am 1947-02-19)
Kontrabass:
Red Callender (am 1947-02-19)
Schlagzeug:
‘Doc’ West (am 1947-02-19)
recording of:
Pastel (am 1947-02-19)
Komponist(in):
Erroll Garner
3:00
17Trio
Klavier:
Erroll Garner (am 1947-02-19)
Kontrabass:
Red Callender (am 1947-02-19)
Schlagzeug:
‘Doc’ West (am 1947-02-19)
recording of:
Trio (am 1947-02-19)
Komponist(in):
Erroll Garner
3:08
18Play Piano Play
Gitarre:
Irving Ashby (am 1947-06-10)
Klavier:
Erroll Garner (am 1947-06-10)
3:20
19Love Is the Strangest Game
Gitarre:
Irving Ashby (am 1947-06-10)
Klavier:
Erroll Garner (am 1947-06-10)
2:52
20Blue Garni
Gitarre:
Irving Ashby (am 1947-06-10)
Klavier:
Erroll Garner (am 1947-06-10)
2:46
21Don't Worry About Me
Gitarre:
Irving Ashby (am 1947-06-10)
Klavier:
Erroll Garner (am 1947-06-10)
3:07
22Loose Nut
Gitarre:
Irving Ashby (am 1947-06-10)
Klavier:
Erroll Garner (am 1947-06-10)
3:02
23Love for Sale
Gitarre:
Irving Ashby (am 1947-06-10)
Klavier:
Erroll Garner (am 1947-06-10)
instrumental recording of:
Love for Sale (am 1947-06-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
2:51
24Fantasy on Frankie & Johnny
Gitarre:
Irving Ashby (am 1947-06-10)
Klavier:
Erroll Garner (am 1947-06-10)
2:59
25Sloe Gin Fizz
Klavier und Solo-Klavier:
Erroll Garner (am 1947-06-10)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-06-10)
2:49